Isabelle Schad in Hanoi, Ho Chi Minh City, & Jakarta (& elsewhere)

Blog-posting from Isabelle Schad’s mailing list for all youse in Vietnam & Indonesia who didn’t know she’s touring & running workshops until now. Also various dates for various works across Germany and Europe.

Dear friends and colleagues,

we cordially invite you to the following performances and activities in autumn 2017.
We would be very happy to see you, here or there.
Nice Greetings.

Solo for Lea
31.08.2017 / Monoplay Festival / Zadar (HR)
19. + 20.10.2017 / Künstlerhaus Mousonturm / Frankfurt (DE)

Der Bau
20.09.2017 / Europe meets Asia in Contemporary Dance / Hanoi (VN)
24. + 25.09.2017 / Europe meets Asia in Contemporary Dance / Ho-Chi-minh-Stadt (VN)
29. + 30.10.2017 / Komunitas Salihara / Jakarta (ID)

Double Portrait
10.10.2017 / showing / Lazareti / Dubrovnik (HR)
13. + 14.10.2017 / Premiere / Zagrebacki Plesni Centar / Zagreb (HR)

Workshops
21. – 22.09.2017 / Goethe Institut / Hanoi (VN)
01. – 02.10.2017 / Goethe Institut / Jakarta (ID)
21. – 22.09.2017 / Lighting Workshop with Emma Juliard / Goethe Institut / Hanoi (VN)
16. – 18.10.2017 / Künstlerhaus Mousonturm / Frankfurt (DE)

Isabelle Schad — Der Bau
Isabelle Schad — Der Bau
Isabelle Schad — Double Portrait
Isabelle Schad — Double Portrait
Isabelle Schad — Solo für Lea
Isabelle Schad — Solo für Lea

Isabelle Schad — Showings: Double Portrait, & Turning Solo

Two new works from my good friend, Isabelle Schad,one this weekend, the other the end of the month. Both are early showings before their Berlin première at HAU in December.

All the deets:

Showing – Isabelle Schad: Double Portrait, mit Przemek Kaminski und Nir Vidan

Im Rahmen von informellen Showings werden erste Arbeitsergebnisse der für 2017 geplanten Neuproduktionen vorgestellt.

“Die Bilder sind eigentlich immer im Zwischenbereich, hybride, also nie eindeutig definierbar. Sobald ein Bild wirklich nur eine einzige Aussage haben kann, so eindeutig ist, dass jeder Zuschauer dasselbe sieht, versuche ich eigentlich immer etwas zu verändern oder dieses Bild wieder loszuwerden.”

— Isabelle Schad, Auszug Interview mit Wolfgang Horn, Theater: Ein Fest! Tanzplattform 2016, 3sat

Double Portrait, 16. & 17. Juni 2017 / 19.00
Turning Solo, 30 Juni & Juli 2017 / 19:00
Wiesenburg-Halle, Berlin-Wedding, Wiesenstrasse 55, 13357 Berlin

Anfragen und Reservierungen unter: schrammheiko@gmx.de

Isabelle Schad (Konzept, Choreographie), Przemek Kaminski, Nir Vidan (Co-Choreographie und Performance) Sasa Bozic (Dramaturgische Beratung), Damir Simunovic (Sound), Bruno Pocheron (Licht), Charlotte Pistorius (Kostüme), Heiko Schramm (Produktionsleitung), Andrea Remetin (Produktion defacto), Isabelle Schad (Fotos)

Uraufführung: Oktober 2017, Zagreb, Croatia
Berlin Premiere: Dezember 2017, HAU Hebbel am Ufer Berlin

Isabelle Schad — Double Portrait
Isabelle Schad — Double Portrait

Isabelle Schad — “Personal Collective” at Museo Universitario Del Chopo, Mexico City

There’s a scene in Episode 9 of Sense8 where Lito is sitting with Nomi before an early sketch of Man at the Crossroads in the Diego Rivera Museum in Mexico telling her how he lost his partner Hernando, while cutting to flashbacks of Hernando describing the history of of the mural, of art, and love before their first kiss.

