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Invasion Day

235 years of nothing to celebrate. No pride in genocide.

Always was always will be.

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A Pile of Books I Read in 2022 (and Some I’m Still Reading or Haven’t Started)

And some I gave their own posts to ’cos they were utter bangers, and some I might even give their own posts, ’cos also bangers. So many books. I can only take one fiction and one non-fiction with me? Robyn Maynard and Leanne Betasamosake Simpson’s Rehearsals for Living, and Tamsyn Muir’s Nona the Ninth. And one book of poetry? Fatimah Asghar’s If They Come For Us.

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Gossip Girl

Having absorbed all the “Go Piss Girl” memes for years without context, I finally bailed into Gossip Girl at the start of season 2. And shortly after devoted half a day of hours to season 1. Is it terrible? Kinda yes. Is it transfixing? Also kinda yes. Do the teachers let down the whole show? Very yes. Do I care about the spoilt rich students? Some of them ambivalently yes. Is the slow growth of the relationship between Aki, Audrey, and Max beautiful? Yes. Also messy, but still beautiful. And is Zión Moreno as Luna La someone I want to binge everything she’s been in? Totes heaps yes. Does her aloofness resemble ’90s desexualised gays who never kissed or had relationships? Fucking yup. And when she ran off with – was carried off by farm boy Rob I was “Yes bitch, finally get some!” Because she’s beautiful and sensitive and feminine and has the power of creation like one of the old Goddesses and I know it’s not one of those shows but letting this part of her grow is something I want to see.

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Playroom I never had enough kens so I made my …

Playroom

I never had enough kens
so I made my barbies fuck
each other
or fuck beanie babies.

I never had more than one
beanie baby per species.
they were rarer
that way

& like some
perverted noah’s ark
kept
from multiplying.

No one with skin
colored like theirs, freaks
like me. Lucky the barbies
needed their bodies.

I controlled
in my playroom.
Whole cities of beautiful
women, boundless

tits, fucking
sacks of animal. Plastic
legs thrusting until
the beanie said yes

balls
of beans spilling
to the floor. The ladies fucked
their corpses until Auntie A

made me throw them out.
Legions of identical
white women, skin glowing
like pearl milk, magnificent

as they stormed the gates
of the zoo
conquered each animal
one limb at a time.

If They Come For Us, Fatimah Asghar

Definitely felt something between my legs at the lines Whole cities of beautiful women, boundless tits, fucking sacks of animal. Beautiful women. Boundless tits. And fucking sacks of animal like some Oglaf sluuuuut. This poem, Playroom, and To Prevent Hypothermia. Is Fatimah Asghar my current fave poet? Am I a capricious slut? That's a yes.

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Car Wash + Hot Wings + Titties Thisaway

P-Valley Season 2 is damn! those bitches are messy damn! the lighting damn the camera work damn! the music damn! the poledancing the poledancing the poledancing damn! the hair makeup eyes shoes heels costumes hips butts tits skin flesh Black femininity gushing flooding drowning anyone too weak for its power (me. I am too weak) damn! Uncle Cliff she every time and damn if I did not need to sit down after all that every time Diamond’s tight fade and soft lips and eyes.

Reading: Chris Tse and Emma Barnes (eds.) — Out Here: An anthology of Takatāpui and LGBTQIA+ writers from Aotearoa

Another in the small pile of books out of Aotearoa I’m getting all up in my memories about reading. I haven’t thought about Witi Ihimaera for decades. Same with Peter Wells. Old names in an anthology of mostly young Millennial and Gen Y poets and writers. Some of the other old names I can’t read past knowing they were rad-fem-les-sep transphobes back in the day. Cool if they’ve grown from that, but irrelevant to me; they did the damage then and I don’t need to read them now.

Dasniya said, on Thursday when their nohinohi little one was all big eyes and focus as I sung old Māori songs I seem to have remembered for them, she was seeing a show as Sophinesaele by Pelenakeke Brown and I said that name sounds familiar, reckon I’ve just been reading them. And I had. Her writing, A Travelling Practice, one of the couple of non-fiction pieces, and one of the couple that really stuck with me out of all the writers. The other was Jessica Niurangi Mary Maclean’s Kāore e wehi tōku kiri ki te taraongaonga; my skin does not fear the nettle, not the least for reminding me te Reo Māori is grammared but gender neutral, ia, tāna, tōna … like all the best languages. I photographed Pelenakeke’s piece and sent it to Dasniya before she saw her performance.

