P-Valley Season 2 is damn! those bitches are messy damn! the lighting damn the camera work damn! the music damn! the poledancing the poledancing the poledancing damn! the hair makeup eyes shoes heels costumes hips butts tits skin flesh Black femininity gushing flooding drowning anyone too weak for its power (me. I am too weak) damn! Uncle Cliff she every time and damn if I did not need to sit down after all that every time Diamond’s tight fade and soft lips and eyes.
Fave Muslim show since We Are Lady Parts and fave superhero show with Muslim superheroes since Legends of Tomorrow got cancelled (tbh that was the only superhero show with Muslim superheroes). The last episode was a bit of a letdown, but that’s really on Marvel / Disney and their compulsion to Big Superhero Smackdown, and overly CGI’d action / fight scenes. I’d have watched 26 episodes of Kamala and Yasmeen going ”Mashallaaaaah!!!” over hot shirtless bruvs, and calling each other bro.
That kiss. That shot. That story.
I remember when you spoke your truth, ten years ago, back in 2011, and I remember when I heard about this show you were making, feels like longer ago than 2017. I read your books too, feeling myself and my history in the story of another, so close and so distant. And I cannot put into words the joy and sadness and love I felt and feel watching Pose, seeing you and all the beautiful trans women and trans femmes on screen, Mj Rodriguez, Dominique Jackson, Indya Moore, Angelica Ross, Hailie Sahar, Our Lady J, Black and Brown and Puerto Rican and Dominican and Latina, immigrant and children of immigrants, whose lives are as real as the story you fought to tell.
That wedding banquet. All the trans women and femmes at that table. That wedding. That fantasy that was never ours, the church, the dress, the vows, Janet, the vows! Papi! Lil Papi. I loved him from the first ’cos he was so full of love and pure and so fearless when it came to defending his family. And that kiss. You went all the way. When I saw your name at the start of the episode, yours alone, Writer and Director: Janet Mock, I knew. I knew it would be this. I knew it would be us.
Bit of an aside from last night when I was doing my regular midnight physical salvage session, and watching the film High Stakes on GCN+ (yup, I actually threw down cash for a year's subscription to watch a bunch of white dudes talk about bikes). Martyn Ashton, who is a very funny, very talented rider who uses a wheelchair after wrecking his back (for the second time), when he talks about physical and mental injuries as an athlete is someone I have a lot of time for.
He said something I've been trying to put into words for a very long time, which applies to dance — also a professional sports career — as much as it does to cycling or climbing, all three I've devoted a lot of my life to at various times. And from the beginning I have struggled with that inevitable double bind of physically fit but not unscathed.
Doing my regular midnight physical salvage session and getting my dose of straight white dudes talking sport last night. The talk moved to the UNBOUND Gravel race and the men’s winner, Ian Boswell. Cut to his Insta with a photo of him, post-race and seductively dusty sweaty in his racing kit, wiping one forearm with a yellow cloth, and that forearm very deliberately poised to show off his wrist wrapped in a trans flag sweatband.
It’s unmistakeable, that flag. And personal reasons aside for the many problems I have with it, sometimes we need a single, recognisable visual which denotes which side a person is stepping up for. But I was still like, yeah, really? Does he know what he’s wearing? ’Cos cyclists, especially road cyclists, are very much those straight white dudes who struggle with the basics.
But nah, he knew exactly what he was doing, spoke with trans athletes and athletes who are parents of trans children, and with his niece who is trans, did the listening, bought 15 of those sweatbands, gave them out on the start line and raised the flag on his wrist high when he crossed the line first.
The best sound is after the sharp right at Aremberg, under the bridge at the start of Fuchsröhre and all the way down to the bottom of the Nordschleife at Breidscheid, engines and turbos spooled up and redlining. Better than the long straight of Döttinger-Höhe. That corner is where the Nürburgring starts for me, into the forest and a tight, narrow winding road with no runoff that goes on and on. I feel the velocity and get buffeted by braking and acceleration just watching laps. And the racing. All that plus terrifying high-speed passes, weather that changes in five minutes and across the 24 kilometre track. My safe space is 250 km/h down the fox hole at 24 Hour Nürburgring.
I would have watched it all night, but like last year it got red-flagged. Fog and rain and not the kind of visibility for maximum hoonage. 24 hours turned into a 3–hour sprint. And the two commentators living their best bogan uncle selves. Something about Scandinavian Flick, keto diet, taking the apex with the shopping trolley, beer bottles at the back balancing out the weight, I don’t believe you were going to the fruit and veggies, it’s beer and chips for you, broken struts, broken steering racks, making the straight race line between spun–out Audi and Armco on slippery wet grass, cutting and shaving tread into slicks to make one last set of tires.
I love the sound and noise and velocity and can smell the engines and brake pads and metal and fluids and hear the ratchets and air guns and feel the crew lying on their backs contorting themselves into the machinery and the whole process of attrition, people and engineering being worn down over those long high-speed hours, this is art.
I ugly cried watching Veneno. Ug. Ly. Cried. Also laughed my guts out. Hissed — hisssssed!!! at Cristina’s mother and family and all the other cis cunts who fucked with her and straight up I would cut without a second thought.
When Pose came out, that was the first time since Paris is Burning I’d seen myself in some recognisable way, and known it was us in front and behind the camera. It was America though and similar worlds, yeah, but very different ones too.
Veneno though … this was real. Truth. Painful, angry, joyful, hilarious, terrifying, spiteful, sad, beautiful truth. I love seeing us on screen. Old us who did it hard, survived, loud and foul-mouthed and cackling. Young us who have so many more possibilities for lives without harshness and exile, yet still know those all the same. If we are trans, if we are trans femmes, trans women — transsexuals, transvestites, the old words you don’t use anymore and we grew up with — this is our life. This is our world.
Yeah, I binged Fast & Furious Spy Racers: Rio. Of course I did. And fuck me if Rafaela Moreno’s race suit isn’t the motorsport I live for. Very much want. Very much wish I could serve Femme Hoonage Realness like that and very much love her thrashing Group C cars around Rio. And Avrielle Corti voicing her? ???????
Still a better German Ring story than Wagner’s Ring Cycle.
Yes, I did buy a Nürburgring t-shirt and hoodie. Yes, the hoodie Ring is reflective. Yes, there is a future where I will spend silly money to do laps on the Nordschleife. Preferably at night in the rain.