Another Pile of Books I’m Reading in the Second Half of 2020

It’s been a while. I didn’t have any spare cash for a bit, then I had slightly too much (as far as the Finanzamt is concerned), and then I realised I’d decided not to blog for a few weeks (thanks pandemic and enragingly piss poor response by Berlin, Germany, Europe, and so very very many str8wyt men in all those places), and now see me trying to make an effort like showing up for the exam and everyone knows I didn’t do the work.

Yallah, a pile of books I’m reading (pretending to read) in the second half of 2020, to which I’ll add another pile because I dunno, not enough money to buy anything substantial but just enough to incur a hefty tax bill if I don’t spend it. Weird how poverty is emplaced through institutional, structural and legislative punishment.

All the poetry, and I do mean all the poetry is entirely because of Omar Sakr. Him and Sunny Singh (of the Jhalak Prize) on Twitter are responsible for a large chunk of my reading, whether directly or retweeting interesting people who turn out to be writers and poets.

So, Aria Aber’s Hard Damage, Ellen Van Neerven’s Throat, Sue Hyon Bae’s Truce Country, all poetry that moves me. It still feels odd to be reading poetry, though it’s been a year since Sakr’s The Lost Arabs and Suhaiymah Manzoor-Khan’s Postcolonial Banter — just a year! Feels heaps longer. Yeah, poetry is hitting me right.

Also poetry, semi-poetry, poetry-ish, with a history in a festival, Rachel De-Lahay’s My White Best Friend: (And Other Letters Left Unsaid), mainly because I read anything with Suhaiymah Manzoor-Khan in it.

Continuing the theme of books recommended by other authors, or cited in their bibliographies. Olivette Otele’s African Europeans: An Untold History, which I already blogged, but these six-monthly book dumps seem to deserve all the books. No idea where I heard about this, but either Twitter authors or one of the blogs I read. And from that, Geraldine Heng’s The Invention of Race in the European Middle Ages. Real-time internet archaeology as I write here, I likely read about both on In the Middle, the medieval studies blog, where, on Monday, Geraldine Heng responded to the hit-piece on her and this book.

Which reminded me of the double bind I periodically find myself in. The first time I personally experienced it was with JT LeRoy, who I read in the early-’00s and thought was a trans femme who I could relate to. Turned out JT only existed as a fiction of a white, cis woman, and she’s still making a profit and career off our lives. Funny how consequences slide off them like teflon. More recently it was Medieval PoC – who I used to contribute photographs of Black and Brown people in art when I was on my museum bender – and a deeply messy history going back years of her claiming Native, Roma, and other ancestry. And this year it’s been a regular feast of white cis women in academia and the arts getting sprung for building their careers on false claims of BIPoC ancestry. On the other side of the double bind, it’s white supremacy trying to flip medieval European history to its own agenda, and a ceaseless barrage of racism, misogyny, transphobia, and all the other shit against cis and trans BIPoC authors, academics, artists, very regularly from white, cis women in academia and the arts, like the 46-page (!!!) hit-piece Heng responds to.

I mean, I just wanna read books and have a good time and learn shit and be amazed and generally chill the fuck out with a bunch of words and instead it’s white people colouring up or white people doing hit jobs.

Last couple in the non-fiction pile, then. Peta Stephenson’s The Outsiders Within: Telling Australia’s Indigenous-Asian Story. The one she wrote before Islam Dreaming: Indigenous Muslims in Australia, which it turns out I may not have blogged either. That latter was a big one for me. And keeping on the Islam history thing, John M. Steele’s A Brief Introduction to Astronomy in the Middle East, recommended to me by Dr. Danielle Kira Adams of Lowell Observatory, and responsible for Two Deserts, One Sky — Arab Star Calendars (novel research things there).

Fiction, then. Science-fiction mostly. Becky Chambers, who I’ve been reading for the last few years and pretty content at the moment in reading another one from her, To Be Taught, If Fortunate. Another also from Charles Stross, Dead Lies Dreaming, though after fifteen years this might be the last I read from him, just not really doing it for me and the trans character is very written by a cis. Tamsyn Muir’s Gideon the Ninth, which I’ve already read, and the sequel Harrow the Ninth, which I’m currently reading / wading through it’s corpsey gore. Claire G. Coleman’s Terra Nullius, Indigetrans colonial invasion sci-fi but not really sci-fi. And speaking of trans, Juno Dawson’s Wonderland, which I kinda liked but wished the literary fixation on Alice in Wonderland stories didn’t exist (same like I wish dance fixation on ‘reimagining’ Swan Lake and the classics didn’t exist).

