She will always be Servalan to me, Supreme Commander Servalan of the Terran Federation, eternal foe of Blake’s 7, Avon’s nemesis, best-dressed interstellar dictator four seasons running, the woman I wanted to grow up to be.
“a tasteless megalomaniac,” “a credit to her background – spoilt, idle, vicious,” “any attempt to embarrass her personally is an exercise in total futility,” “she has all the sensitive delicacy of a plasma bolt,” “the sexiest officer I have ever known.”
One of the very first Iain M. Banks novels I read (I think Consider Phlebas or Excession was the first), in Naarm (Melbourne) around 2004. That edition had the cover with the Sharrow’s Monowheel on the cover, probably my favourite series of Banks’ cover artwork, that edition; this one has the burning reds and oranges of the ships of Log Jam city. Against a Dark Background is the second novel Banks wrote, or drafted, after Use of Weapons, around 17 years before it was published in 1993, the same year as Complicity, and a year before his next novel, my unwavering favourite, Feersum Endjinn.
When I was looking for the cover art, I discovered a new critical work on Banks, The Science Fiction of Iain M. Banks, edited by Nick Hubble, Esther MacCallum-Stewart, and Joseph Norman. Much joy in finding that, and ordering as soon as bookshops open. Though I suspect I’ll be a little frustrated at the artificial division between Iain with and without an M.
The morse-code finger-tapping on skin communication method makes an appearance, I think that showed up also in Feersum Endjinn and maybe The Business — one day I might make a spreadsheet of all the various recurring themes in Banks’ novels, all of them, not arbitrarily splitting fiction and science-fiction, Culture and non-Culture, M. and no M. This could even be a novel set on the same Earth as Feersum Endjinn (and so also grazing the edge of the Culture) with all the specific technology and attitudes towards it, were it not for the part where Banks describes the Golter system as isolated by a million light years in all directions from any neighbouring galaxy. It occurs to me now it still could be. The end of Feersum Endjinn sees the titular fearsome engine come into motion, slowly, gradually moving the entire solar system out and away from an encroaching interstellar dust cloud. Vast, incomprehensible, uncontrollable technology left by long-distant previous generations and cultures, just as in Against a Dark Background.
It’s a sprawling, meandering, disorientating story, traversing landscape and planets, closest to The Algebraist in structure, and the kind of hopeless loss and existential bleakness of Alastair Reynolds novels. I’ve never seen it rated highly among either pop culture discussions of Banks or critical appraisals, perhaps because it doesn’t have the seductive space opera-ness of say, Excession, or the solid maturity of his later novels like The Hydrogen Sonata. I think there’s a set of his novels, read together or in various combination, which constitute what he was really on about, but only if we ignore those forced divisions: Feersum Endjinn (obviously), The Business, Whit, Against a Dark Background, The Hydrogen Sonata, The Bridge, The Steep Approach to Garbadale, and maybe — or swapping in and out — The Algebraist, Inversions and The Crow Road. I also thought there was a way to read (or rewrite) all his novels into a single, long chronological story, but that’s just being clever.
Anyway, Against a Dark Background, one of Iain M. Banks’ underrated works of melancholy beauty.
Continuing with this amended way of blogging about what I’m reading, another small pile of books I picked up a couple of weeks ago and am currently getting through.
Akala came up in my Twit feed a while ago, I watched him utterly destroy at least one idiot white British politician on TV, decided he fitted into where I’m reading at the moment in combinations of UK / London / Colonialism / Black / Grime history, realised he’s the brother of the deadly Ms. Dynamite, laid into it at the same time I was reading Dan Hancox’s Inner City Pressure: The Story of Grime. Pretty much highly recommend Natives: Race and Class in the Ruins of Empire, even though he’s kinda weak on the feminism / queer side of things — bit of a cishet male bias there, mate — but he’s talking from his own experience growing up as a black boy and man in London, and it’s grim shit we need to hear and read.
