More Dasniya. More Shibari. More Art.

You thought I was joking about Dasniya only being in Berlin on a Tuesday? Right now she’s in Oldenburg, then she’s off to Warsaw, then back to Berlin to perform, then I dunno — too far in the future to scry. Definitely in Berlin in December with Das Helmi though. Plenty of rope/shibari/bondage/yoga workshops in November too (and Wellness to Torture is still the best name for a workshop ever).

Dasniya says:

Dear Rope and Theatre Friends,

the must-be event of the month is the Porn Film Festival 2016, starting next week. Check out my first photo exhibition Moviemento cinema! For November there will be five morning classes, and a bondage gig for Arte.

Also back in November: Yoga Shibari, and Self-Suspension #2.

Oil–burn your ropes and stay warm,

Dasniya

Here’s everything. You can also keep up with her news on her blog, Zur Zeit; on Twitter, @dasniyasommer; or her mailing list.

  1. Shows & Exhibitions
  2. Berlin Workshops
  3. Blog
Das Helmi — “Die Letzte Lockerung”
Das Helmi — “Die Letzte Lockerung”

Dasniya Sommer at Helsinki Shibari Festival

These days, Dasniya calls me mid-week:
“Hey, D! Where are you?”
“Berlin! I just got back from [place]”
“Excellent! You here this weekend?”
“Nah, I’m off tomorrow morning to [other place].”
And repeat next week.

Last week she was in Mainz, this week Helsinki. Right now, yes! For the Helsinki Shibari Festival, where she’s teaching a rope/shibari/bondage workshop this weekend. In Helsinki? Go. It’s called Wellness to Torture. How could anyone not want to go to a workshop called that? Also another one called Japanese Dreams, where she goes into butoh and bondage.

In Berlin, not in Helsinki? Her Tuesday morning workshops are running all October. And she was in Oliver Riehs’ new comedy Der Affenkönig, on at CineStar Kulturbrauerei from next week.

Here’s everything. You can also keep up with her news on her blog, Zur Zeit; on Twitter, @dasniyasommer; or her mailing list.

  1. Shows & Teaching Abroad
  2. Berlin Workshops (at Institut Sommer in Berlin-Wedding)
    • 3 x Shibari Technique in Oct: Tuesdays 4, 11 & 18 (No class on the 25th), always 10am -12pm
    • Self-suspension Workshop 14th Oct. 12-16h
Vera Goetzee in “Knot Applicable” at Fringe festival Amsterdam. (Photo: Kasper Vogelzang)
Vera Goetzee in “Knot Applicable” at Fringe festival Amsterdam. (Photo: Kasper Vogelzang)
Dasniya Sommer — Butoh Bondage
Dasniya Sommer — Butoh Bondage

Isabelle Schad — Fugen

Since July, I’ve been working with Isabelle Schad on her new work, a solo called Fugen. Next Thursday is the première.

Fugen by Isabelle Schad

With Fugues, Berlin choreographer and dancer Isabelle Schad continues her work between musical concepts and their expression in movement. Coming from a music background, she attempts to look at her own (hi)story and the origins of (her) movement between discipline and pleasure, examining the body and its energies in its materiality, process, and time.

The fugue serves her as an analogy for the body in exercise, where the principles of chasing and fleeing, giving and receiving, emptiness and fullness, are becoming one.

Fugues is an autobiographical work in which the performer’s body serves as an example for the construction of the individual within disciplines and systems one cannot escape from.

