Three Australians in Wuppertal, by way of Brussels, Madrid, and Berlin. Last time I was in Wuppertal it was for The Vase, one of three banging works I’ve seen this year. This time, Friday evening, it’s snowing to whiteout, Gala and Michael are talking about the headcasts they’ve had done for their upcoming work, New People. They want photos. Guess who brought their camera? Saturday morning, after a lazy breakfast and before lunch hamburgers, still snowing, the falling-apart printer’s workshops behind Michael’s apartment having their roofless concrete floors jackhammered by the owner, one of those old socialist tradie types who ends up with a bunch of properties and maintains them all himself. It’s proper winter cold, slush and snow and wetness, and he’s hauling shit around like Sisyphus. We bail into the one building with a roof. Milky glass-paned, rusting windows along one wall fill it with just enough light for us to get away with photography. There’s a temporary scaffolding floor erected, we tall ones are nearly smacking our heads on bits of pipe and beam. Their busts go on the ground, then on a plank, I photograph them like I would mediæval art.
Completely due to a tiny shuffle of one foot in a decrepit former book printer’s workshop out the back of Michael’s apartment (where the owner was totally having at it on a Saturday morning with jackhammers into concrete in the snow and freeing slush), I managed to do one of those mad meme-y gifs that look like they’re 3-dimensional. Tick-tock, back and forth, convinces me every time.
Showcase Beat Le Mot — Super Collider
HAU Hebbel am Ufer, Berlin (HAU2)
Sun 10.12.2017, 19:00
Mon 11.12.2017, 19:00
Tue 12.12.2017, 19:00
Wed 13.12.2017, 19:00
Laser pointers write “Game Over” in the sky. The performers of Showcase Beat Le Mot do not want to waste any electricity on apocalyptic resignation but instead to expand the frame of discourse to include outer space. That’s why in their new performance they’re sending danced messages and mumbled formulas into the outskirts of the universe. “True, beautiful and good were sought, skewed, quirky and helpful were found.” The antennas for the extra-terrestrial messages are switched from receiving to sending. This is not documentary theatre about the powerlessness to act in a surging reality but an experiment that works like a utopian slingshot. The stage setting is the message, the audience the amplifier. Space acts instead of fake facts. Always alongside trouble. Welcome to the half-truth about everything.
Concept, Space, Text, Realisation: Showcase Beat Le Mot
Shibari: Dasniya Sommer
Sound/Music: Sebastian Meissner
Costumes: Clemens Leander
Video: Alexej Tschernij
Light: Klaus Dust
Movements: Nina Kronjäger
Stage construction: Jörg Fischer
Production: Olaf Nachtwey & Johanna J. Thomas
Thanks to: Alexander Djuric and Etel Adnan
Some photos from the Sunday afternoon session of S.J. Norman’s Take This, For It Is My Body, at Science Gallery London’s Blood exhibition, the last weekend of October, 2017. S.J., Carly Sheppard, and Naretha William manifesting Australia in Peckham, South London. This was a staged audience of Science Gallery London people for photography and video documentation purposes.