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Dasniya Sommer & Silke Schönfleish — Bondage Duell

Wednesday, Thursday and Sunday evenings, I had the great pleasure of seeing Dasniya Sommer’s new performance, Bondage Duell, with Silke Schönfleisch at Sophiensæle. I was there to photograph and film, so saw the performance as a series of movement between the real world, camera screen and intercut with frozen images and instances of blackness. It’s always a weird way to see a performance and detaches me from the actual duration and progression of a work.

Bondage Duell is in Sophiensæle’s Kantine, a medium-sized rectangular chamber on the ground floor, in which Dasniya has set the audience in a shallow arc, like theatre half-in-the-round, on the long axis. Everything is compressed, as audience we’re much closer to Dasniya and Silke than we would be if the space was arranged more conventionally, using the depth. Their movement then, is side to side, long, flattened ellipses.

It’s brutal, touching, sexy, intimate; there’s a whiteout of fog, an audio landscape going from cars (courtesy our annual visits to the shrine of Fast & Furious) to cicadas, light moving from ’90s techno to blinding footlights to the softest, haziest, dreamlike seduction. Yes, there’s rope and shibari and suspension, these are after all what Dasniya has made her art for over a decade. Silke also, first coming to her workshop in Vienna at ImPulsTanz in 2014, and since then gradually working together and towards this performance, fitting it around her career as a Regierungsdirektorin in Berlin and formerly Staatsanwältin with the Bundesjustizministerium (that’d be currently a senior government official, and previously public prosecutor at the German Federal Ministry of Justice), basically deeply scary person when at work.

Dasniya’s last performance in Sophiensæle was MA — let’s give it it’s full and proper title, eh? — MA√ 15 { idiosyncrasy } || sin x = ly – fx²¯ in 2009, all turquoise everything, one of the most significant works bringing shibari into theatre and dance, certainly a huge influence on shibari and performance in Berlin, and particularly for trans and queer artists (especially on the women and feminine sides of those things). That was eight years ago, and the rest of the world has made inroads into catching up to what she was doing then — there’s a lot of brilliant art and performance being made with shibari these days. Dasniya’s also moved on, in addition to her own work, working with the likes of Roméo Castellucci, and being a long-time regular with Berlin theatre group, Das Helmi, which in turn has led to semi-regular collaboration with Zürich’s Theater HORA, as well as slowly and very determinedly taking and forming her ideas around rope, shibari, bondage, ballet, also queerness, feminism, femininity, representation, selfhood, her own history as both German and Thai. Anyone who’s seen what she’s been up to in recent years (like smaller performances in festivals like Männer in Garagen) will recognise what’s going on here.

It’s tough, and I don’t mean just the physical brutality of Dasniya and Silke tormenting each other. Obviously I’m biased as I’ve known her for as long as I’ve lived in Berlin, and I like the work of my friends, nonetheless Bondage Duell is doing what interests me in performance. It’s not passing off superficial, trashy, glib, cool, disposable politicising; it skates dangerously along the kerb with imagery that causes discomfort not just on the stage (like the nude paint orgy scene did in the Helmi/HORA collaboration, Mars Attacks!), and at the end I’m like, “Fuck yeah, that was brilliant.” It’s a little like Melanie Lane’s Wonderwomen, or Iain M. Banks’ Culture civilisation, it’s something to aspire to, a future we are making now.

In the end I saw the generale, première, and closing nights, so I saw the performance evolve over this short season, and some of this evolution was considerable. I know Silke and Dasniya talked through various things and were much more willing to take mutually tormenting each other to places where it became disturbing for the audience to watch, which in turn allowed them to revel in causing that unpleasantness. Whether to laugh or be outraged, they’d already moved on by the time we’d formulated a response. It was the gentleness I noticed as well, how they moved together, how completely confident and knowing each other as they mirrored each other’s movement while dressed only in pink and black lingerie, spontaneously growing in beautiful, tender ways. I loved also how the audience was both shocked and in love, how they were battered back and forth by the continual flipping of these states; by the end it was like they stunned.

So, photos. This is a mix from the generale and première, a mix which conveniently turned out to cover each other’s missed spots, so forms a patchwork of the whole (well, most of, there’s a few surprises yet). It is a patchwork though. As usual, I took hundreds of photos, kind of brute-forcing the limits of my camera in low light and fog to capture something. I ended up with about a hundred I really liked, which together convey the work more faithfully than these do, these which in the end are a somewhat arbitrary choice.

