Blog-posting from Isabelle Schad’s mailing list for all youse in Vietnam & Indonesia who didn’t know she’s touring & running workshops until now. Also various dates for various works across Germany and Europe.
Dear friends and colleagues,
we cordially invite you to the following performances and activities in autumn 2017.
We would be very happy to see you, here or there.
The Helmis on tour. Two weeks in South Korea running around festivals performing a solo of Hamlet. A solo with two people. And puppets. And bondage.
Das Helmi in South Korea
After 10 Years we are back…
In 2007 Das Helmi toured the show Arsenic and Old Lace in South Korea and also made puppets for another group, it was all strange and beautiful…
..Now its going to happen again!!
5 Years ago Florian bumped into Master Lee in Pappelallee and he invited him to do a Hamlet solo… Five years later the plan is coming into reality, that’s how theatre can work!
So, Florian is going to perform Hamlet, a Ghoststory in South Korea this summer! With one Helmi (Florian) and a ballerina (Dasniya Sommer) playing all the Hamlet characters. The whole story is condensed into 45 Minutes full to the brim with Emotions, Surprises, Attitudes, Plot Twists and Musical Treats…
It’s like a game of chess in a head of a maniac!
It will be performed on ( sometimes 2 shows a day):
31st of July-1st of Aug. Gijang Festival
3rd and the 4th of Aug. Miryang Festival
6th and the 7th of Aug. Geochang Festival
And from the 8th to the 13th of August there is a Puppet Workshop in Gijang. The workshop will be used to make puppets for a production of Animal Farm from Master Lee.
Leaving the warm Sunday of Timișoara, into the grey, rain and cold of Münich, heading north, skimming above the clouds as the sun gutters, an inferno radiating across the hemisphere etching the stories and layers, we descend as it does into night in Berlin.
A little hung over. Out of Hotel Savoy mid-morning, hoping to get a better look at the science-fiction space station house, meandering through the streets of Calea Şagului, all late-19th, early 20th century houses and apartments — most in need of love and restoration — through Parcul Gheorghe Doja and along the tram lines to cross the Bega river back into Cetate. Around Catedrala Mitropolitană again, same for Piața Victoriei, then east-ish into parts of Timișoara I hadn’t seen. Plenty of super-attractive Modernist architecture of the International Style, Functionalist, and Brutalism lot, sits really well with the older, more ornate mixes of Art Nouveau / Deco, even older 17th century Baroque / 18th century Neoclassical — in places it reminds me of Vienna or Prague or Brussels, dead worth more than the two hours of wandering I had. Figure-8-ing my way past an attempt to find Muzeul Banatului (apparently closed for renovations?) back to Piața Unirii, into the side-streets of the north-west corner of the old city, and back to the whole reason I was in Timișoara: Opera Naţională Română, with its three theatre companies, Teatrul Naţional Timişoara, Teatrul Maghiar de Stat, and Teatrul German de Stat. Back to Hotel, and off to the airport.
Where we’ve been tech-ing and rehearsing since 9am, which was hidden in the early morning cold fog, then wrapped in warm afternoon sun, and finally bejewelled in lights at night when we left for dinner. The theatre crew are wonderful, like Teatro Comunale di Bologna, and Isabelle has a massive ballroom for a stage. Back tomorrow lunch-time to continue, then performance.
The Goethe Institut is responsible for bringing Isabelle to Abidjan, and it was Henrike Grohs who originally proposed this. Incidentally, Henrike also brought Das Helmi there earlier this year for Ivoire Marionette. Henrike was one of 22 murdered by Al-Qaeda in the Islamic Maghreb on March 13th this year.
Isabelle performs Fugen at the Goethe-Institut, Abidjan this Saturday, 17th September at 19h. There are also performances there and at Institut Français by companies from Côte d’Ivoire, Benin, Togo, Burkina Faso, and Mali. (& sad but true, I’m not there.)
Since July, I’ve been working with Isabelle Schad on her new work, a solo called Fugen. Next Thursday is the première.
Fugen by Isabelle Schad
With Fugues, Berlin choreographer and dancer Isabelle Schad continues her work between musical concepts and their expression in movement. Coming from a music background, she attempts to look at her own (hi)story and the origins of (her) movement between discipline and pleasure, examining the body and its energies in its materiality, process, and time.
The fugue serves her as an analogy for the body in exercise, where the principles of chasing and fleeing, giving and receiving, emptiness and fullness, are becoming one.
Fugues is an autobiographical work in which the performer’s body serves as an example for the construction of the individual within disciplines and systems one cannot escape from.
Thursday, 29th Oct 2015, 20:00, HAU Hebbel am Ufer (Berlin)
30th, 31st Oct, & 1st Nov 2015, 20:00
Audience talk after the performance on Friday 30th with Jun.-Prof. Dr. Susanne Foellmer, Isabelle Schad, and Sasa Bozic
Concept, choreography and performance: Isabelle Schad
Dramaturgy: Sasa Bozic
Artistic assistance: Frances d’Ath
Associated artists: Laurent Goldring, Alain Franco
Light design: Mehdi Toutain-Lopez
Costume: Charlotte Pistorius
Production management: Heiko Schramm
Production: Isabelle Schad
Co-production: HAU Hebbel am Ufer, Espace Pasolini (Valenciennes)
Funded by: the Regierende Bürgermeister von Berlin – Senatskanzlei – Kulturelle Angelegenheiten, and the Nationales Performance Netz (NPN) Koproduktionsförderung Tanz, which is funded by the Beauftragten der Bundesregierung für Kultur und Medien on the basis of a decision by the Deutschen Bundestags.
Supported by: Wiesen55 e.V.
Thanks to: Damir Simunovic
photo: Laurent Goldring
The past couple of months Dasniya has been rehearsing with Helena Waldmann, in a piece she helped with last year in Shibari instruction. She left for India and Sri Lanka with them yesterday, for a three-week tour. Originally the tour was to go to Iran and Afghanistan, but political issues made that impossible. For those of you in the region, here are the dates:
‘BURKABONDAGE’ VON HELENA WALDMANN
mit Vania Rovisco, Dasniya Sommer, Acci Baba und Mohammad Reza Mortazavi