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Berlinische Galerie: Kunst in Berlin. Fred Thieler, Erzählung für W. Turner, 1962

Lucky last from the Berlinische Galerie, which I’ve only been to once before shortly after I arrived in Berlin and remembering not liking but felt like I ought to cos it was getting hyped, but here I am a lifetime on and nah still don’t like it. Abstract Expressionism though, I do have a soft spot for my eyes and brain getting fucked on these visuals.

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Berlinische Galerie: Paint it all! Tatjana Doll, CAR_Crankcase, 2008/2018

Still at the Berlinische Galerie. Obviously I liked this one. Totalled Deutsch hoonage? Easier fix than changing the timing chain. Sometimes I wonder if I’m emotionally swayed by art which is actually superficial at best and kind of white neoliberal corporate in its heart. I dunno. Would I watch 10 minutes of this Benz doing a Nürburgring lap? Duh! Simple pleasures.

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Berlinische Galerie: Paint it all! Christine Streuli, Warpainting_008, 2016/2017

Primarily I went there to see this painting. Me and eyebleed colour, eh. And at the end of a couple of hours, it was still my fave painting. The colours are kinda off in my photo though cos I still have no idea how to do colour-balancing.

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Via Pennino Walk

Going for a short afternoon walk and for the first time in a long time it isn’t laps of Tempelhofer Feld. along Via Pennino, Contrada Santa Croce, and Via Campoluongo. Olive trees ripe and ready for harvest, grape vines mostly already harvested (and currently the must is being siphoned next door), do not drink the water from the fountain, yes those cactus fruits are edible, and I could never get tired of this view.

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Bonnie’s Casa

Evening stroll around Bonnie’s Italian countryside villa “Not a villa” looks like at least villa-adjacent to my bogan eyes. I thought the sun and light was going to stay grotty and not put on any show, and then, surprise! Storm over Taburno massif, setting sun hitting the tuff of the old work shed, Ginger the dog posing, chooks also posing, a rainbow, cactus, and four of the five dogs allowing me a group portrait. My FujiFilm X-T4 is finally getting a workout.

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Sant’Agata de’Goti

Thursday stroll through Italian countryside to the nearby town of Sant’Agata de’Goti. Which is half on a cliff over a gorge and there’s a plaque commemorating two women who fell in love and painted frescos together (or something). It’s all ridiculously beautiful and coffee pasta wine is apparently all I want.

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Neue Nationalgalerie. Ferdinand Hodler: Jüngling vom Weibe bewundert II, ca. 1904

First time ever being inside the Neue Nationalgalerie, and with Alison Currie who’s blasting through Berlin / Germland / the north-west Asian peninsula (aka Europe) on a dance / art trip.

One of the last artworks we saw, and the last painting I photographed before we schlepped around the gift shop. It’s supposed to be three chicks perving at a naked dude, but I think it’s three trans women showing off what the fourth could have if she just got on hormones and embraced her femme.

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Neue Nationalgalerie. Otto Mueller: Junges Mädchen vor Männerköpfen, 1928

Me, trying to remember what I was looking at in the Neue Nationalgalerie, having forgot every artist’s name, but still, “Oh, yeah, that one, that’s one of my faves,” pointing at Ernst Ludwig Kirchner’s Potsdamer Platz and Rheinbrücke paintings which I’ve seen heaps of times and still very much faves, or Max Beckmann, Karl Schmidt-Rottluff, Max Pechstein, Emil Nolde, Wassily Kandinsky … seeing all those artists in context with each other (though minus the ladies, cos … ‘reasons’) and in context geographically and historically is a trip.

Last time I blogged Otto Mueller was when I visited Museum der bildenden Künste Leipzig way back in 2016, and when I used to photograph massive amounts of art and edit the fuck out of it all. Which, like everything I get enthusiastic about, became stressy and slightly too intense, whole weeks gone on doing fifty or sixty images per museum, and then a pandemic happened and I’ve been to maybe two or three exhibitions since the start of 2020.

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Neue Nationalgalerie. Sascha Wiederhold: Jazz-Symphonie, 1927 (detail)

First time ever being inside the very modern architecture, very Ludwig Mies van der Rohe, Neue Nationalgalerie, and dragging Alison Currie along, whom I haven’t seen for … fucking years. We were quite loud sozbruh. Me with my still new FujiFilm X-T4 using it for one of the reasons I bought it: photographing aaart. Sascha Wiederhold, very intense, big, detailed paintings.