Some I didn’t finish, some I didn’t start, some I’m reading by proximity until I get on to turning pages, some keep getting started and left when something I want to read immediately comes along, some just take me forever to finish.

Semi-alphabetically and fiction first (and I’m very out of practice with writing about what I’m reading):

Ben Aaronovitch is the not-TERF white dude writing actually good magical fantasy set in London. Yah, the main character is a cop and my current rule is “don’t engage with new stories if they humanise the piggos,” but I’ve been reading the series since 2017 when Gala slipped me one. What Abigail Did Last Summer is more Young Adult or whatever it gets called but my reading level is, “This. This I can read.’ I have the upcoming one on order, and that’s how I am with Ben.

More sci-fi with Charlie Jane Anders, and Victories Greater the Death is her best ever? I think so. Not enjoying waiting for the sequel though. Am enjoying the thought of it turned into a live-action series (movie?) with Wakanda’s own Michael B. Jordan.

I have been thinking about how many white trans femme or trans women authors and writers are about at the moment, how much media attention they’re getting (good attention, especially in traditional media; not talking TERF attention here), and how on Twitter (’cos that’s where the writers congregate) there’s a heap of interaction and interlinking between white trans women. And I’m wondering where all the Indigenous, Black, Blak, Brown trans femme and trans women authors and writers are and why the ones I do know, Claire G. Coleman for example, don’t seem to be interacting or being spoken about in the same sentence much. I mean I think I know why, eh.

Akwaeke Emezi and Zeyn Joukhadar (both trans but not trans femme or trans woman) I somehow place in the same space as Claire. All three have had media attention, but I’m trying to be specific on the dissonance I notice. I see white trans femmes being grouped together, and interacting on Twit and other online media — and likely the algorithms amplifying this, and feel like all the others are somehow isolated or separate. Which is one part of it. The other part is these three write about and live in spirit worlds. I feel that’s very familiar to me, and part of why they appear to me solid, multi-dimensional, in full colour. Part of why I’m drawn to them — even when it’s scary, ’cos just reading of spirit worlds draws attention to me, wakes the spirit worlds I know.

I read Charlie Jane Anders because she’s writing sci-fi and I’ve read her for years since the early days of io9. There were a number of other very high-profile novels published by white trans femmes and trans women last year, which I have no desire to read. I don’t care for the stories being told (and in one case think the story is well dodgy), and don’t feel much affinity at all with the authors. And I’m actually concerned (though not surprised) that whiteness is playing a substantial factor in trans femmes and trans women having any kind of success as writers and authors.

That’s a whole fucking convo there, so I’ll move on.

Becky Chambers I have a relationship to I don’t understand. I don’t think I’m a huge fan, but there’s something about her novels I really enjoy reading. I don’t think too hard beyond that and I keep buying them.

Genevieve Cogman though. I did get a kick out of her Invisible Library series, but The Dark Archive is where I’m stepping off. It was the ending, where the previous Big Bad turned out to be a diminutive bad who might actually be on the good side (I dunno, it was months ago now), and the true(?) Big Bad was revealed. Bait and switch is not a narrative device I enjoy unless there’s a huge amount of prior work to make me care, and six novels in feels way too late for such a plot twist.

Alastair Reynolds’ Inhibitor Phase wrapped up that massive universe (for the moment). He’s one of the two or three white cis dudes writing sci-fi I’ll read. It’s mainly because his space opera is so fucking epic. This one has a heap of his delicious weirdness he let loose in the Revenger trilogy, and being Reynolds, of course any celebration is swept away by the whole galaxy getting shafted a few hundred years after the end of this story.

Zeyn Joukhadar. If I was in my old days where I’d write a post per book and spew out hundreds of words, Zeyn would get extra. The Thirty Days of Night and The Map of Salt and Stars are my favourites of the year — and would be Books of the Year if I still did that — for personal reasons as well as he simply writes beautiful stories. And he’s queer and trans and Muslim and Arab, so duh highly unlikely I wouldn’t rate him.

Sliding from fiction to non-fiction, Massoud Hayoun’s When We Were Arabs covers some of the same ground as Zeyn Joukhadar, and reminded me of my father’s family, as well as a couple of moments which caused me to look very side eye at them and what ‘Turkish’ really means. Which is another stitch in the long, slow unravelling of family from that single sentence uttered over a decade ago, “That’s why your grandmother couldn’t stay, because the kitchen was not halal.”