Lucky last. Fiction but more like Chingona autobiography ghost story, Myriam Gurba’s Mean. Recommended to me by Vass. Thanks babe, she’s fucking with me.

That’s a lot, eh. Piling up, getting partly read then left, words look smaller than they used to and I need glasses but that means organising shit like ophthalmologist appointments and shelling out cash and fuck it I can squint. Though I wonder if the reason why I’m not reading as much as I used to is ’cos words in book form’s blurry all the time.

And no blogging for six weeks? Longest ever? Like …

Status

And no blogging for six weeks? Longest ever? Like I gave up my life project? Thanks pandemic amping up transphobia and racism and Islamophobia and general shittier behaviour from the str8s.

Reading: Olivette Otele — African Europeans: An Untold History

The only thing I’m not enjoying about this book is its high expectations on my reading list. Twenty pages in and I’ve ordered four books mentioned in the notes.

Where did I hear about Olivette Otele’s African Europeans: An Untold History? No idea. Maybe someone on Twitter, or, more likely what I’d been reading circulates around this subject and one of the authors mentioned it.

Obviously very much here for her writing on Saint Mauritius, and shoutout to Dom zu Magdeburg St. Mauritius und Katharina and that statue of him. And for the bibliography, ’cos there’s been a heap of new stuff specifically on Germany / German-ish regional history that is totes my jam. Probably going to be one of my Books of the Year. If I was still doing that. And it’s making me miss my rando trips to small German cities to gawp at mediæval art something huge.

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Seen at Rosenthaler Platz: Me on a Tram Pole

That’d be me, Francesca d’Ath, and my toes, yesterday while biking to rehearsals.

Pandemic and very delayed sensible government response allowing, I’m performing at Sophiensaele next week. A double bill of two solos, the other with Claudia Tomasi, and both started with Isabelle Schad way back in January.

I don’t know if we’ll even get to perform next week, carrying on like we will, and it feels dead weird to be art-ing while shit goes exponential in Neukölln, Berlin, Germany, Europe … In case we don’t or if we do, here’s me looking well tasty.

And for everyone who saw that poster around Berlin-Mitte, yes, that is me, yes that person is trans femme and serving deep trans femme energy, and yes, even a glance at a poster of me will turn your children trans.

Ms. Monica Roberts

I have to get the emotional part out first. I just want to swear a lot. Around 1am last night finishing my day and heading to bed I saw Raquel Willis’ on Twitter saying Monica Roberts had died.

I’m just fucking gutted and pissed and angry and sad and hurting. And I don’t have words the way other people do who speak so eloquently of a loved one’s death.

Monica Roberts was one of the original bloggers, starting TransGriot way back in 2006, Transistahs-Transbrothas organisation in 2004, and keeping a record of and speaking for trans women and people being murdered. Even then she’d been active as a Black trans woman since the early-’90s and was a strong voice in the blogging community contributing to Pams’ House Blend, The Bilerco Project and other early sites, got on Twitter in 2009, and never stopped doing the hard work of proper trans representation and advocacy in cis space — Black trans representation and advocacy in white cis space.

I’ve been reading her that long, fourteen years at least, and she has been one of the very few constants in my online life and my trans life.

And I wanna say her love of Houston and NFL was always there and as much a part of her and important to her, and I can’t find a place for that so I’m sticking it here.

She was important to me because she was Black, because she was a Black trans woman. There were fuck all trans bloggers or writers or journalists back then, and even fewer of those visible trans people were anything other than white. It was way before 2014’s ‘Trans Tipping Point’ with Laverne Cox on the cover of Time, trans people — especially trans women, and especially Black or Brown trans women — were far from welcome in ‘LGBT’ spaces and pretty much didn’t exist in the cis world.

She was always there.

She did the work.

And like so many Black and Brown and Indigenous and migrant trans women and femmes, she faced unemployment poverty and homelessness.

Every young Black trans woman or femme who has a voice or visibility or presence in 2020 has that because she never stopped. All us older ones are here and seen because she never stopped. There is no speaking our trans history which does not recognise the monumental, tireless, ceaseless work she did.

I loved when she’d come no fucks given for some fool. Her Shut Up Fool Awards deserve a monument. I loved too when she named other trans people who brought racism and homophobia and even, yeah, transphobia along with general piss poor behaviour into the room, especially white trans women riding on their privilege. She never punched down but watching her maul someone who deserved it was as terrifying as it was hilarious.

Every photo I see of her with other trans people I see love and joy for them in her eyes. And every photo with trans women, again especially Black trans women and children, they are looking to her with love. She stepped hard for trans kids for decades and we all saw that.

She was a mother and a Mutha to so many, and an Auntie and a sister and Sistah. And now she joins our Ancestors.

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Bike Rebuild Part 2

Looking very shiny.