Small aside, I went on a Giggs binge last night. First time I heard him was JME’s and his Man Don’t Care. Dasniya said she liked his voice more, something kinda menacing and slow but also “cinnamon tea”. He was live at Roundhouse earlier this year, and closed with Whippin’ Excursion, just watch the crowd fucking lose it when the bass drops, it’s a madness. Then go back to Talkin’ da Hardest in 2007 or even further, 2003, dejavu FM pirate radio and the Conflict DVD. That’s where grime came from, the rooftops of council housing tower-blocks (yeah I know Giggs isn’t grime, but he works with a lot of grime artists, so, keeping it simple here), rough as guts and dead end and set up to fail and go down or die. So belabouring a point here, the political and social significance of someone like Giggs filling the Roundhouse and having a packed crowd go the fuck off … gives me shivers. Good, deep, world-changing shivers.
I haven’t read Charlie Jane Anders’ Six Months, Three Days, Five Others yet. But I’ll always read her. The more of my sisters in this game, the better.
Corinne Duyvis’ On the Edge of Gone I probably heard of from the usual places, io9, or someone in my Twit feed. Reasons for reading: it’s sci-fi, she’s queer, lives in Amsterdam, is autistic. I’m not sold on the ‘science’ part of the science-fiction yet, set in 2035 and interstellar generation ships are a somewhat mature technology — this might be a ruse, but still, large-scale ships for hundreds or thousands of people, able to launch from Schiphol Airport seems improbable for 17 years from now. Maybe I’m reading that part wrong. Nonetheless, an autistic main character — and you all know my love of Feersum Endjinn and Whit. (I’m not even going to tell you about my own neurofuckery and my spreadsheet which I use to remember people I’ve met.)
Obviously I bought Deji Bryce Olukotun’s Nigerians in Space for the title. I’m still kinda on the whole, “I don’t really read menz” thing, for so long it’s not even a thing, it’s more of a “I read women authors and non-binary authors on the feminine side of things,” because obviously I want to see my people represented and that means all my people and their people and their people’s people. So sometimes I read a book by a guy. I have this habit, where I read an author’s acknowledgements and count the names and divide them into male-ish, female-ish, and I dunno. Pretty reliably, male author’s female-ish names count tops out around 30%, ’cos we all know 1/3 female feels like half or more than half in the real world. It means I tend to read male authors with suspicion, it’s a question of do they really genuinely care about and practice what we currently call intersectionality, or are they fortunate enough (truly though, I mean impoverished) to not have to make it a necessary part of their lives. So far, then — I’ve only read the first dozen pages — Nigerians in Space is a hilarious sci-fi thriller of straight men making really, really bad irreversible decisions.
Lucky last, Nuraliah Norasid’s The Gatekeeper. This one via JY Yang and / or various Twit mentions (I’m taking a long pause from the Twit, ’cos it’s not good for my moodiness or neurofuckery), and / or a bunch of South-East Asian blogs in my feed. I dunno what’s happening over Singapore way, but the sci-fi fantasy spec-fic stuff I’ve been reading is on fire. This is her first novel, and reminded me of Sofia Samatar’s The Winged Histories (or maybe more A Stranger in Olondria). There’s a lot I love in this, but some poor narrative decisions that seem more about manufacturing drama leading to an uncomfortable conclusion where the main character is incarcerated and pregnant and we know her children will be taken away from her to be experimented on. Which is an ongoing reality for colonised indigenous peoples, but here it was more in the vein of the awful Joss Whedon Black Widow trauma porn backstory. There’s a much tighter, more cogent story here that doesn’t rely on weak tropes, and which finesses out the cataclysmic acts of the main character and her sister (I’m ignoring the rich boy, ’cos he could be dropped and the story would only grow). First novel though, another author I’ll read again.
