Dasniya Sommer — “Bondage Duell” At Sophiensæle Again

Dasniya Sommer’s banger, Bondage Duell is on again at Sophiensæle, part of Performing Arts Festival Berlin 2018, one of my favourite performances from last year, which I wrote about and photographed. It’s already on, two more nights, get your arse there.

Isabelle Schad — Fugen, at HAU3

Isabelle Schad’s Fugen, for which I was artistic assistance, returns to Hebbel am Ufer this week, for two shows, followed by a return of Solo for Lea at Sophiensæle on the weekend.

Dear friends and colleagues,

We would like to invite you to the reprise of the pieces Fugen and Solo for Lea by Isabelle Schad.

Both pieces are part of a series of works that Isabelle Schad subtitles as portraits and will be shown as Double Bill on the same weekend in HAU Hebbel am Ufer and Sophiensaele Berlin.

We would be very happy to see you here or there.

Fugen
Thursday, 05.04.2018, 19:00
Friday, 06.04.2018, 19:00
HAU Hebbel am Ufer, Berlin (HAU3)

Solo for Lea
Saturday, 07.04.2018, 19:30
Sunday, 08.04.2018, 19:30
Sophiensæle, Berlin

Fugen “… is a complex work that challenges both the choreographer Isabelle Schad and her audience in previously unseen ways. And thus creates opportunities to go beyond borders.” (Katharina Schmidt)

With Fugen, Berlin choreographer and dancer Isabelle Schad continues her work between musical concepts and their expression in movement. Coming from a music background and a lifelong interest in the polyphonic work of J.S. Bach, she attempts to look at her own (hi)story and the origins of (her) movement between discipline and pleasure. Fugen is an autobiographical work in which the performer’s body serves as an example for the construction of the individual within disciplines and systems one cannot escape from.

Solo for Lea, “A study in minimalism, a physical portrait and a sculpture in motion … a sublime draft.” (Elena Philipp)

Solo for Lea is a meeting between Isabelle Schad and Lea Moro. The work attempts to draw a very personal portrait of Lea Moro, dealing with the specificities of her body, its rhythms, its contours, colours and energies, playing with form-aspects of cubism and Picasso’s drawings in one dash. Together Schad and Moro engage in constellations of forming and disfiguring, in which the body itself becomes the stage: the space, place and matter that is the subject of observation.

Shibari & Kinbaku Classes in February with Dasniya Sommer

Three different classes with Dasniya Sommer this month in Berlin-Wedding, all on Tuesdays:

For more info, email Dasniya on workshops@dasniyasommer.de, message her on Facebook, and check out her Instabanga while you do (& sign up to her mailing list)

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As Melanie Said: ✊✊✊💪💪💪💥💥💥💥

Late-night email from Melanie Lane. Wonderwomen, for which I was dramaturg, won the 2017 Leipziger Bewegungskunstpreis. Mad props to Mel, Rosie Rascal and Nathalie Schmidt, Robert Bartholot, Florian Bücking, and Fabian Bleisch — and LOFFT Theater in Leipzig, where we premièred.

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Gala & Michael Headcasts Portraits

Three Australians in Wuppertal, by way of Brussels, Madrid, and Berlin. Last time I was in Wuppertal it was for The Vase, one of three banging works I’ve seen this year. This time, Friday evening, it’s snowing to whiteout, Gala and Michael are talking about the headcasts they’ve had done for their upcoming work, New People. They want photos. Guess who brought their camera? Saturday morning, after a lazy breakfast and before lunch hamburgers, still snowing, the falling-apart printer’s workshops behind Michael’s apartment having their roofless concrete floors jackhammered by the owner, one of those old socialist tradie types who ends up with a bunch of properties and maintains them all himself. It’s proper winter cold, slush and snow and wetness, and he’s hauling shit around like Sisyphus. We bail into the one building with a roof. Milky glass-paned, rusting windows along one wall fill it with just enough light for us to get away with photography. There’s a temporary scaffolding floor erected, we tall ones are nearly smacking our heads on bits of pipe and beam. Their busts go on the ground, then on a plank, I photograph them like I would mediæval art.

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Inadvertently 3-Dimensionalising Gala & Michael

Completely due to a tiny shuffle of one foot in a decrepit former book printer’s workshop out the back of Michael’s apartment (where the owner was totally having at it on a Saturday morning with jackhammers into concrete in the snow and freeing slush), I managed to do one of those mad meme-y gifs that look like they’re 3-dimensional. Tick-tock, back and forth, convinces me every time.

Showcase Beat Le Mot — Super Collider, at HAU2

Second show of the week, and the one I’m seeing first: Showcase Beat Le Mot’s Super Collider at HAU2, with Dasniya Sommer doing rope stuff.