Friday got me to the “It looks like a bike, dunnit?” stage, which was me lying to myself. Saturday was the real work of cutting brake and gear cables, and the horrorshow of setting up cantilever brakes. Sunday was “It’s gotta be rideable by 3pm, ’cos you gotta haul arse up to Wedding and see Dasniya perform.”

Sunday. Many videos of Calvin Jones of Park Tool later, a rideable bike.

So many ways to measure and fit a chain. So many ways to set up and index front and rear derailleurs. So many ways to wrap bar tape. So, so, so many videos on YouTube. Only one Calvin Jones.

And of course, not finished. Riding to Wedding and back rattled everything into place. The gears, they went *ching* like Kelis’ Milkshake. The brakes can throw me over the bars with one finger. Still a little skippy and noisy and squeaky though.

And the new riding position is a bit of work. I bought a fizik – or rather, fi’zi:k – Vento Argo R5 saddle ’cos the cutaway down the middle on my old one was nice but not in the right place, and this one is wider (for my weirdly spacious sitbones) and shorter, and very much does not stab me anywhere from butthole to pubic bone. I also bought fizik seat post and bar stem, ’cos I’ve loved using their bar tape the last couple of years. My new position is about the same length on the bar tops but slightly lower on the hoods and drops. This bike has always been a size or two too big for me, and getting low without getting stretched out or loosing the cyclocross agility I need has been a messy process, compounded by the shit cable routing for the front brake.

And today, with a very big box of discarded packaging, another box of old and destroyed bike parts, I decided to sort my drawers of bike shit. So much shit. So many old parts. I now have two drawers of very fucking highly organised and actually usable parts, two sets of serviced and ready to thrash wheels (one for cobbles and one for cyclocross), one sexy refurbished bike and pretty close to getting back out on some training rides.

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Bike Rebuild Part 1

Remember when I was all, “You Know What You’re Doing, Eh, Frances?”? Back in late-April 2018? Apparently I enjoy the outer reaches of “know what I’m doing” where it turns into “what am I doing?”

My poor bike.

It’s seen better days. Like the day before I bought it, for example. Original parts are now frame, forks, and handlebars. The latter I considered replacing as well this time but I like their fit and buying highly specialised fit stuff online without measuring and trying is a high risk activity for me.

So. First set of Fulcrum wheels rebuilt by me and bearings replaced in the shop ’cos I have not yet cried my way to spending 300€+ on a bearing press. Second set of Fulcrum wheels also rebuilt and laughing my way through flushing one set of grotty bearings and regreasing them ’cos I can’t afford another trip to the shop right now. Very tasty Challenge Chicane cyclocross tires on the former, with tan sidewalls (Which is high fashion. Allegedly.) and the Strada Bianca ones on the latter. Dead fucking sharp.

Old parts stripped from bike and in a box. New parts I’ve been collecting for months in another. Bike frame cleaned, much WD40 huffed, vague ennui slash sadness at the crappiness of the BB30 bottom bracket, which I considered replacing with an adaptor and a threaded one, which would mean a whole new set of cranks, which realistically isn’t a bad idea but fucking hell we’re very in “You spent new bike money on your old bike. Again!” territory right now, so, no, creaky fucking BB fucking 30 it is.

I did buy a chain whip and cassette remover ’cos I wanted to be able to swap the cassette between aforementioned dope as fuck wheels (“You could just swap the tires, Chica?” “I could just not? Dickhead!”) and woo! tools! My baba was very in the room yesterday. Not sure if he’s proud or confused about me, but he was very professionally interested in wtf I was doing.

Yesterday, then. Bike stripped and me all, “Fukken really? This again? Oh god why?” And today so far, past the grotty cleaning stage and starting the funtimes rebuilding stage, pretending the subsequent running and setting cables stage is no big deal and will not take me an upsetting amount of time.

My fingers and hands are serving high femme mechanic realness.

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Francesca d’Ath, Isabelle Schad: Knotting (at Wiesenburg)

Me back performing again.

I pretty much had made peace with moving on from dance and all in the last couple of years, enjoying training for myself and finding myself at a distance to those worlds. Then, late-last year, Isabelle said, “You’re doing a solo!”

We’ve been rehearsing irregular weeks since late-January, slowly building a work that finally got a formal-ish public outing on the weekend in Isabelle’s studio at Wiesenburg (masks and physical distancing and pandemic attentiveness obviously). First time performing in more than two years, and, after a decade living in Berlin, first time I’ve performed here — in a formal, dance scene context at least, not counting small, more private art-ing.