Late-December, Isabelle says, “I’m going to Mexico.” I say, “You have to go to the Diego Rivera Museum.”

Even if she doesn’t make it there, she’s still in a museum, the Museo Universitario del Chopo, where she’s working with a group of local performers to develop and present a variation of the Collective JumpsPieces and Elements series. And if you are in Mexico City later next week, you can see it.

Personal Collective
Performance Installation:
4th and 5th February 2017, 1pm
9th and 10th February 2017, 5pm

Personal Collective has been developed together with the performers from Mexico City under the artistic direction of Isabelle Schad, assisted by Julia Rodriguez for the site of the Museum el Chopo. Certain modules derive from the work Collective Jumps by Isabelle Schad and Laurent Goldring.

With: Daniela Urías, Patricia Marcela Herrera Román, Engelbert Ortega, Alvaro Pérez, Azhareel Sierra, Argelia Villegas, Uriel Isaac Palma Torres, Alberto González Etchegaray, Leticia Cordero Mote, Adrián Hernández, Gilberto Spindola, Mariana García, Citlalli Granados de León, Alejandro Ramírez, Edgar Landa, Karina Terán, Mónica Arellano, Daniela Flores, Marlene Coronel, Víctor Hugo Rivera.

Personal Collective is a collaboration by Isabelle Schad with Goethe-Institut Mexico and Museo Universitario del Chopo.

More information: Isabelle Schad, Museo Universitario del Chopo.

Isabelle Schad — “Personal Collective” at Museo Universitario Del Chopo, Mexico City (Foto: I. Schad in front of Azul extensivo by Sofia Táboas)
Isabelle Schad — “Personal Collective” at Museo Universitario Del Chopo, Mexico City (Foto: I. Schad in front of Azul extensivo by Sofia Táboas)

Isabelle Schad — Pieces and Elements

The unstoppable Isabelle Schad! One more new performance from her for 2016. I saw a rehearsal of Pieces and Elements last week and was well impressed. A Beautiful group of performers, a work continuing from her last group work, Collective Jumps, and from her most recent solo, Solo for Lea. One of the three I reckon you come to Berlin for. (Das Helmi, and Castorf/Fritsch/Pollesch/Marthaler at the Volksbühne are the other two. Yeah, I just made that comparison.)

Dear friends and colleagues,

We would like to invite you to the premiere of the new performance Pieces and Elements by Isabelle Schad at HAU Hebbel am Ufer Berlin.

We would be very happy to see you.

  1. Première:
  2. Further performances:
    • 26.11. 2016, 19:00
    • 27.11. 2016, 17:00 (afterwards: Artist Talk with Isabelle Schad and Susanne Foellmer)
    • 28.11. 2016, 19:00

In the new work Pieces and Elements a group of performers negotiates the collective body in motion that can only function as a whole. This body with its different parts and multiple connections serves as a possible reflection of nature where each element is in relation to all the others in order for the whole to exist.

Pieces and Elements deals with the fluid borderlines between a scientific, biological, cellular approach to the body and the one seeing the human body in relation to the cycle of nature and the five elements: water, wood, fire, earth and metal. It places itself between a western and an eastern point of view, between visual arts and the performing arts, between installation and choreographic miniatures. After Collective Jumps, the first part of the trilogy on collective bodies, which investigates the body as a site for forming community, Pieces and Elements considers the phases of change and nature as possible energetic means for becoming one: as body, as self or as a group.

In her recently premiered work Solo for Lea, Schad deals with a single figure as a portrait. Pieces and Elements draws on that experience, and focuses on the collective body as cubistic landscape, which can be considered at once as a space of transformation and as the event itself. We are approaching an oscillation between organism, apparatus and hybrid matter, between experience and sensuality, between utopia and reality.