I should have marked all the writers I really liked. Forgot to do that with my usual oh I’ll remember of course I won’t and now I spose I could go back through. Almost finished my most recent stack of books and the upcoming pile is heavy on Māori Pasifika and I’m very fucking happy about that.

Reading: Caren Wilton — My Body, my business: New Zealand sex workers in an era of change

I joked I reckon I’ll know some people in this book. Turns out wasn’t a joke. Turns out it was much more personal than I expected, even when under that joke I knew I bought this book to remember history. My history. History around me. History I should know.

Long time ago, young me worked end-of-week nights in the needle exchange in Tāmaki Makaurau Auckland, binning returns and handing out fresh packs. Which led to me being nights at the NZ Prostitutes Collective drop-in centre, because being a young transsexual, the only work available was sex work. Or selling drugs or doing robbery, more or less in that order. I never did proper street sex work on Karangahape Road, but did occasionally crack it opportunistically, sometimes just so I’d have a bed for the night. All the transsexual women who worked the street passed through the drop-in centre of an evening, Māori, Pasifika, and the one of two Pākehā. Later, they’d be up the Ponsonby Road end, and when I lived in the old brothel, above the sex shop looking down Howe St, I’d see them on the corner.

My Body, my business: New Zealand sex workers in an era of change reminded me of a lot of history I’d forgotten, and connected things, filling in blanks, explaining details. Like the probable identity of the old Greek man who owned the house in Pirie St I lived in when I was (once again) homeless, the upstairs apartment home since the ’70s to various Māori trans sex workers. Or the doctor at Three Lamps in Ponsonby who used to prescribe hormones to all the transsexuals, also known since the ’70s. I don’t think I ever saw him, but pretty sure it was a woman Doctor in the same practice.

And just the general truth of it all, how it was in the ’80s and ’90s — even though most of the oral histories were slightly before my time. It was all so familiar, reminding me how deep I was in that life, how they were the ones who guided and saved me. And how it was so easy to have that all taken away.

I wonder how my life would look, would have looked, if I hadn’t been through conversion therapy. Would I have started dancing (probably, I was incredibly naïve about what trans girls and women could and couldn’t do)? Would I have moved to Melbourne? Maybe, though staying in Sydney is perhaps more likely. Gone to VCA? Realistically I wouldn’t have made it through the auditions, because being trans and a dancer has only been a possibility for the last decade or so. Even my — in current language — non-binary self bashed up hard against the rigid and strict cisheteronormativity of dance back then.

This is a reminder. Where I came from, what I lived through, who were my contemporaries, family, whānau, who I owe an obligation to.

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Reading: Omar Sakr — Son of Sin

I love Omar Sakr, and Son of Sin is a beautiful novel but this was not an easy read. It was also an expensive read because getting ‘niche’ books from Straya or Kiwiland up to Europe is an exercise random fees and expenses. Fuck this book made me sad sometimes, like sad for the whole world, for all of us who survived through violence and emotional distance, abandonment and loneliness, and conditional, manipulative love. Yeah Omar habibi you are a gift to the world.

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Reading: Coco Solid — How To Loiter In A Turf War

So much lethal good shit coming out of Aotearoa. So horrifically expensive to get my grubby mitts on it in Germland. Saw Coco Solid on Twit when she was fundraising to set up Wheke Fortress community space and gallery in Onehunga. Then I listened to her album Cokes, ’cos she’s nothing if not doing all the arts. Saw the cover for How To Loiter In A Turf War and didn’t even ask the price (it was 22€ fuck).

Big old memories of Tāmaki Makaurau catching the Mt Eden bus on Symonds St or Ponsonby bus on K Rd. Ponsonby was still Pasifika and Māori back then, getting gentrified for real but not like now. Fave fiction book of the year so far (non-sci-fi that is, cos that’s other stuff). Loved this heaps.

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Reading: Ryka Aoki — Light From Uncommon Stars

Fave sci-fi / fantasy / demonic space opera book of the year? Very yes.

I don’t have the energy to write all about it (cheers chronic ijdgaf fatigue), but if I did I’d go on about how much I loved the main characters, all the food, the meticulous discipline of being a professional musician, love, kindness, moral ambiguity, queerness, transness, west coast migrant Asian-American culture. Pretty much everything I want to read.