Showcase Beat Le Mot — Super Collider
HAU Hebbel am Ufer, Berlin (HAU2)

  • Sun 10.12.2017, 19:00
  • Mon 11.12.2017, 19:00
  • Tue 12.12.2017, 19:00
  • Wed 13.12.2017, 19:00

Laser pointers write “Game Over” in the sky. The performers of Showcase Beat Le Mot do not want to waste any electricity on apocalyptic resignation but instead to expand the frame of discourse to include outer space. That’s why in their new performance they’re sending danced messages and mumbled formulas into the outskirts of the universe. “True, beautiful and good were sought, skewed, quirky and helpful were found.” The antennas for the extra-terrestrial messages are switched from receiving to sending. This is not documentary theatre about the powerlessness to act in a surging reality but an experiment that works like a utopian slingshot. The stage setting is the message, the audience the amplifier. Space acts instead of fake facts. Always alongside trouble. Welcome to the half-truth about everything.

Concept, Space, Text, Realisation: Showcase Beat Le Mot
Shibari: Dasniya Sommer
Sound/Music: Sebastian Meissner
Costumes: Clemens Leander
Video: Alexej Tschernij
Light: Klaus Dust
Movements: Nina Kronjäger
Stage construction: Jörg Fischer
Production: Olaf Nachtwey & Johanna J. Thomas
Thanks to: Alexander Djuric and Etel Adnan

Isabelle Schad — Double Portrait, & Turning Solo, at HAU3

Two shows by and with friends this week: Isabelle Schad’s première at HAU of Turning Solo with the brilliant Naïma Ferré, and Double Portrait, both of which I saw in June showings in Isabelle’s studio in Wiesenburg.

Dear friends and colleagues,

We would like to invite you to the Berlin Premiere / world premiere of the new pieces Double Portrait and Turning Solo by Isabelle Schad at HAU Hebbel am Ufer, Berlin.

We would be very happy to see you.

  1. Berlin premiere / world premiere
    • Friday, 15.12.2017, 19:00, HAU Hebbel am Ufer Berlin (HAU3)
  2. more performance dates:
    • 16.12. 2017, 19:00
    • 17.12. 2017, 19:00
    • 18.12. 2017, 19:00

With Double Portrait and Turning Solo, Isabelle Schad continues a series of works which attempt to create distinct and personal portraits through a purely physical approach, moulding respective rhythms and energies into choreographed experiences.

Double Portrait — the portrait for Przemek Kaminski and Nir Vidan — seeks to form a solo for two persons with their bodies, movements and subjective rhythms. Each of them finds his prolongation in the other. In changing interdependencies a shared space defines self and other, intimacy and care, colliding forces and violence creating a web of connectivities. The work plays with aspects of Frances Bacon’s paintings, their complexity in visual rhythm, their intensity and immediacy.

Turning Solo — the portrait for Naïma Ferré — is based on her fascination with spinning for long periods. This whirling practice is brought into dialogue with Schad’s research around axial and weight shift, around inner movement material and its extension into the world, around energetic fields that characterise oneself and others. Little by little an initially minimalist study in movement becomes a shimmering jewel, a rotating sculpture, the choreographic portrait of a dancer.

Credits Double Portrait
concept and choreography: Isabelle Schad / co-choreography und performance: Przemek Kaminski, Nir Vidan / dramaturgical support: Saša Božić / sound: Damir Šimunović / lighting: Bruno Pocheron / stage: Isabelle Schad, Bruno Pocheron, Charlotte Pistorius, Thomas Henriksson (painting) / costumes: Charlotte Pistorius / head of production: Heiko Schramm / production defacto: Andrea Remetin

Credits Turning Solo
concept and choreography: Isabelle Schad / co-choreography und performance: Naïma Ferré / dramaturgical support: Saša Božić / sound: Damir Šimunović / lighting: Bruno Pocheron & Emese Csornai / costumes: Charlotte Pistorius / head of production: Heiko Schramm

Isabelle Schad — Turning Solo
Isabelle Schad — Turning Solo
Isabelle Schad — Double Portrait
Isabelle Schad — Double Portrait

Isabelle Schad in Hanoi, Ho Chi Minh City, & Jakarta (& elsewhere)

Blog-posting from Isabelle Schad’s mailing list for all youse in Vietnam & Indonesia who didn’t know she’s touring & running workshops until now. Also various dates for various works across Germany and Europe.

Dear friends and colleagues,

we cordially invite you to the following performances and activities in autumn 2017.
We would be very happy to see you, here or there.
Nice Greetings.

Solo for Lea
31.08.2017 / Monoplay Festival / Zadar (HR)
19. + 20.10.2017 / Künstlerhaus Mousonturm / Frankfurt (DE)

Der Bau
20.09.2017 / Europe meets Asia in Contemporary Dance / Hanoi (VN)
24. + 25.09.2017 / Europe meets Asia in Contemporary Dance / Ho-Chi-minh-Stadt (VN)
29. + 30.10.2017 / Komunitas Salihara / Jakarta (ID)

Double Portrait
10.10.2017 / showing / Lazareti / Dubrovnik (HR)
13. + 14.10.2017 / Premiere / Zagrebacki Plesni Centar / Zagreb (HR)

Workshops
21. – 22.09.2017 / Goethe Institut / Hanoi (VN)
01. – 02.10.2017 / Goethe Institut / Jakarta (ID)
21. – 22.09.2017 / Lighting Workshop with Emma Juliard / Goethe Institut / Hanoi (VN)
16. – 18.10.2017 / Künstlerhaus Mousonturm / Frankfurt (DE)