We went and saw Mission Impossible: Fallout and laughed for 2½ hours at the brilliant kinetic absurdity: Tom Cruise, part of the Jackie Chan and Buster Keaton lineage of getting audiences to pay stacks to watch them do mad stunts. We ate chocolate and ice cream and nachos – cinema nachos! – and drunk Sekt. In the Kino. This is Germany and everywhere is drinking erlaubt. Ten years today, ago Dasniya and I met in her Fabrik studio in Uferstraße.
Last night, buoyed with a tub of vanilla ice cream and post-ride fuzzies, I finally got around to watching the last, movie-length episode of the gloriously weird Sense8. Yes, I cried.
I stuck around for the credits, and post all of that deep emotion, saw the logo for Venus Castina Productions, the company of Lana Wachowski and her wife, Karin Winslow, and thought, “I know that arse. I’d recognise that arse anywhere. I saw that arse in the Louvre.” I didn’t photograph her from that side though, but she was on my ticket when I visited, and I spent a long time with her, five hours into my nine-hours of getting done by the Louvre. Hermaphrodite endormi, 2nd century Rome with the bedding done in the 17th century when the fashion was to go all Baroque on Classic sculpture.
Up north of Berlin on a gloriously warm Sunday for Dasniya’s birthday. All unbearably pretty countryside and fields and glades.
Continuing art goals. 113.5km of the Berliner Mauerweg from Zehlendorf to Kreuzberg the long way around. One pinch flat on the way. Interesting variety of psychosomatic complaints that each went away when they realised I wasn’t stopping. Sometime around Invalidensiedlung I too realised I wasn’t stopping and went way past my usual ‘long ride’ distance (cyclocross does not prepare me for long days of arse pounding). Beautiful countryside, cheerful Germans everywhere, some cobbles, some truly shameful city ‘bike paths’ that were worse than the cobbles, decided that riding the route counter-clockwise, and finding alternate side-streets through some of the industrial mess of Schönholz (it isn’t) and Wilhelmsruh (also isn’t) is the way to get it done. Sometime in the coming weeks maybe. I’m not sure I have the capacity to get through 50 more kilometres yet. Unknown territory and all.
I read Hattie Collins and Olivia Rose’ This Is Grime late-last year, a few months after Grime4Corbyn and the UK elections had happened. Any book about Grime has to come up against that one, and everything I said about their book and Grime still stands. I’m not in the mood lately for writing long book ‘reviews’ or whatever, so two things, how and why, I keep returning to for This is Grime and Dan Hancox’ Inner City Pressure: The Story of Grime. The why is to understand one part of late-20th and early-21st century colonialism and racism, how New Labour and the Tories, gentrification, racial profiling, defunding education and social services, continue an unbroken agenda of white supremacism targeting immigrants and generations of children of immigrants like unfinished business. The music comes from being young and black and poor and treated like shit in your own country for the long haul. The how is to read these books as companions, flipping between reading and listening, starting Inner City Pressure with the Conflict DVD, Roll Deep on pirate radio Deja FM in 2003. It’s on YouTube, 36 minutes of madness. Pay attention to the names and the crews and the places, all of it’s on YouTube somewhere. Listen to the words and the noise, especially the earliest stuff. Maybe it won’t do anything for you; for me, it’s like coming up for air.
Over the last month (yes, that month), I decided I need more goals. Art goals. So I put down hypothetical / future works I’d like to make onto my other website, and went for another ride. The last month’s riding, being when I couldn’t hammer myself and had to practice restraint, turned out to be rather bloody good for me. So, sitting around thinking about how I could ever turn me doing Paris–Roubaix into An Art, and people mouthing off about how it takes ‘hard work’ to get what you want — nah fam, it doesn’t work like that, that’s the lie of meritocracy — I thought, fuck ya’s all, you want hard? See me. And thought a good preparation would be to cycle the 167 or so kilometres of the former Berlin Wall. Some of which I’ve already done, so I know it’s got cobbles and all, and is a madness in that department.
167 kilometres is also a pretty good single day race, and going from roads to cobbles to gravel, through the city, around Brandenburg, fields and lakes and forests, it’d make a banger of a women’s Spring Classic, Germany’s own Strada Bianche. Just saying, UCI.
Under-slept, with pockets full of energy bars, I decided to reconnoitre the southern part of the Berliner Mauerweg, starting from where Kreuzberg turns into Alt-Treptow, just over Lohnmühlenbrücke on the Landwehrkanal, working out how that connects to Johannisthaler Chaussee (which is the part I know up until Waltersdorfer Chaussee), and then all the sketchy bits following the Berlin-Brandenburg boundary until I ended up in the arse of Zehlendorf, a spit away from Größer Wannsee. Then back through Steglitz. Dead weird out there. 80-ish kilometres, a bit under half the full loop, plenty of stops while I looked at my GPS track and worked out if I was going in the right direction. Gloriously beautiful fields blooming with late-spring flowers, farm life everywhere, cheerful southern Berliners everywhere. And cobbles. Oh my, cobbles. I am so, so very far from hard.
Next up is Zehlendorf up to Frohnow, via Spandau, which covers most of the route I don’t know, and gets me used to spending those hours in the saddle, something I don’t have a habit for. Then it’s just another hundred kilometres, a lot more cobbles, and that’s Paris–Roubaix.
Departing the huge Hinterhof rooms for the small Vorderhaus one, somehow managed to arrange a life into it. From one corner, it looks like a diligent uni chick’s Zimmer in a shared flat; turning around and looking at that corner it becomes a uni bro’s room, all training gear and bike stacked up. Rather disconcerting. Who are you, exactly, Frances? Panda is pretty bloody stoked with the view tho’, and that’s all that matters.
My flatmate’s dead good.
From Saturday night, post-gutsing a huge dinner. Not as good as the photo I took last year but here we are again.
Seen stunting on Kurfürstenstr. West Berlin acid lime green Lamborghini Gallardo LP570-4 Superleggera. “Do I look like a baller?”