I know my new tires and wheels are mad fast, but kinda doubt I was the fastest thing on Tempelhofer Feld since the airport closed in 2008. Plus I’d have broken numerous Ordnungsamt and Straßenverkehrsbehörde regulations by laying down a solid hour of 217.6km/h — and not a tenth of a km/h faster or slower. Plus that would indeed be a land speed record for non-motor-paced bike on the flat by a huge margin. Then there’s my acceleration: zero to that in 1 second. The Porsche 918 Spyder can barely hit a hundred in twice that time. Takes me 3 seconds to slow to zero though.
One spoke is an accident. Two is not a coincidence. And two different mechanics saying, “Your rim is worn out—stop laughing!—your rim is worn out. You need a new one,” plus the cost of replacing a single spoke—let alone a full wheel rebuild, and when the hubs are also shot, meant bonus! New wheels! Minus side, I indeed cannot afford them, nor the replacement cassette, nor the replacement brake pads and cables.
Nonetheless, suck it up and all. I did my homework, cased multiple options, narrowed it down to a couple, then found one of them for 2/3 the normal price online, and yesterday a well fancy pair of Fulcrum Racing 5 CX arrived. A walk to bike shop and back, cassette fitted, tires swapped on (and let’s pause for a minute and remember the set of Challenge Strada Bianca I got a couple of weeks ago), now just recable-ing and doing the brakes.
And let’s remember six years of fucking glorious riding, bashing through forests, especially my favourite one around Flughafen Tegel, snow, rain, hail, ice, slush, mud, wild boars, foxes, falcons, dust and grit in warm summer mornings, endless laps of Tempelhofer Feld, thousands of kilometres on those old wheels now boxed away (I’ll probably bring them out when I want to practice trials skills or something equally rim-destroying). Cheers old wheels, you were mint.
Everything from Dasniya Sommer in one hit, cos there’s so much:
- Tuesday Morning Shibari Technique Classes in Berlin, April 3, 10, 17, 24
- Das Helmi: Gulliveras Reise, Oldenburgisches Staatstheater, première March 30th
- Das Helmi: Große Vögel, Kleine Vögel, Oldenburgisches Staatstheater, April 1st
- Tamandua Ropë Kinbaku Workshop: Adding Gravity, Berlin, March 19th
Dasniya’s in Oldenburg with Das Helmi working on a new performance with the Staatstheater ensemble, a “progressive feminist science-fiction soft-porno project with puppets and people”. Yes, I am going, I mean come on, sci-fi feminist porno puppets? I’ve seen the Helmis more than any other theatre or dance company and they’re banging. Plus they’re re-staging Große Vögel, Kleine Vögel there, though I’ve seen that three or four times already. I reckon it’s their best work.
While Dasniya’s away the brilliant and quite sadistic Tamandua is teaching a Kinbaku workshop in Uferhallen. If you can pony up for it, his tying is worth it. And then it’s April, so more of Dasniya’s Tuesday morning classes.
All of that and more on Dasniya’s blog. Get to it!
New Tires! I coughed up for some Challenge Strada Biancas ’cos I’m riding more cobbles and less cyclocross lately. Plus my current gravel tires are thrashed to bits. They arrived folded up; I thought they were open tubulars they’re so light. I really wanted the Paris-Roubaix ones, because Paris-Roubaix, but they’re 27mm and I like a bit of width for off-road bashing. So, Strada Bianca. Giro d’Italia, Strade Bianche, these are my favourite races along with the Cobbled Classics. Which start in less than a week!
And here’s my regular re-posting of Dasniya Sommer’s most excellent bondage and shibari workshops in Berlin, this time with performances. As usual, more more more on Dasniya’s blog and website.
- 3 x Bondage Techniques, Tuesday mornings 10am-midday, 7th, 14th, 21st February
- 1 x Self-Suspension workshop, Friday 24th February, 12-16h
There’s a scene in Episode 9 of Sense8 where Lito is sitting with Nomi before an early sketch of Man at the Crossroads in the Diego Rivera Museum in Mexico telling her how he lost his partner Hernando, while cutting to flashbacks of Hernando describing the history of of the mural, of art, and love before their first kiss.
Late-December, Isabelle says, “I’m going to Mexico.” I say, “You have to go to the Diego Rivera Museum.”
Even if she doesn’t make it there, she’s still in a museum, the Museo Universitario del Chopo, where she’s working with a group of local performers to develop and present a variation of the Collective Jumps / Pieces and Elements series. And if you are in Mexico City later next week, you can see it.
4th and 5th February 2017, 1pm
9th and 10th February 2017, 5pm
Personal Collective has been developed together with the performers from Mexico City under the artistic direction of Isabelle Schad, assisted by Julia Rodriguez for the site of the Museum el Chopo. Certain modules derive from the work Collective Jumps by Isabelle Schad and Laurent Goldring.
With: Daniela Urías, Patricia Marcela Herrera Román, Engelbert Ortega, Alvaro Pérez, Azhareel Sierra, Argelia Villegas, Uriel Isaac Palma Torres, Alberto González Etchegaray, Leticia Cordero Mote, Adrián Hernández, Gilberto Spindola, Mariana García, Citlalli Granados de León, Alejandro Ramírez, Edgar Landa, Karina Terán, Mónica Arellano, Daniela Flores, Marlene Coronel, Víctor Hugo Rivera.
Personal Collective is a collaboration by Isabelle Schad with Goethe-Institut Mexico and Museo Universitario del Chopo.
Dasniya Sommer’s most excellent workshop on the art of shibari self-suspension returns in February. One of my faves from her. All the info on her blog.