Dasniya Sommer — “Bondage Duell” At Sophiensæle + May Performances & Workshops

Everything Dasniya Sommer in May, in Berlin, Lyon, Bremen, performances, and workshops, and the première of her new performance, next Friday May 18th at Sophiensæale.

Dear Friends, Bondagisti, Theateristi and Dancers,

a bunch of performances in Berlin, Bremen, and Lyon this month, plus Tuesday mornings Shibari Technique in Haus Sommer.

As always, you can read all about this on my blog. In the meantime:

  1. Bondage Duell, with Silke Schönfleisch at Sophiensæle, May 18, 19, 21
  2. Nun on the Moon, at European Lab, Lyon, May 25
  3. Der besuch der verknallten Dame, with Das Helmi, at Theater Bremen, May 28
  4. Tuesday mornings Shibari Technique, in Uferhallen, Berlin-Wedding May 9, 23, 30
  5. Private & Group Lessons
  6. Blog!

Enjoy the arrival of spring’s sun!

Dasniya

1. Bondage Duell, with Silke Schönfleisch, at Sophiensæle

As part of the Every Body Festival in Berlin’s Sophiensæle, I am happy to première in Berlin Bondage Duellwith Silke Schönfleisch.

A 178cm tall ballerina and a 114cm small female government official on a tricycle appear on the scene. An uneven fight. The weapons: rope, muscular bodies and a thirst for adrenaline. Using classical dance means and Japanese bondage techniques, Bondage Duell examines physical and social patterns of bonding, empowerment and constraint. A place where cruelty and freedom, fun and curiosity lie closely together.

Dance: Silke Schönfleisch
Choreography & Dance: Dasniya Sommer,

Dates: Thursday 18th, Friday 19th May at 21:00; Sunday 21st May at 19:00
Location: Sophiensæale Kantine
Tickets: 13€ / 8€ (Online tickets)
Kombi-tickets: 18€ / 12€
More info: Sophiensæle

A production by haus sommer in coproduction with Grenzenlos Kultur Theaterfestival and SOPHIENSÆLE. Photo © Holger Rudolph

2. Nun on the Moon, at European Lab, Lyon

I will be speaker/performer at European Lab 2017 in Lyon in the Nuit Immersive, by Tracks and organised by Adami and European Lab.

Featuring the interactive contributions of a selection of unique and pioneering artists, the Nuit Immersive will be a night like no other. No seats or popcorn-holders, no stages or “fourth walls”, the Nuit Immersive will instead plunge you the public into the heart of the creative process and invite you to move around and explore this interactive performance as best you see fit. Advanced warning: here, the sign clearly states “PLEASE DO TOUCH”!

Date: Thursday, 25th May, starts at 21:30
Location: Les Subsistances • Le Hangar
Tickets: 8€ (Online tickets)
More info: European Lab

3. Der besuch der verknallten Dame, Das Helmi & Theater HORA at Theater Bremen

Once more with Das Helmi and Zürich’s Theater HORA, in Theater Bremen’s Festival Mittenmang.

Date: Sunday, May 28th, at 18:30
Location: Kleinen Haus, Theater Bremen
Tickets: 9€ – 20€ (Online tickets)
More info: Theater Bremen, Das Helmi, Theater HORA

4. Tuesday Mornings Shibari Technique in May

The workshop focusses on traditional Shibari technique, basic and intermediate level. Inspired by my teachers Osada Steve, Kamijoo Saki, Arisue Go, Tamandua Ropë. We start with the basics and security principles. Learning initial knots and floor work patterns with a partner. When these principles are set, we approach complex figures and suspension technique step by step.

Dates: Tuesdays, May 9th, 23rd, 30th, 2017 (No class on the 16th!)
Time: 10am-12pm
Level: Intermediate
Costs: 20 Euro per person
10 class card 160 €
@ Uferhallen Kulturwerkstatt – Wedding. Uferstrasse 8, 13357 Berlin. Entrance B
More info: Shibari Technique Morning Classes

Please call when you are in the court yard, in case you don’t find it, or the door is locked: + 49 174 393 70 49.

5. Private & Group Lessons

Of course it’s always possible to arrange another time for private and group workshops, sessions, choreographing ropes for performances, and other long-planned or spontaneous ideas. Drop me a line!

6. Blog!

Recent adventures make their way to my blog, perfect for a spring weekend afternoon of reading and pictures.

