Gallery

VNS Matrix / Merchants of Slime

Live on June 30th, a digital archive for Australian cyberfeminist collective, VNS Matrix / Merchants of Slime.

’90s-period CRT phosphor colours, monospace fonts, highly structured and interlinked data, emerging from over a year of conversations and work with the Merchants of Slime. Deep adoration for Web 1.0 aesthetics, sliding into contemporary possibilities for accessibility, interaction, responsiveness, and clarity.

By far the largest project I’ve undertaken, handling archival data management, utterly masses of PHP, JS, and CSS, and teasing out over months the design, aesthetic, and movement through hundreds of pages and thousands of media files – all while trying to keep it properly accessible, semantic, responsive, logical, even simple, while the phosphor burns the screen.

Heaps big thanks to Virginia Barratt and VNS Matrix for going, “Yeah, Frances is what we want.” And hectic reps to research assistant Clare Bartholomaeus for all the scanning and cataloguing.

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Slime is Live, Cunt

Phosphor burn digital archaeology slime archive for the 21st century, cunt.

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The Lost Arabs in Berlin

Omar Sakr in Berlin! Total score! In my long-standing fave (as in only) bookshop in Berlz, Saint George’s. And shoutout to Paul (the owner) who fed me a mini-donut when I rolled up in the midst of a sugar crash. Friends don’t let friends skip post-training feeds (unless it’s Ramadan, and then we’re all super-powered anyway).

And yeah, I’m reading poetry. Sci-fi has been a bit of a disappointment for a while, so I’m branching out along my infirmly followed guideline of, “Be the audience for people you care about,” wherever that takes me. If the people I care about are writing poetry, I am dead serious here for reading poetry. Omar’s Twit is heaps full of bangers, I’ve got half a dozen on order directly from his repping other writers, legit sorted for post-facial peel (cheers to Onyx for that delightful literal appellation of my near future) recovery reading.

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Carlton Gardens Fountain

On my way to meet Emile for Pacific BBQ Café Cantonese roast duck and our usual madness (which happens all too infrequently). Sci-fi replacement skyline and Sydney / London memories.

Straya! Naarm [-o-]

Aside

Next week, I’ll be flying to Naarm (Melbourne), Australia. It’s been a long time. I’m going over to work with the deadly S.J Norman at Arts House for their two pieces, Rest Area (which I did production for in Linz last year) and Stone Tape Theory, doing production and performing.

Gallery

S.J Norman: Take This, For It Is My Body. Peckham, London

Some photos from the Sunday afternoon session of S.J. Norman’s Take This, For It Is My Body, at Science Gallery London’s Blood exhibition, the last weekend of October, 2017. S.J., Carly Sheppard, and Naretha William manifesting Australia in Peckham, South London. This was a staged audience of Science Gallery London people for photography and video documentation purposes.

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Tranzcare Travel ⭐️⭐️⭐️⭐️⭐️

Seen in London somewhere on the way to Peckham, from the back seat of an Uber with Onyx on the way to Take This, For It Is My Body. We voted it our Preferred Travel Partner.

Gallery

Take This, For It Is My Body: Set-Up

Some photos from Friday set-up of S.J. Norman’s Take This, For It Is My Body, at Science Gallery London’s Blood exhibition this last weekend. S.J., Carly Sheppard, and Naretha William manifesting Australia in Peckham, South London.

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Dishes Washed

Sparky the Dish Pig mixes bodgy wiring with water.

Take This, For It Is My Body: Phlebotomy Part II

Blood being drained from S.J. Norman’s wrist for Take This, For It Is My Body at Science Gallery’s Blood exhibition this weekend.