It’s been huge, a lot of work physically, mentally, emotionally, spiritually, and a lot of responsibility in being seen. Being seen by both the audience, some of whom recognised parts of themselves in me, and understand what that means, and being seen by those who came before, aunties, mothers, old ones who visited, who I called on ’cos I needed their strength and support and approval, and I needed them to see me, us like this. And my babaanne, wandering around after just out of sight. I am grateful for them all, and for those who came up to me after, who were the ones I needed to fully see me, and who I needed to see also.

Another pause now, then — as always, pandemic allowing — at Sophiensaele in early-November.

CANYON ZCC eSports team Doing it Right(-er-ish)

I was semi-watching the GCN Show while doing my regular late-night lying on the floor stretching and mobilising work the other night. They were talking about the new Canyon ZCC eSports Development Squad. Not really my thing ’cos all the equipment for indoor training runs to thousands of euros, plus I need to be outside in the weather. But they cut to the application page and were scrolling down when I saw this:

  • Gender:
    • Male
    • Female
    • Other

And yes, I sat up and stopped the video and took a screenshot and had thoughts and feelings.

Canyon is a German bicycle brand that sponsors a number of teams and coincidentally, my fave rider, Ceylin del Carmen Alvarado. I’m not sure of their exact involvement in Canyon ZCC, whether they just sponsor, or whether they’re deeply involved in day-to-day organisation, but that little ‘Other’ with its additional field to write in what you want is a big deal.

The last years living in Berlin, I’ve done freelance money work in design / development for many agencies, organisations, companies, and so on. I have a pretty good familiarity with how things get done. This wouldn’t be some random person setting up the form who just stuck in that third option ’cos they felt like it. Something like this would be a discussion, one of those very German discussions, up and down the ‘flat hierarchy’ in meetings, everyone giving opinions, and someone(s) in the room very explicitly advocating for this and laying out the reasons why and planning for how things would proceed if one of the Dev Squad was non-binary or trans or intersex or ‘other’.

It’s a big deal and not something that happened accidentally. (Maybe it is, kinda doubt it and flexing my multiple experience here. [edited] Yah ’cos I’m particular, I checked how Google Forms works and it’s a deliberate two-step process to add an ‘Other’ checkbox.)

I’ve written about this in cycling before, specifically in the Rapha Women’s 100 last year, and more broadly writing and talking about trans, intersex, and non-binary people, BIPOC, and ‘non-standard bodies’: fat, adaptive / dis- / differently abled, neurodiverse, in cycling and sports and dance. More recently, connecting the cycling industry with policing (thanks especially to Cyclista Zine) and its involvement in regimes like Merida and Bahrain.

Having this option is a very political choice, especially in the last few years when trans women and trans feminine people — as well as cis woman who don’t fit white cishet normative criteria, and trans men and mascs — are being attacked on multiple fronts from access to bathrooms to whether we can compete in sport to fundamentally if we should exist at all.

Contra that, there’s some frankly fascist attitudes towards what constitutes acceptable bodies in cycling, both as a professional sport and as a consumer lifestyle. And there’s a weird sliding between using acceptable and compliant trans and non-binary bodies (and using this word rather than talking about people and selfhoods) as both a progressive signifier and as a beard in making politics and governments palatable.

In the ’80s, South Africa was blacklisted from sport, and tours like Springboks to Aotearoa to play the All Blacks were met with riots and razors in the playing fields. Now, Israel Start-Up Nation is a regular on the start line and it’s all ‘keep politics out of sport’ and no one mentions Palestine.

So, how’s a trans or non-binary or ‘other’ person going to negotiate that? And yes, I’m putting this on these athletes as well as the organisation itself, rather than the cis athletes, specifically because our visibility too often necessitates a compromise, a sectioning off of who we are in order to participate.

I don’t even have answers to this anymore. It’s legitimate to want to bomb down mountains on a bike or thrash through mud and snow in winter for all the reasons it’s fun. And competition is part of that. It’s not possible for that fun to pretend it’s not part of a global crisis going back hundreds of years. And then, sometimes we have to silently participate in these systems just to survive.

Every athlete that ticks the ‘Other’ box and writes in their truth is doing something radical and putting their own existence on the line. I want to see them thrive doing what they love, and be exemplary for young ones who need to see themselves and their own possibilities. I want to see them have space to effect actual deep change. I’m not sure the cycling industry is anywhere near ready for that.

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Nyla Rose Serving Motivation

Sent to me by Vass yesterday and the motivation I need.

And here’s my trash arse not knowing who Nyla Rose is, not knowing she’s a pro wrestler and actor and trans woman and femme and First Nations. And obviously I’m in love. When I talk about serving trans femme realness, this is who I see.

And, “Something Something … Positivity or Whatever” is the new “harden the fuck up”.