Leanne Betasamosake Simpson’s As We Have Always Done comes from near the land I was born on and is probably the single most important book I read last year or last several years. Unlike a lot of the heavy politics I read, in books, in articles, on social networks, Simpson also describes ways out of the shithole mess colonialism and white supremacy have caused. I raved to everyone (pandemic everyone, that’s about 5 people) about this book more than once. That kind of book.

Audra Simpson’s Mohawk Interruptus, slightly further east from the other Simpson, I’m still reading. It’s one that got — haw haw — interrupted by other books. It’s one that I need to have the right attention for. Reading this together with the other Simpson is good, strong words.

Geraldine Heng’s The Invention of Race in the European Middle Ages is another I’ve raved to everyone about. And I was reading it in 2020, slow reader, me. I’m including it here again because … because it’s probably my non-fiction Book of the Year, over As We Have Always Done, which is a tough call. Settlers and Europeans need to know the history which led to colonialism, white supremacy, invasion, genocide, ongoing occupation of stolen land (as well as cisgender heteronormative supremacy as both a tool of those above systems and actions, and conversely a separate system and action which used those above as tools, a kind of reciprocal system of shit, but that’s not so much a topic for this book). They need to know the long, deep roots of these systems which go back most of the last two thousand years — not as ‘proto-racism’ or ‘not really racism, more like xenophobia’ or whatever, but as actual, recognisable, functioning racism. Racism at encompassing and conscious institutional, political, religious, community levels, and at individual levels. Knowing better how this emerged and evolved in the European Middle Ages makes it possible to understand more clearly Renaissance, Enlightenment, Industrial, and 20^th / 21^st century colonialism and racism. And that in turn makes it possible for non-Indigenous people to read Simpson and understand deeply what she’s saying and what’s required.

A bit of astronomy and space science now. And racism. Shit’s inescapable like that.

Ray and Cilla Norris’ Emu Dreaming: An Introduction to Australian Aboriginal Astronomy is really an intro, more of a pamphlet I was reading to educate myself on Indigenous astronomy which turns up a lot in my novels. And you’d be surprised at how much has been written on the subject. And by ‘surprised’ I mean not at all, and by ‘much’ I mean really fuck all, and the stuff that has is either paywalled academic papers or insanely expensive academic books.

Ronald Greeley’s Introduction to Planetary Geomorphology turned out also to be very Intro and missing all the fun of the 2015 New Horizons Pluto flyby. I love me all things space science though, so I keep buying these books.

Chanda Prescod Weinstein’s The Disordered Cosmos: A Journey into Dark Matter, Spacetime, & Dreams Deferred, is the one speaking about racism. Growing up Black and Jewish in East LA, going to Harvard, being queer and agender, these oppressions and marginalisations are inextricable. In my early-teens, I wanted to be an astronomer. Being a young, queer multiethnic trans femme back then — and so many of those words, their meanings, and how they were lived were not available back then — meant I failed out and dropped out of school way before that desire had a chance to bloom. Still love the stars though; still sad fuckall has changed in all the decades since.

What else?

I’m grouping these together: Tiffany M. Florvil’s Mobilizing Black Germany, Priyamvada Gopal’s Insurgent Empire, Johny Pitts’s Afropean, Asim Qureshi’s (ed.) I Refuse To Condemn. I haven’t finished any of these and at least one I’m unlikely to finish. They’re all important books. I really want to be enthusiastic about reading them. I’m just struggling with reading heavy shit (and there’s no way this stuff is not heavy) after two years of a fucking appallingly politicised and mismanaged pandemic response.

I’d almost put Adonia Lugo’s Bicycle / Race in with those. Maybe because I’ve been involved with racism and transphobia in professional / competitive cycling, as well a being very opinionated about bikes, walking, and public transport as the primary method of getting around in cities, and the need to massively reduce if not outright ban private cars and vehicles (yeah, I’m a devout hoon who loves the smell of hot engines and the sound of a redlining engine and I said that), I read this with hope and a bit of joy. I would absolutely do lazy laps of a city with Adonia.

And then there’s a few others I’m not going to mention, but the covers are below. All kinds of feelings and thoughts about all of them. This is already 2000 words and I needed to stop long before now.