New Tires!

Aside

New Tires! I coughed up for some Challenge Strada Biancas ’cos I’m riding more cobbles and less cyclocross lately. Plus my current gravel tires are thrashed to bits. They arrived folded up; I thought they were open tubulars they’re so light. I really wanted the Paris-Roubaix ones, because Paris-Roubaix, but they’re 27mm and I like a bit of width for off-road bashing. So, Strada Bianca. Giro d’Italia, Strade Bianche, these are my favourite races along with the Cobbled Classics. Which start in less than a week!

Dasniya Sommer’s Bondage and Dancey Stuff in February

And here’s my regular re-posting of Dasniya Sommer’s most excellent bondage and shibari workshops in Berlin, this time with performances. As usual, more more more on Dasniya’s blog and website.

Also! Remounts of two Das Helmi shows at Ballhaus Ost: Fatrasien on 3rd-5th February; and Große Vögel Kleine Vögel on 17th-19th February.

Das Helmi: Fatrasien. At Ballhaus Ost (Foto Brian Morrow)
Das Helmi: Fatrasien. At Ballhaus Ost (Foto Brian Morrow)

Isabelle Schad — “Personal Collective” at Museo Universitario Del Chopo, Mexico City

There’s a scene in Episode 9 of Sense8 where Lito is sitting with Nomi before an early sketch of Man at the Crossroads in the Diego Rivera Museum in Mexico telling her how he lost his partner Hernando, while cutting to flashbacks of Hernando describing the history of of the mural, of art, and love before their first kiss.

Late-December, Isabelle says, “I’m going to Mexico.” I say, “You have to go to the Diego Rivera Museum.”

Even if she doesn’t make it there, she’s still in a museum, the Museo Universitario del Chopo, where she’s working with a group of local performers to develop and present a variation of the Collective JumpsPieces and Elements series. And if you are in Mexico City later next week, you can see it.

Personal Collective
Performance Installation:
4th and 5th February 2017, 1pm
9th and 10th February 2017, 5pm

Personal Collective has been developed together with the performers from Mexico City under the artistic direction of Isabelle Schad, assisted by Julia Rodriguez for the site of the Museum el Chopo. Certain modules derive from the work Collective Jumps by Isabelle Schad and Laurent Goldring.

With: Daniela Urías, Patricia Marcela Herrera Román, Engelbert Ortega, Alvaro Pérez, Azhareel Sierra, Argelia Villegas, Uriel Isaac Palma Torres, Alberto González Etchegaray, Leticia Cordero Mote, Adrián Hernández, Gilberto Spindola, Mariana García, Citlalli Granados de León, Alejandro Ramírez, Edgar Landa, Karina Terán, Mónica Arellano, Daniela Flores, Marlene Coronel, Víctor Hugo Rivera.

Personal Collective is a collaboration by Isabelle Schad with Goethe-Institut Mexico and Museo Universitario del Chopo.

More information: Isabelle Schad, Museo Universitario del Chopo.

Isabelle Schad — “Personal Collective” at Museo Universitario Del Chopo, Mexico City (Foto: I. Schad in front of Azul extensivo by Sofia Táboas)
Isabelle Schad — “Personal Collective” at Museo Universitario Del Chopo, Mexico City (Foto: I. Schad in front of Azul extensivo by Sofia Táboas)

Dasniya Sommer’s February Self-Suspension Workshop

Dasniya Sommer’s most excellent workshop on the art of shibari self-suspension returns in February. One of my faves from her. All the info on her blog.

Fly high! This workshop answers all your questions on self-suspension technique. After a solid warm up we will look at different harnesses for your personal self-suspension.

The technique varies depending on its function and anatomy. It can be used for performing or simply as rope playing with a partner. After a warm up we will step by step look at safety principals, breathing, movement sequence, and progressions in the air.

For me self-suspension is also a performative tool for self-empowerment. So when you are in the air, we will pace down, finding your personal rope dance and own inner hero.

Bring comfortable clothes, a snack and ropes if you have, otherwise we provide them.

Friday, February 24th
Hours: 12 -16h
Costs: 50 €
Info & registration: workshops@dasniyasommer.de

Where: Institute Sommer, Uferstrasse 8, 13357 Berlin. U8 Pankstrasse, U9 Osloerstrasse
(Enter the gate at the big bus, walk right to the building with the big clock, turn left and immediately right up the small stairs, entrance ‘B6’)
Please take this number in case the door is locked, 0174-3937049

Baby belly bondage. Janina in Dasniya's studio, July 2016, photographed by Frances d'Ath
Baby belly bondage. Janina in Dasniya’s studio, July 2016, photographed by Frances d’Ath

Gallery

Melanie Lane — Wonderwomen

The last five weeks I’ve been working with Melanie Lane on her new performance, Wonderwomen. It premières this Thursday, November 24th at LOFFT in Leipzig.

