Dasniya Sommer — “Bondage Duell” At Sophiensæle Again

Dasniya Sommer’s banger, Bondage Duell is on again at Sophiensæle, part of Performing Arts Festival Berlin 2018, one of my favourite performances from last year, which I wrote about and photographed. It’s already on, two more nights, get your arse there.

Isabelle Schad — Fugen, at HAU3

Isabelle Schad’s Fugen, for which I was artistic assistance, returns to Hebbel am Ufer this week, for two shows, followed by a return of Solo for Lea at Sophiensæle on the weekend.

Dear friends and colleagues,

We would like to invite you to the reprise of the pieces Fugen and Solo for Lea by Isabelle Schad.

Both pieces are part of a series of works that Isabelle Schad subtitles as portraits and will be shown as Double Bill on the same weekend in HAU Hebbel am Ufer and Sophiensaele Berlin.

We would be very happy to see you here or there.

Fugen
Thursday, 05.04.2018, 19:00
Friday, 06.04.2018, 19:00
HAU Hebbel am Ufer, Berlin (HAU3)

Solo for Lea
Saturday, 07.04.2018, 19:30
Sunday, 08.04.2018, 19:30
Sophiensæle, Berlin

Fugen “… is a complex work that challenges both the choreographer Isabelle Schad and her audience in previously unseen ways. And thus creates opportunities to go beyond borders.” (Katharina Schmidt)

With Fugen, Berlin choreographer and dancer Isabelle Schad continues her work between musical concepts and their expression in movement. Coming from a music background and a lifelong interest in the polyphonic work of J.S. Bach, she attempts to look at her own (hi)story and the origins of (her) movement between discipline and pleasure. Fugen is an autobiographical work in which the performer’s body serves as an example for the construction of the individual within disciplines and systems one cannot escape from.

Solo for Lea, “A study in minimalism, a physical portrait and a sculpture in motion … a sublime draft.” (Elena Philipp)

Solo for Lea is a meeting between Isabelle Schad and Lea Moro. The work attempts to draw a very personal portrait of Lea Moro, dealing with the specificities of her body, its rhythms, its contours, colours and energies, playing with form-aspects of cubism and Picasso’s drawings in one dash. Together Schad and Moro engage in constellations of forming and disfiguring, in which the body itself becomes the stage: the space, place and matter that is the subject of observation.

Image

Lemmy 🖤 Panda

I found this snuck into my suitcase. Stone Tape Theory Altar of Lemmy.

Image

Stone Tape Theory: Gaffer Tape

The day after. Removing darkness. De-mummification.

Image

Stone Tape Theory: Fichtestraße

Watching Virginia transcribe one of the many cassette tapes of Stone Tape Theory and I see the name of the street I live in.

Video

Stone Tape Theory: Panasonic Monolith

Melanie Lane’s Panasonic cassette players, from Germany to Arts House. Ghost voices, tape decay, science-fiction alien landscape. Friday night in Stone Tape Theory.

Image

Stone Tape Theory: Tech Box

Melanie Lane messages with an offer of cassette players. From Germany. Big ’70s portable boxes. Yesterday, our brilliant tech crew sort getting the output to input into the desk and I rack them up. Our tech booth looks dead serious now.

Video

Stone Tape Theory: Tapes Rewinding

12 in widdershins.

Image

Stone Tape Theory: House Altar of Lemmy

Lemmy watches over us in the biobox, offerings of cigarettes and whiskey.

Image

Stone Tape Theory: Strobe Sub-Woofer

Blair set up an IR Camera in the Stone Tape Theory blackness. Once a minute a strobe fires. IR camera flickers and pulses half a second later, frothing light burning the screen.