Première:
Thursday, 29th Oct 2015, 20:00, HAU Hebbel am Ufer (Berlin)
30th, 31st Oct, & 1st Nov 2015, 20:00

Audience talk after the performance on Friday 30th with Jun.-Prof. Dr. Susanne Foellmer, Isabelle Schad, and Sasa Bozic

Concept, choreography and performance: Isabelle Schad
Dramaturgy: Sasa Bozic
Artistic assistance: Frances d’Ath
Associated artists: Laurent Goldring, Alain Franco
Light design: Mehdi Toutain-Lopez
Costume: Charlotte Pistorius
Production management: Heiko Schramm
Production: Isabelle Schad
Co-production: HAU Hebbel am Ufer, Espace Pasolini (Valenciennes)
Funded by: the Regierende Bürgermeister von Berlin – Senatskanzlei – Kulturelle Angelegenheiten, and the Nationales Performance Netz (NPN) Koproduktionsförderung Tanz, which is funded by the Beauftragten der Bundesregierung für Kultur und Medien on the basis of a decision by the Deutschen Bundestags.
Supported by: Wiesen55 e.V.
Thanks to: Damir Simunovic
photo: Laurent Goldring

More information: Isabelle Schad, Hebbel am Ufer

Fugen on tour 2015:
3rd & 4th November 2015, Liikkeellä marraskuussa, Stoa, Helsinki Finland
26th & 27th November 2015, Next Festival, Espace Pasolini, Valenciennes France

Isabelle Schad — Fugen
Isabelle Schad — Fugen

Anarchic Un-Shibari for March

(Absence of blogging lately … and potential laptop death …)

Dasniya has returned from Helsinki with images of mundane un-shibari, kind of a Last Supper rope anarchy. Being one step behind, n+2 dimensionale raum für n > 2 / anarchy of knots from Bains Connective has arrived on her site, with images from Silvano. Also, some images from Casa de Campo in Madrid last summer. Finland shall arrive in the future also.

As for March, more Wednesday Yoga + (un)Shibari, another weekend self-suspension workshop, and a small possibility of something else later in the month.

Liebe Shibarianer_innen,
anbei unsere ‘Yoga und Shibari’ Kurse für März 2012:

1. Yoga & Shibari Berlin
2. Selfsuspension Workshop Berlin
3. Einzelunterricht

Frühlingsnähe, Spring- und Fliehkräfte,
Herzlich von Dasniya und Frances

1. Yoga & Shibari
Dieser vierstündige Workshop kombiniert Yoga mit der japanischen Seiltechnik ‘Shibari’ Workshop text
Termine: Mittwochs 7.,14.,21.,28. März 2012
Von: 19-23 Uhr
Ort: Uferhallen Kulturwerkstatt, Alte Kantine, Teatris, Uferstr. 8-11, 13357 Berlin, U8 Pankstr/U9 Osloerstr. Kosten: 20/15 Euro

2. Self-Suspension Workshop am Sonntag den 25. März, 14-20 Uhr. In diesem Kurs behalten wir die Seile in den eigenen Händen. Üben Aerial-Multitasking, das bedeutet Seil- und Atemtechniken mit physischen Intensitäten, Entspannungsmomenten und Kraft zu koordinieren. Und verwenden knotentechnisch traditionelle Figuren, sowie unseren liebgewonnenen Anarcho- Style.
Ort: Uferhallen Kulturwerkstatt, Alte Kantine, Teatris, Uferstr. 8-11, 13357 Berlin, U8 Pankstr/U9 Osloerstr
Kosten: 40 Euro. Anmeldung und Info: workshops@dasniyasommer.de

3. Einzelunterricht oder kleine Gruppen können flexible organisiert werden.
Mehr Infos unter: email@dasniyasommer.de


Dear Friends and Colleagues,

below you find informations on ‘Yoga and Shibari’ workshops in March.
Still trying to suspend gravitation :)
Dasniya & Frances

1. Yoga & Shibari
The workshop combines principles of Yoga with the tying technique Nawa Shibari. Workshop text
When: 7-11 pm
Dates: Wednesdays,  7.,14.,21.,28. March 2012
Location:  Uferhallen Kulturwerkstatt, Alte Kantine, Teatris, Uferstr. 8-11, 13357 Berlin, U8Pankstr/ U9 OsloerstrCosts: 20/15 Euro