Mel asked me to come in and and be eyeballs / brain cells / dramaturg, or “Professional Audience” as I call it, with two pro women bodyduilders, Rosie Rascal Harte and Nathalie Schmidt. Who are both brilliant and beautiful performers, smart and thoughtful, and a joy to work with. Melanie totally scored with these two. In fact her whole team is quite awesome, with Clark on sound, and Bartold for stage design.

I’ve been wanting to write about Wonderwomen, Mel, Nathalie and Rosie, and have some time next week when I join them in Leipzig for the première. Rosie’s already written about her side of pre-show prep, as has Nathalie. In the meantime, here’s the details.

Wonderwomen
Festival Body Change Future
Melanie Lane (Berlin/Melbourne)

“I’ve made many good friends in bodybuilding, though there are few I’d trust to oil my back.” — Lee Labrada

Première: Thurs. 24th Nov. 20:00. LOFFT Leipzig
Season: Sat. 26th, Sun 27th Nov. LOFFT Leipzig

Further seasons: Wed. 14th Dec. Alte Feuerwache, tanz.tausch, Köln
April 2017. HAU Hebbel an Ufer, Berlin

Wonderwomen invites two female bodybuilders Rosie Harte and Nathalie Falk to meet in a performance context. Two women contemplate their highly demanding sport that amplifies and transforms the body. While striving for an ultimate physical form, the women navigate their highly trained bodies and the potential for a new physical language. A dialogue between strength and vulnerablility, representation and transformation, Wonderwomen is an attempt to re-discover, re-invent and re-claim the female body.

Concept & Choreography: Melanie Lane
Performance: Rosie Harte, Nathalie Schmidt
Light design: Fabian Bleisch
Sound design: Clark
Stage design: Robert Bartholot
Dramaturgy: Frances d’Ath
Artistic Assistance: Florian Bücking
Photos: Robert Bartholot

Isabelle Schad — Pieces and Elements

The unstoppable Isabelle Schad! One more new performance from her for 2016. I saw a rehearsal of Pieces and Elements last week and was well impressed. A Beautiful group of performers, a work continuing from her last group work, Collective Jumps, and from her most recent solo, Solo for Lea. One of the three I reckon you come to Berlin for. (Das Helmi, and Castorf/Fritsch/Pollesch/Marthaler at the Volksbühne are the other two. Yeah, I just made that comparison.)

Dear friends and colleagues,

We would like to invite you to the premiere of the new performance Pieces and Elements by Isabelle Schad at HAU Hebbel am Ufer Berlin.

We would be very happy to see you.

  1. Première:
  2. Further performances:
    • 26.11. 2016, 19:00
    • 27.11. 2016, 17:00 (afterwards: Artist Talk with Isabelle Schad and Susanne Foellmer)
    • 28.11. 2016, 19:00

In the new work Pieces and Elements a group of performers negotiates the collective body in motion that can only function as a whole. This body with its different parts and multiple connections serves as a possible reflection of nature where each element is in relation to all the others in order for the whole to exist.

Pieces and Elements deals with the fluid borderlines between a scientific, biological, cellular approach to the body and the one seeing the human body in relation to the cycle of nature and the five elements: water, wood, fire, earth and metal. It places itself between a western and an eastern point of view, between visual arts and the performing arts, between installation and choreographic miniatures. After Collective Jumps, the first part of the trilogy on collective bodies, which investigates the body as a site for forming community, Pieces and Elements considers the phases of change and nature as possible energetic means for becoming one: as body, as self or as a group.

In her recently premiered work Solo for Lea, Schad deals with a single figure as a portrait. Pieces and Elements draws on that experience, and focuses on the collective body as cubistic landscape, which can be considered at once as a space of transformation and as the event itself. We are approaching an oscillation between organism, apparatus and hybrid matter, between experience and sensuality, between utopia and reality.

