Eleven years ago, I got up early to watch Curiosity land on Mars. Yesterday, it was evening and just as terrifying. If I was up for utterly scaring myself, landing the way Perseverance and Curiosity did would be my choice.
It was that same surreal experience knowing Perseverance had already landed or not as the signal arrived eleven minutes behind. And then over so quick. Especially the last part from heat shield separation to free fall and powered descent and Sky Crane and touchdown. Suddenly it was there, in its lime green square with no cables running up to the descent module, just sitting there calm as can be.
And everyone going mental. Except Dr. Swati Mohan who was in the EDL Commentary chair with purple hair and silver stars, who’s been on the project since it began eight years ago, and was calm and focussed on the job all the way.
And then the images came in. And there’s a drone! And there’s microphones!
Nothing quite like silent apprehension bursting into raucous celebration when a lander touches down on another planet. This is the first image, a couple of minutes after landing, dust-cap still on the camera, wide-angle distortion, horizon cutting a slice at the upper edge, a single rock centre-bottom, above the shadow of InSight.
I got up early to to watch the MSL Curiosity land on Mars. Utterly amazing! 7 Minutes of terror! Wow, and livetweeting, Google Hangout with some of the most incredible astronomers, live feeds from NASA and ESL … pictures arriving from Curiosity and making it to Twitter within minutes of landing, and computer simulation of the entire landing. Really beautiful.
Reading the Green Guide at Orange yesterday, the last name I expected to see getting airtime on SBS this week was Joseph Rock. I wrote about him at the start of the year when I stumbled across one of the most strange and poignant endeavours I’ve read that got committed to a blog.
Sydney multi-blogger and photographer In the footsteps of Joseph Rock has been slowly building up a photo-documentary of his own journey through Sichuan province which began as an attempt to follow Joseph Rock’s travels through the mountainous Tibetan borderlands in 1929. From the first retracings of Rock’s steps came other journeys in the 1990s and accompanying photographs. It’s the photographs that make this blog uniquely strange and bring Rock’s expeditions and his obsessions to life.
Over the past months In the footsteps of Joseph Rock has amassed a huge collection of his own photographs from his travels, some that as close as possible are the contemporary equivalents of Joseph Rock’s. In some cases the modern photos have been taken from exactly the same vantage point and besides the difference in quality and colour are identical. Other times, the photos serve to show the change, decay or destruction. Even more poignant are portraits where time seems to have stopped, the monks, villagers, farmers almost unchanged in eighty years.
AS IT HAPPENED – THE ADVENTUROUS TRAVELS OF JOSEPH FRANCIS ROCK
A fascinating portrait of Austrian explorer Joseph Rock and his adventures in the south-west of China from 1922 to 1949, with extraordinary footage. Joseph Francis Rock (1884-1962) arrived in China in 1922 and spent the best part of 30 years collecting plants, hunting birds, taking photographs, shooting films and exploring the mountainous regions of the south-west of China for various prestigious American institutions including the Department of Agriculture, the National Geographic society and Harvard University. When Rock first arrived in China, he made his headquarters in a small Naxi village near Lijiang in south-west China. There Rock discovered the Naxi priests, the Dongbas, and their religious pictographic script. Rock was fascinated and over the years he compiled a dictionary of the pictographic script. When the Second World War broke out, Rock refused to leave China, spending most of the war in Lijiang writing. Eventually Rock left Lijiang in 1944. On 5 December 1962, a month before the dictionary was published, Rock died of a heart attack in Honolulu surrounded by his beloved Naxi pictograms. (In English, Mandarin, Naxi and German, English subtitles)