Late-December last year, I got paid in one hit for a bunch of work on a couple of projects, that contemporary dance thing in Europe of getting cash after the work was done. One of those was the solo which got canned a few days before première (thanks poor response in Germland and EU to global pandemic) which we’d been working on since January.
So, I had mad cash and, for possibly the first time in my life, no pressing obligations. Also not mad enough cash that I could do bougie middle-age things like get a mortgage. Cash enough I’ve been working my way down a list that’s a decade old in places of stuff I need to buy. Like new underwear and socks.
And then there’s the big items. Big for me and pretty much everyone I know. The kind of things which cost up to a couple of thousand and actually cause me cold sweats when I think of doing the spend. ’Cos what if, tomorrow, I’m fully povo again and a couple of hundred is the difference between eating, making rent and all? Except this year I already have work till August and money-wise — ’cos I’m good at living on fuck all — I’m kinda sorta maybe doing ok.
I’d been struggling with training over winter. My back blew out in November, I was feeling well too soft to be doing 90-minute rides in below zero weather, and my base training felt majorly on a plateau. I’d been thinking of buying an indoor trainer for years, very attached to the idea of getting rollers rather than one of those remove the back wheel direct trainers, but somehow over the last few years (thanks bogan mountain bikers on a YouTube channel I watch far too frequently), I went for the latter. Went for multiple times and nah nah nah I’ll come back in the morning, need to sleep on this massive decision, only to find them sold out for more weeks, repeating this until a month ago when there it was in the morning, still available.
It arrived within days and sat there, unboxed for three weeks. Because I needed a 10-speed cassette for it, and decided to get an isolation mat and cadence sensor and new heart rate monitor and … and … absolutely spraying money around. And I knew I’d need a calm few hours to do the setup, get it all working, get a feeling for it. On Monday, I did that.
And joined Zwift.
Total fucking bougie middle-aged cunt on a bike.
Yeah but I’m also a semi- / ex- / occasional- athlete-ish dancer-ish professional who knows very well how much I fall apart if I don’t train and it’s work and an actual work expense and a serious commitment and investment.
For the moment I set up in my kitchen. My balcony has some weird, complex slopes I need to make a trip to the Baumarkt to get some levelling blocks to sort out. I put myself through the intro 5-day training plan, 30 minutes each ride and fuuuuck me I have to face the shame I might have never pushed myself as hard — or maybe as structured and intense within that structure, even though I like suffering. It’s very different having actual numbers on a screen to correlate to feeling, and to have to stay at certain numbers for more seconds or minutes than I’d do when doing laps at Tempelhofer Feld and doing it on feel. Mostly it feels like what I get in 30 minutes on the trainer is about what I’d get from an hour at the airport. And if I did my casual longer warmup and cooldown, 15 minutes either side, it’d maybe be comparable. Still though, I haven’t ridden since November, and very not in endurance and high-intensity shape, and I might be in love with how good a fit an indoor smart trainer is for me. Especially because I can set it up at 9pm and do a session in the dark.
Yeah but the bougie, white, racist, cisgender, heteronormative, ableist, masc-centric, middle-class and all miasma is what cycling soaks in, road cycling especially, and online smart training environments even more so. There’s almost not a day that goes by where there isn’t another story about legislation to ban trans kids or athletes — almost always girls, femmes, and women — from sport, competition, changing rooms, swimming pools, and all. I barely ever see a rider who isn’t white — and yes, this is why riders like Ceylin del Carmen Alvarado and Teniel Campbell and Ayesha McGowan are important but aren’t in themselves or as ‘representation’ enough alone. I’m acutely aware of who I am when I’m in lycra on a bike in that environment. I’m acutely aware also, when I’m in queer and trans spaces, that my decades-long relationship with and love of physicality, training and the discipline that is part of professional dance which I carry into riding, climbing, and everything else, all this has a very uneasy, fraught and painful relationship of its own with and in those spaces. How my trans-ness, femme-ness, queer-ness bangs up against cis AFAB queer spaces has a history of exclusion that has an eerie familiarity with sport.
Shit’s mad over-complicated. I just wanna ride and thrash shit.
Okay, 4th draft on top of whatever I was calling assembling it before it was drafts, and 18 months to get it to this. But done in the sense it goes start to finish and got heaps of pages (which is what makes it a novel yah?) and when I finished this read-through which I’ve been on since late last week, it felt … something sparked in my guts, like this, yeah, I wrote a novel. Brought some big offering into the universe. Alhamdulillah.
All that talk with Vass about Veneno reminded me I had a photo or two from way back then.
Young teen transsexual meet old auntie trans femme. Thirty-ish years between these two photos. Sometimes I need reminding.