Fly high! This workshop answers all your questions on self-suspension technique. After a solid warm up we will look at different harnesses for your personal self-suspension.
The technique varies depending on its function and anatomy. It can be used for performing or simply as rope playing with a partner. After a warm up we will step by step look at safety principals, breathing, movement sequence, and progressions in the air.
For me self-suspension is also a performative tool for self-empowerment. So when you are in the air, we will pace down, finding your personal rope dance and own inner hero.
Bring comfortable clothes, a snack and ropes if you have, otherwise we provide them.
Friday, February 24th
Hours: 12 -16h
Costs: 50 €
Info & registration: firstname.lastname@example.org
Where: Institute Sommer, Uferstrasse 8, 13357 Berlin. U8 Pankstrasse, U9 Osloerstrasse
(Enter the gate at the big bus, walk right to the building with the big clock, turn left and immediately right up the small stairs, entrance ‘B6’)
Please take this number in case the door is locked, 0174-3937049
First winter snow. Little better than -2º training ride, sun with ragged clouds, dry powder crunch under wheels, drifts ablating to ice crust.
Mel asked me to come in and and be eyeballs / brain cells / dramaturg, or “Professional Audience” as I call it, with two pro women bodyduilders, Rosie Rascal Harte and Nathalie Schmidt. Who are both brilliant and beautiful performers, smart and thoughtful, and a joy to work with. Melanie totally scored with these two. In fact her whole team is quite awesome, with Clark on sound, and Bartold for stage design.
I’ve been wanting to write about Wonderwomen, Mel, Nathalie and Rosie, and have some time next week when I join them in Leipzig for the première. Rosie’s already written about her side of pre-show prep, as has Nathalie. In the meantime, here’s the details.
Festival Body Change Future
Melanie Lane (Berlin/Melbourne)
“I’ve made many good friends in bodybuilding, though there are few I’d trust to oil my back.” — Lee Labrada
Première: Thurs. 24th Nov. 20:00. LOFFT Leipzig
Season: Sat. 26th, Sun 27th Nov. LOFFT Leipzig
Further seasons: Wed. 14th Dec. Alte Feuerwache, tanz.tausch, Köln
April 2017. HAU Hebbel an Ufer, Berlin
Wonderwomen invites two female bodybuilders Rosie Harte and Nathalie Falk to meet in a performance context. Two women contemplate their highly demanding sport that amplifies and transforms the body. While striving for an ultimate physical form, the women navigate their highly trained bodies and the potential for a new physical language. A dialogue between strength and vulnerablility, representation and transformation, Wonderwomen is an attempt to re-discover, re-invent and re-claim the female body.
Concept & Choreography: Melanie Lane
Performance: Rosie Harte, Nathalie Schmidt
Light design: Fabian Bleisch
Sound design: Clark
Stage design: Robert Bartholot
Dramaturgy: Frances d’Ath
Artistic Assistance: Florian Bücking
Photos: Robert Bartholot
The unstoppable Isabelle Schad! One more new performance from her for 2016. I saw a rehearsal of Pieces and Elements last week and was well impressed. A Beautiful group of performers, a work continuing from her last group work, Collective Jumps, and from her most recent solo, Solo for Lea. One of the three I reckon you come to Berlin for. (Das Helmi, and Castorf/Fritsch/Pollesch/Marthaler at the Volksbühne are the other two. Yeah, I just made that comparison.)
Dear friends and colleagues,
We would like to invite you to the premiere of the new performance Pieces and Elements by Isabelle Schad at HAU Hebbel am Ufer Berlin.
We would be very happy to see you.
- Friday, 25.11.2016, 19:00
HAU Hebbel am Ufer Berlin (HAU2)
- Further performances:
- 26.11. 2016, 19:00
- 27.11. 2016, 17:00 (afterwards: Artist Talk with Isabelle Schad and Susanne Foellmer)
- 28.11. 2016, 19:00
In the new work Pieces and Elements a group of performers negotiates the collective body in motion that can only function as a whole. This body with its different parts and multiple connections serves as a possible reflection of nature where each element is in relation to all the others in order for the whole to exist.
Pieces and Elements deals with the fluid borderlines between a scientific, biological, cellular approach to the body and the one seeing the human body in relation to the cycle of nature and the five elements: water, wood, fire, earth and metal. It places itself between a western and an eastern point of view, between visual arts and the performing arts, between installation and choreographic miniatures. After Collective Jumps, the first part of the trilogy on collective bodies, which investigates the body as a site for forming community, Pieces and Elements considers the phases of change and nature as possible energetic means for becoming one: as body, as self or as a group.
In her recently premiered work Solo for Lea, Schad deals with a single figure as a portrait. Pieces and Elements draws on that experience, and focuses on the collective body as cubistic landscape, which can be considered at once as a space of transformation and as the event itself. We are approaching an oscillation between organism, apparatus and hybrid matter, between experience and sensuality, between utopia and reality.
- Concept & Choreography: Isabelle Schad
- Co-Choreography & Performance: Jozefien Beckers, Barbara Berti, Frederike Doffin, Naïma Ferré, Josephine Findeisen, Przemek Kaminski, Mathis Kleinschnittger, Manuel Lindner, Adi Shildan, Claudia Tomasi, Nir Vidan, Natalia Wilk
- Theoretical advice: Susanne Foellmer
- Dramaturgical advice: Saša Božić
- Artistic assistance: Claudia Tomasi
- Light design: Mehdi Toutain-Lopez
- Sound: Damir Simunovic
- Costumes: Charlotte Pistorius
- Costume Assistance: Maja Svartåker
- Assistance: Angela Millano
- Production management: Heiko Schramm
- Made possible by a long-term collaboration with Laurent Goldring.