  • Concept & Choreography: Isabelle Schad
  • Co-Choreography & Performance: Jozefien Beckers, Barbara Berti, Frederike Doffin, Naïma Ferré, Josephine Findeisen, Przemek Kaminski, Mathis Kleinschnittger, Manuel Lindner, Adi Shildan, Claudia Tomasi, Nir Vidan, Natalia Wilk
  • Theoretical advice: Susanne Foellmer
  • Dramaturgical advice: Saša Božić
  • Artistic assistance: Claudia Tomasi
  • Light design: Mehdi Toutain-Lopez
  • Sound: Damir Simunovic
  • Costumes: Charlotte Pistorius
  • Costume Assistance: Maja Svartåker
  • Assistance: Angela Millano
  • Production management: Heiko Schramm
  • Made possible by a long-term collaboration with Laurent Goldring.
Isabelle Schad — Pieces and Elements
Isabelle Schad — Pieces and Elements

Gallery

TSR-BER

Leaving the warm Sunday of Timișoara, into the grey, rain and cold of Münich, heading north, skimming above the clouds as the sun gutters, an inferno radiating across the hemisphere etching the stories and layers, we descend as it does into night in Berlin.

Gallery

Sunday Wandering in Timișoara

A little hung over. Out of Hotel Savoy mid-morning, hoping to get a better look at the science-fiction space station house, meandering through the streets of Calea Şagului, all late-19th, early 20th century houses and apartments — most in need of love and restoration — through Parcul Gheorghe Doja and along the tram lines to cross the Bega river back into Cetate. Around Catedrala Mitropolitană again, same for Piața Victoriei, then east-ish into parts of Timișoara I hadn’t seen. Plenty of super-attractive Modernist architecture of the International Style, Functionalist, and Brutalism lot, sits really well with the older, more ornate mixes of Art Nouveau / Deco, even older 17th century Baroque / 18th century Neoclassical — in places it reminds me of Vienna or Prague or Brussels, dead worth more than the two hours of wandering I had. Figure-8-ing my way past an attempt to find Muzeul Banatului (apparently closed for renovations?) back to Piața Unirii, into the side-streets of the north-west corner of the old city, and back to the whole reason I was in Timișoara: Opera Naţională Română, with its three theatre companies, Teatrul Naţional Timişoara, Teatrul Maghiar de Stat, and Teatrul German de Stat. Back to Hotel, and off to the airport.

Image

Isabelle Schad — Fugen. Timişoara

Isabelle Schad’s solo, Fugen, is on tomorrow, Saturday 5th November in Teatrul Maghiar De Stat “Csiky Gergely” in Timişoara, part of the Festivalul de Arte Performative Timișoara 2016. It’s a beautiful work, as is Isabelle performing; really worth seeing.

Isabelle Schad — Fugen. Timişoara
Isabelle Schad — Fugen. Timişoara

Image

Teatrul Maghiar De Stat “Csiky Gergely”

Where we’ve been tech-ing and rehearsing since 9am, which was hidden in the early morning cold fog, then wrapped in warm afternoon sun, and finally bejewelled in lights at night when we left for dinner. The theatre crew are wonderful, like Teatro Comunale di Bologna, and Isabelle has a massive ballroom for a stage. Back tomorrow lunch-time to continue, then performance.

Teatrul Maghiar De Stat “Csiky Gergely”, Timişoara, Romania

All Things Isabelle Schad

Speaking of Isabelle Schad, not in Berlin for Solo für Lea next week? How about Kraków or Timişoara or Berlin later in the year?

Der Bau
Isabelle Schad and Laurent Goldring
7th October 2016, 41 KRT Festival, Teatr Łaźnia Nowa, Kraków, Poland

Fugen
5th November 2016, Hungarian Theater, Timişoara, Romania

Pieces and Elements
New group piece for 12 performers
Première: 25th November 2016, HAU2 Hebbel am Ufer, Berlin

Isabelle Schad: Pieces and Elements — 1
Isabelle Schad: Pieces and Elements — 1
Isabelle Schad: Pieces and Elements — 2
Isabelle Schad: Pieces and Elements — 2