2. Self-Suspension Workshop on Sunday March 25th, 14-20 Uhr. We will take apart the complex art of self- suspension. Coordinating rope technique, strength, breath, relaxation and physical intensities while being suspended with ropes. Using traditional tying figures and our beloved anarchic improvisation.
Location:  Uferhallen Kulturwerkstatt, Alte Kantine, Teatris, Uferstr. 8-11, 13357 Berlin, U8Pankstr/ U9 Osloerstr
Costs: 40 Euro. Registration: workshops@dasniyasommer.de

3. Individual training or small groups can be organized spontaneously. More information:email@dasniyasomer.de


Fotos: Aus dem Workshop ‘Archetypical Encounters’ mit der finnischen Arbeitsgruppe
Todellisuuden Tutkimoskeskus, Februar 2012

Helsinki Shibari
Helsinki Shibari
n+2 Bains Connective – 1
n+2 Bains Connective – 1
n+2 Bains Connective – 2
n+2 Bains Connective – 2
n+2 Bains Connective – 3
n+2 Bains Connective – 3

Archeypical Encounters in Shibari

A weekend of workshops – two days of only ropes from lunch until deep into the night. After the Saturday self-suspension workshop, Sunday was for a completely different group, with a correspondingly different focus. A group of seven from a Berlin Tantric massage organisation wanted to see what of Shibari would come together with what they did. More knots and learning, some figures I’d forgotten, vats of chai tea, suspensions, Dasniya and I tying Lewis, another great pot of soup and more post-rope eating around the long table … The theme for the next monthly workshop might be Shibari and Food.

In the meantime, Dasniya hauls over to Helsinki in a week and an half, for a workshop at Todellisuuden Tutkimuskeskus. For those who are interested in doing her workshop, all the information is below.

Archeypical Encounters in Shibari
A performative rope research in Helsinki

When: February 23th to 27th, 2012
Schedule:
Thu 17-21h
Fri 17-21h
Sat 12-18h
Sun 12-18 + Showing
Mon contemplation + future planning

Where: Todellisuuden Tutkimuskeskus (Reality Research Center) / Suvilahti / Puhdistamo 6, II krs / Helsinki, Finland

Costs: 100 €, max 12 participants
Contact: Julius: julius.elo@gmail.com / 050-537 4244
Dasniya: workshops@dasniyasommer.de
More information: Todellisuuden Tutkimuskeskus , Dasniya Sommer


Utopia
What goods are at stake in a Second Life age of global mega bit exchange? Among billions of personal and more anonymous data, identities get suspended. If things were simply upside down, or inside out it would be an easy trot. But affairs seem more intricate. Seizing chaos literally. Rooting bodies airwards, floating into the world wide void.

Incompatible archetypes form patchwork communities and trench warfares. On the scout for oneness, traveling meditative galaxies, individuals become partially ascetic. Is the social task to transform and reduce archetypical existence to zen-zero?

The Method: Atheist Yoga & Un-Shibari:

Traditional Shibari settings operate with binary constellations like active-passive, men- women, dominant-submissive. One person taking control over a second person, by restricting and decorating them with ropes. Or: The Good and the Evil, The Beauty and the Beast.

What questions are needed, in order to move beyond these (gender insensitive) concepts?

-what archetypical behaviour do we find, and identify with, within the normative Shibari practice? why disidentifying with these figures? why are they enjoyable/can be problematic?
-towards what dynamic do specific type-constellation lead?
-how can rope technique be tailored, so that it becomes compatible with performative role models?
-what archetypical sensual/sexual patterns do practitioners decisively or unconsciously experience, copy, manifest or challenge in relation to their (sub-) cultural context?
-what concepts for semi-intimate relations allow for these kind of experiments in real life? (between romanticism, polyamory and asexuality)
-which other socially informed practices, like reading, dancing, massaging, tea ceremony, food can be combined?