This year I haven’t had much enthusiasm to write about what I’m reading. Maybe that’s because I haven’t had much enthusiasm to write long blog posts in general, or because I’ve been a little too negative lately and tend to emphasise the things I haven’t enjoyed in a work over what I have. Some of these books I’ve enjoyed hugely, but can’t muster enough of a cheer to write a whole post about. Perhaps it’s habit. After years of writing about everything I read, my impulse is to say, nah fuck it, that’s enough. Who am I writing this for anyway, besides myself?
So, a small pile of books I read between February and April, alphabetically.
Two from Alastair Reynolds, he of the madness of Revenger, which I also read again during these months. He also of Slow Bullets. He’s best when he writes women as main characters. Chasm City is one of his Revelation Space novels, and I got a kick out of those. Elysium Fire is a sequel to The Prefect. I like Reynolds, in specific instances. Neither of these two really got me. See what I mean about negative?
Barbara Newman’s Sister of Wisdom: St. Hildegard’s Theology of the Feminine I’m still plodding through. (like I’m still plodding through Gayatri Chakravorti Spivak’s An Aesthetic Education in the Era of Capitalism, 18 months later). Good stuff here, of that dense, Germanic mediæval stuff. Not easy reading, hence the plod.
Bill Gammage’s The Biggest Estate in the World: How Aborigines Made Australia, and Bruce Pascoe’s Dark Emu: Black Seeds: Agriculture or Accident? I read immediately post-Naarm. They cover similar ground but are complimentary rather than duplicating. They should be compulsory reading for all Australians, and I felt fucking ashamed at my ignorance reading these. Fucking ashamed. Another reason why I haven’t been writing about reading is if I did on these two, it’d be a long piece of anger against white invasion and genocide and erasing history. And I feel like so much of my life and the lives of friends and acquaintances is full with anger and fear these last years, ’cos it’s far from being over.
Devdutt Pattanaik’s Shikhandi and Other Queer Tales They Don’t Tell You is a rather sweet short collection of reading Hindu mythology for queer and trans stories. I have absolutely no way to evaluate the scholarship of Pattanaik, but still, one of the barely begun tasks is re-finding the diversity of selfhoods in pre-colonised cultures; we’ve always been here.
Fred Grimm’s »Wir wollen eine andere Welt« Jugend in Deutschland 1900-2010: Eine private Geschichte aus Tagebüchern, Briefen, Dokumenten. Zusammengestellt. has been on my shelves for ages. Katrin gave it to me as a present, and I’ve read bits and pieces of it. I’ve a heap of books I’ve never blogged that I didn’t read in the conventional start-to-finish way like this.
JY Yang. I think I read about them on io9, or maybe on one of the Asia-Pacific blogs I read. It was definitely in the context of an article or two on Singapore sci-fi / fantasy / speculative fiction, and coming off reading The Sea Is Ours: Tales from Steampunk Southeast Asia (which was awesome) so I was vaguely paying attention. I read these in the wrong order, ’cos I liked the cover of The Red Threads of Fortune more than The Black Tides of Heaven. I also liked the former more than the latter, but that’s partly my particular preferences. I seriously love JY Yang and will read anything they write.
I’ve got a whole ’nother stack of books I’ve read since then and not blogged. Maybe doing it like this is the way for me to go for now.
Binged the entire seven of Ben Aaronovitch’s Rivers of London novels again, ’cos sometimes a girl just wants a black Harry Potter and a Muslim Hermione — even if they are cops.
Georg, with whom I worked on co-writing The Station, asked me if I’d like to do another piece of co-writing with him, this time an opera libretto. I said yes (duh!). Last Friday, we had a three-way chat with Henry Vega, the composer, about Alan Turing, neural networks, science fiction, queer stuff, and all, for a sharp hour (Georg’s good like that with his one-hour meetings).
Today I spent a couple of hours (after some dipping of toes last night) in installing TensorFlow-Char-RNN, a “a character level language model using multilayer Recurrent Neural Network,” as made wildly lovable by Janelle Shane of Letting neural networks be weird. That involved installing TensorFlow. I went for the direct MacOS approach (after toying with either a Vagrant VM or Docker container) of the Virtualenv flavour. Plus Python 3. And pip. Dependencies. We have them.
