And every other province and land that had self-determination stolen.
Very tardy here. Mid-afternoon on day 1 of DICE Conference / Festival back on the last day of October. Coming out of Taborkirche into the cold sun and a jet leaving a straight line of contrail across the blue.
Das Helmi on tour, all the way out east to Lichtenberg, in the shallow parabola of northern Rummelsberg right by S-Nöldnerplatz, where the rails form a curved triangle around the old railway workshops backing onto the roundhouse and railway turntable to the east, now typically Berlin ateliers and halfway to forest of the B.L.O. Ateliers.
Festival time. Wagner festival time. Berlin is not Bayreuth. Vol. 1. Six hours of Tannhäuser spread across at least four stages, meandering through the dishevelled brick and concrete buildings and fastigiate black poplars charging thirty metres into the dark, cloudless evening sky. Peter Frost wrecking it singing dodgy Schlagermusik, Cora Frost doing the same as a Pope to ruin The Young Pope. glanz&krawell (I think) working their way through the long shouty bits with proper opera singing. Das Helmi with their always always glorious, monstrous, chaotic stagings, scaring off people who though it was going to be, y’know, opera, culture and shit, instead of what the fuck is happening here, how did I find myself on stage slapping a stranger’s arse with twelve other people doing the same I should’a left when the Pope started kissing people’s feet kinda thing.
Mad thanks to Dasniya Sommer for getting me in, reminding me of a Berlin I utterly love, deeply pagan and animist, rough as guts and no intention of ever changing.
Big news!! Its with great pleasure that I wish to announce that I’ve been named a 2018 Sidney Myer Creative Fellow, one among 8 exceptional artists. This prestigious biennial award seeks to provide support to a group of mid-career artists (across all disciplines) and arts workers, who are judged by a panel of national peers as demonstrating the qualities of “outstanding talent and exceptional courage”. I’m honoured to receive this support and recognition of my work, and doubly so to share it with such an outstanding cohort which includes 3 #FirstNations artists: myself, Merindah Donnelly and Jonathan Jones. I was nominated for the fellowship by @emmmwebb and refereed by @hettiperkins, two forces of nature who humble me with their support. My thanks to them, to the Myer foundation and to the panel. 🙌🏼🙏🏽💥🖤💛❤️
At airport, about to board for Hong Kong, long chat with Onyx as they drive south from Sydney with Kiesia. Thinking of my previous four weeks here, first time in a decade. Deep emotion and attachment to the land, honoured to work with Onyx on and for their art, many conversations I am thinking over. Reconnecting with Emile, Paea, Jo, Melanie, Shian, meeting new people and seeing how much the city has changed, Carly, Mykaela, Kai, Faith. I’m going to have to come back. Thank you all.
I found this snuck into my suitcase. Stone Tape Theory Altar of Lemmy.
Moving again. Rest Area and Stone Tape Theory finished, FOLA finished, a couple of days in Melbourne and then airports and airports. Remembering the tree I woke up to.
The day after. Removing darkness. De-mummification.
Watching Virginia transcribe one of the many cassette tapes of Stone Tape Theory and I see the name of the street I live in.