  • Concept & Choreography: Isabelle Schad
  • Co-Choreography & Performance: Jozefien Beckers, Barbara Berti, Frederike Doffin, Naïma Ferré, Josephine Findeisen, Przemek Kaminski, Mathis Kleinschnittger, Manuel Lindner, Adi Shildan, Claudia Tomasi, Nir Vidan, Natalia Wilk
  • Theoretical advice: Susanne Foellmer
  • Dramaturgical advice: Saša Božić
  • Artistic assistance: Claudia Tomasi
  • Light design: Mehdi Toutain-Lopez
  • Sound: Damir Simunovic
  • Costumes: Charlotte Pistorius
  • Costume Assistance: Maja Svartåker
  • Assistance: Angela Millano
  • Production management: Heiko Schramm
  • Made possible by a long-term collaboration with Laurent Goldring.
Isabelle Schad — Pieces and Elements
Isabelle Schad — Pieces and Elements

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Isabelle Schad — Fugen. Timişoara

Isabelle Schad’s solo, Fugen, is on tomorrow, Saturday 5th November in Teatrul Maghiar De Stat “Csiky Gergely” in Timişoara, part of the Festivalul de Arte Performative Timișoara 2016. It’s a beautiful work, as is Isabelle performing; really worth seeing.

Isabelle Schad — Fugen. Timişoara
Isabelle Schad — Fugen. Timişoara

Isabelle Schad: Solo für Lea, at Sophiensaele Berlin

Isabelle Schad’s new solo for Lea Moro, called appropriately, Solo für Lea premières at Sophienæle next week. I had the pleasure of seeing the development showing a few weeks ago, and it smashes. Intense, focussed, totally recognisable as a Schad work. If you don’t know who she is, now’s your chance. And if you do, this is what happens when Der Bau gets filtered through Fugen.

Isabelle Schad
Solo für Lea
Premiere: Thursday, 13th October 2016, 21:00, Sophiensaele (Berlin)
Further dates: 14 & 15 Oct, 21:00; 16 Oct 18:00

The Solo for Lea is a meeting between Isabelle Schad and Lea Moro. In continuation of Schads choreographic practice around relationships between body, movement, image and (re)presentation, the work attempts to draw a very personal portrait of Lea Moro, dealing with the specificities of her body, its rhythms, its contours, colours and energies. Dissected in parts and reorganised anew, the body is regarded as pure materiality, as a medium of energetic potential and transformation.

The new work unfolds itself in the borderline between visual arts and dance, between performance and installation, between sensual experience and abstraction and is playing with form-aspects of cubism and Picasso’s drawings in one dash.

Together Schad and Moro engage in constellations of forming and dis-figuring, in which the body itself becomes the stage: the space, place and matter that is subject of observation.

Concept, choreographie: Isabelle Schad
Co-choreography, performance: Lea Moro
Dramaturgical support: Saša Božić
Sound: Damir Šimunović
Light design: Bruno Pocheron
Technic: Bruno Pocheron, Mehdi Toutain-Lopez
Costume: Charlotte Pistorius
Production management: Heiko Schramm

Made possible by a long years collaboration with Laurent Goldring.

Production: Isabelle Schad
Supported by: Wiesen55 e.V.

Isabelle Schad: Solo für Lea — 1
Isabelle Schad: Solo für Lea — 1
Isabelle Schad: Solo für Lea — 2
Isabelle Schad: Solo für Lea — 2

Isabelle Schad “Fugen” in Abidjan, Côte d’Ivoire

As of right now, Isabelle is somewhere between Berlin, Germany, and Abidjan, Côte d’Ivoire, where she’ll be for the next week to perform Fugen, and to teach a workshop, as part of the 5th festival international de danse « Un pas vers l’avant » organised by Compagnie Ange Aoussou.

The Goethe Institut is responsible for bringing Isabelle to Abidjan, and it was Henrike Grohs who originally proposed this. Incidentally, Henrike also brought Das Helmi there earlier this year for Ivoire Marionette. Henrike was one of 22 murdered by Al-Qaeda in the Islamic Maghreb on March 13th this year.

Isabelle performs Fugen at the Goethe-Institut, Abidjan this Saturday, 17th September at 19h. There are also performances there and at Institut Français by companies from Côte d’Ivoire, Benin, Togo, Burkina Faso, and Mali. (& sad but true, I’m not there.)

Isabelle Schad “Fugen” — 1
Isabelle Schad “Fugen” — 1
Isabelle Schad “Fugen” — 2
Isabelle Schad “Fugen” — 2
Isabelle Schad “Fugen” — 3
Isabelle Schad “Fugen” — 3
Isabelle Schad “Fugen” — 4
Isabelle Schad “Fugen” — 4