A bit of faffing around, and out is spat a ‘Shakespeare’:
t ‘vkdwsa avf
neu irot rS
, mvuaeea giCsouo aed renat rs
;iiweszteseooiiWhe thrr l st !htt :hsre
I mean, I was expecting a single, long ‘aaaaaaaaaaaaaaaaaaaaaa’, so this was progress.
More faffing, fans to 6000rpm, CPU to 500%, and some short while later, ‘Shakespeare’!
Before we proceed any further,
Or each doth now foul branch with thy preser’d up
Young to devise me him;
But in my jewities rebeeve me to this,
Your soul than daggers and breeding
some abrother Arms
What will be pronound with a husband; he’s beauty much or a slaughter,
But I’ll wring my false find than how ill.
I’ve been reading Charles Stross’ The Merchant Princes series since — I think — when I was in Zürich and had run out of available Iain (M.) Banks, and read Stross’ Accelerando, Singularity Sky, and Iron Sunrise, all of which predates when I started blogging about what I was reading. The original six-book series had definitely “Fantasy 4 Chicks” covers, and even by the standard of that mid-’00s cover-art genre was pretty awful. Nonetheless, nothing left to read and apparently it was the same Charles Stross, so off I went down that lot, the first two or three anyway — the last wasn’t published until I was safely back in Europe and living in Berlin.
And then they got a reprint and rewrite, turning the six into three, making those three the first half of a six-part series, with cover-art safe enough for The Menz who make up a large part of Stross’ readership. Empire Games was the first of the continuing trilogy, book 4 in the series, released early-2017; Dark State came out at the beginning of this year. Obviously I still buy Stross, pre-order even, but I haven’t enjoyed much since 2013’s Neptune’s Brood, the sequel to Saturn’s Children, largely because he’s been devoting the majority of writing time to his Laundry Files series, which he really needs to retire, but probably won’t cos it’s mad popular.
I’m not really in the “write 3000 words on every book you read” mode lately, so, yeah, solid but unremarkable middle book of the second trilogy. A lot of things happen, but primarily as set-up for the next and final novel, so nothing much gets resolved. Stuff happens in Berlin too, which, as Onyx said to me when I was blabbing about J.K. Simmons (aka Schillinger Tenzin — I swear knowing the Nazi from Oz is also the Airbender Tenzin messes with my head) in Counterpart, “The last thing I need to do it watch shows set in Berlin, talk about trigger warning. It’s like looking at an ex-girlfriend’s facebook.” Me: “They do ‘moody post-wall reimagining of 70’s Berlin noir spy thriller’ and I’m all oooosexy! and ‘Berlin why u not treat me like that?’” I just find something a bit off and troubling in his work these days, and not just the egregious stuff like when he played a trans woman for laughs in The Nightmare Stacks. When I first read this series, and Iron Sunrise and Singularity Sky, as well as some of his later books, I felt like him writing women was really believable, like he got it. These days it feels like he’s loudly blabbing queer and trans and brown women characters (including one in this novel who throws on a hijab to ‘pass’ as a Turkish woman in Berlin while on the run) but all I see is a white man. I keep reading him though, familiar but oh so problematic.
… is where Altered Carbon‘s Lizzie Elliot knifes the entire patriarchy in the throat.
Waking up singing “I was a Teenage Anarchist” and “Gone Mad”, lazy 11am breakfast reading a new book, afternoon of grinding and roasting spices, prepping roe deer meat from the local Wildfleischhandel, shopping for dinner and the week, baking a pile of banana energy bars, murdering up a Baltistan curry while chatting with Gala, eating said curry while returning to book, bit of sci-fi telly with cardamom chocolate, the apartment soaking the whole day in rich scents and cooking, and now all that but 2 hours of the day done. I just want to remember about a perfect a day as I can have.