Generating performative material:

-investing into stupidity, non-rational primitive actions -combining these with ropes
-self-suspension as subversive strategy
-adding archetypical performance to the rope work
-learning the traditional technique and finding new approaches -rope improvisation
-deviating dramaturgies within a rope situation: self->partner->self suspension

More meta-material to generate tasks/for Mondays reflection:

-avoiding second nature-shibari patterns or their (semi-)conscious reproduction -unjudging, indulging and exploiting them
-transforming the archetype
-talking about (care-) ethics
-being critical on Shibari/BDSM practices?
-finding formats for non-/participatory performances

self-suspension and finland

The last self-suspension workshop consumed all of Sunday and even before it began there was talk of another, so happiness is to say it will be happening on Saturday 11th February.

Also unexpectedly one of the places I’ve long wanted to visit has fallen into my lap, and I shall be wandering north- and eastwards in three weeks with Dasniya for a workshop in Helsinki.

Self-Suspension Workshop in February

Am Samstag den 11. Februar von 14-20 Uhr.

In diesem Kurs behalten alle die Seile in den eigenen Händen. Wir üben quasi Aerial-Multitasking. Dazu gehören Seil- und Atemtechniken mit physischen Intensitäten, Entspannungsmomenten und Kraft zu koordinieren… Knotentechnisch verwenden wir traditionelles, und unseren liebgewonnen Anarchostil*.

Kosten 40 Euro.
Anmeldung und Info: workshops@dasniyasommer.de
dasniyasommner.de

On Saturday 11th, 14-20 h.

We will take apart the complex act of self- suspension. Coordinating rope technique, strength, breath, relaxation and physical intensities in the air.
Using traditional knots and our beloved anarchic style*.

Costs: 40 Euro.
More information and registration: workshops@dasniyasommer.de
dasniyasommner.de

yeah but can you do one steam-powered?

This is totally the coolest thing I have seen today, Blackheads MC Helsinki Victorian Goth Chopper wins Custom Bike Show 2006 Norrtälje. I know it’s high petrol-sniffing gear-freakery, but check out the action on the steering mechanism, and the rear wheel hub, and the golden flying eyeball headlamp and brass headset … and, well, I really do wish all that copper piping was backed up by a little coal-fired boiler. mmm steam bikers. I’m off to do some lines of powdered anthracite.

victorian goth biker
victorian goth biker
steering mechanism and engine
steering mechanism and engine

A Strange Heaven, Contemporary Chinese photography

There’s some rumour going around about me going to Helsinki in the next couple of weeks. Apparently my legendary and prodigious baijiu consuming antics have reached the ears of the vodka-swilling neighbours of the Viking hordes, and the Swiss beer just isn’t cutting it … actually, it’s a smut-filled 48 hours of … smut, and part of my ill-thought plan to go to strange places and pretend I have a fantastic career as an artist. Dead clever.

Anyway, there was another big exhibition of art from China on in Helsinki which just finished, this time contemporary photography. NonStarving Artists mentioned A Strange Heaven, Contemporary Chinese photography a couple of weeks ago, which has a number of the same artists as the flying abortion one in Bern. With all these giant China contemporary art retrospectives, the country must be about as bereft of art as after Younghusband and co pulled a swift one with several tonnes of old Buddha stuff. One day, the Chinese government is gonna want that fetus head back.

The principal themes of the exhibition are founded on the diversity of contemporary Chinese reality. For the most part, the works deal with individual identity, family and present society in times of rapid transition and development. Many of the works are inspired by the aesthetics of ancient cultures and philosophical traditions, and others by recent political upheavals. China’s economy has been expanding rapidly for some decades, which has led to unanticipated social change. This, too, is reflected in the works, which deal with problems that are relatively new to China: urbanisation and globalisation. Many of the artists also deal with the universal problems of sexuality, sensuality and gender.

— Art Museum Tennis Palace

weng fei – great family aspirations: patriotism
weng fei – great family aspirations: patriotism

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