That me back then … she survived.
I ugly cried watching Veneno. Ug. Ly. Cried. Also laughed my guts out. Hissed — hisssssed!!! at Cristina’s mother and family and all the other cis cunts who fucked with her and straight up I would cut without a second thought.
When Pose came out, that was the first time since Paris is Burning I’d seen myself in some recognisable way, and known it was us in front and behind the camera. It was America though and similar worlds, yeah, but very different ones too.
Veneno though … this was real. Truth. Painful, angry, joyful, hilarious, terrifying, spiteful, sad, beautiful truth. I love seeing us on screen. Old us who did it hard, survived, loud and foul-mouthed and cackling. Young us who have so many more possibilities for lives without harshness and exile, yet still know those all the same. If we are trans, if we are trans femmes, trans women — transsexuals, transvestites, the old words you don’t use anymore and we grew up with — this is our life. This is our world.
And no blogging for six weeks? Longest ever? Like I gave up my life project? Thanks pandemic amping up transphobia and racism and Islamophobia and general shittier behaviour from the str8s.
That’d be me, Francesca d’Ath, and my toes, yesterday while biking to rehearsals.
Pandemic and very delayed sensible government response allowing, I’m performing at Sophiensaele next week. A double bill of two solos, the other with Claudia Tomasi, and both started with Isabelle Schad way back in January.
I don’t know if we’ll even get to perform next week, carrying on like we will, and it feels dead weird to be art-ing while shit goes exponential in Neukölln, Berlin, Germany, Europe … In case we don’t or if we do, here’s me looking well tasty.
And for everyone who saw that poster around Berlin-Mitte, yes, that is me, yes that person is trans femme and serving deep trans femme energy, and yes, even a glance at a poster of me will turn your children trans.
Yeah, I binged Fast & Furious Spy Racers: Rio. Of course I did. And fuck me if Rafaela Moreno’s race suit isn’t the motorsport I live for. Very much want. Very much wish I could serve Femme Hoonage Realness like that and very much love her thrashing Group C cars around Rio. And Avrielle Corti voicing her? 👩🏼🍳😙👌🏼💯
Still a better German Ring story than Wagner’s Ring Cycle.
Yes, I did buy a Nürburgring t-shirt and hoodie. Yes, the hoodie Ring is reflective. Yes, there is a future where I will spend silly money to do laps on the Nordschleife. Preferably at night in the rain.
I’m just fucking gutted and pissed and angry and sad and hurting. And I don’t have words the way other people do who speak so eloquently of a loved one’s death.
Monica Roberts was one of the original bloggers, starting TransGriot way back in 2006, Transistahs-Transbrothas organisation in 2004, and keeping a record of and speaking for trans women and people being murdered. Even then she’d been active as a Black trans woman since the early-’90s and was a strong voice in the blogging community contributing to Pams’ House Blend, The Bilerco Project and other early sites, got on Twitter in 2009, and never stopped doing the hard work of proper trans representation and advocacy in cis space — Black trans representation and advocacy in white cis space.
I’ve been reading her that long, fourteen years at least, and she has been one of the very few constants in my online life and my trans life.
And I wanna say her love of Houston and NFL was always there and as much a part of her and important to her, and I can’t find a place for that so I’m sticking it here.
She was important to me because she was Black, because she was a Black trans woman. There were fuck all trans bloggers or writers or journalists back then, and even fewer of those visible trans people were anything other than white. It was way before 2014’s ‘Trans Tipping Point’ with Laverne Cox on the cover of Time, trans people — especially trans women, and especially Black or Brown trans women — were far from welcome in ‘LGBT’ spaces and pretty much didn’t exist in the cis world.
She was always there.
She did the work.
And like so many Black and Brown and Indigenous and migrant trans women and femmes, she faced unemployment poverty and homelessness.
Every young Black trans woman or femme who has a voice or visibility or presence in 2020 has that because she never stopped. All us older ones are here and seen because she never stopped. There is no speaking our trans history which does not recognise the monumental, tireless, ceaseless work she did.
I loved when she’d come no fucks given for some fool. Her Shut Up Fool Awards deserve a monument. I loved too when she named other trans people who brought racism and homophobia and even, yeah, transphobia along with general piss poor behaviour into the room, especially white trans women riding on their privilege. She never punched down but watching her maul someone who deserved it was as terrifying as it was hilarious.
Every photo I see of her with other trans people I see love and joy for them in her eyes. And every photo with trans women, again especially Black trans women and children, they are looking to her with love. She stepped hard for trans kids for decades and we all saw that.
She was a mother and a Mutha to so many, and an Auntie and a sister and Sistah. And now she joins our Ancestors.