Dasniya Sommer — Bondage Duell at Sophiensæle

In two weeks: Dasniya Sommer’s Bondage Duell, with Silke Schönfleisch premières in Sophiensæle. We all know who Dasniya is, but who’s Silke? That’d be Staatsanwältin Schönfleisch with the Bundesjustizministerium, or Public Prosecutor for the German Federal Ministry of Justice. Who rolled up (literally) with her dog Jack at Dasniya’s Yoga & Shibari workshop at ImPulsTanz in 2014, did weird things with us, and since then Dasniya and her have been working on performaning together, having their first outing in Mainz late-last year, and now here’s their new piece in Berlin, part of the Every Body Festival in Berlin’s Sophiensæle. Am I excited? Oh yes!

A 178cm tall ballerina and a 114cm small female government official on a tricycle appear on the scene. An uneven fight. The weapons: rope, muscular bodies and a thirst for adrenaline. Using classical dance means and Japanese bondage techniques, Bondage Duell examines physical and social patterns of bonding, empowerment and constraint. A place where cruelty and freedom, fun and curiosity lie closely together.

Dance: Silke Schönfleisch
Choreography & Dance: Dasniya Sommer

Dates: Thursday 18th, Friday 19th May at 21:00; Sunday 21st May at 19:00
Location: Sophiensæale Kantine
Tickets: 13€ / 8€ (Online tickets)
Kombi-tickets: 18€ / 12€
More info: Sophiensæle

A production by haus sommer in coproduction with Grenzenlos Kultur Theaterfestival and SOPHIENSÆLE. Photo © Holger Rudolph

Dasniya Sommer, Silke Schönfleisch — Bondage Duell
Dasniya Sommer, Silke Schönfleisch — Bondage Duell

Kinbaku Study Group in Berlin

Cross-posting this from Dasniya’s blog. The rather brutal and exceptional shibari / kinbaku-ist Tamandua, whom Dasniya and I met in Stockholm, and who now lives in Berlin is organising a Kinbaku Study Group at Haus Sommer in Uferhallen, Berlin-Wedding. I’ve seen photos of him tying Dasniya, and Dasniya’s talked with me a lot about his work. I think he’s doing some of the most interesting — and probably most sadistic — rope work in Berlin. More info on his tumblr.

Starting up: Regular kinbaku study group

Now looking for people in Berlin interested in joining a small kinbaku/shibari study group starting beginning of May.

This is a good opportunity to learn focused together with other students and where your personal development can be followed and taken properly into account during the process.

Lessons will take place in the evening every second week. See dates below. For each class opportunity there will be a different theme to get the chance to get a familiar with the broad spectrum of ties and approaches to kinbaku that exsist out there. During these weeks we will be touching on topics such as plenty pattern and shape learning, controling a body and being controled as a body in ropes, communication, aesthetics, technical problem solving, rope handling and treating and other nerdy content.


Participants should be of level advanced beginner or intermediate at the start of the course. And yes, we will also be getting into working with suspension points when the level for that is met.

You can attend with somebody you know already but it’s great if you are also comfortable with switching and coupling up with other students taking the course. Whatever you feel fine with.

It is possible to sign up for 3 or 6 classes at a time. It is adviced to not skip more than one class in a row since the idea is for the classes to be progressional.


Evenings 18:30-21:30
May: 4, 18 (Thurs), 31 (Wed)
June: 14, 28 (Wed)
July: 12 (Wed)
3x3h classes: 120 per person
6x3h classes: 200 per person

Location is close to Pankstrasse in Wedding.
Email tamanduaengstrom@gmail.com to register

Tamandua tying Briki
Tamandua tying Briki

Video

BANDEN! Festival Bike Caravan

In Oldenburg for the première of Das Helmi’s collaboration with Oldenburgisches Staatstheater, the “progessive feminist science-fiction soft-porno project” Gullivera’s Reise (and repeatedly realising I should have gone: London, train to Brussels, night in Brussels, train to Oldenburg, and not London, fly to Berlin, arrive at midnight, get a morning lift to Bremen, train to Oldenburg, arrive half an hour before the show). It was most excellent seeing the Helmi mob (including Dasniya Sommer and Solene Garnier) once again — the company I’ve seen more than any other.

Friday night was the second and last of this season, in the BANDEN! Festival, and after we joined the throng in the parking lot of Exerzierhalle for food and beer. And there was this bicycle caravan thing, delivering people from one party to the next. This thing was riding around Oldenburg at night like a deranged dragon pirate ship. I saw some mad good bikes in Oldenburg.

More Dasniya. More Shibari. More Art.

You thought I was joking about Dasniya only being in Berlin on a Tuesday? Right now she’s in Oldenburg, then she’s off to Warsaw, then back to Berlin to perform, then I dunno — too far in the future to scry. Definitely in Berlin in December with Das Helmi though. Plenty of rope/shibari/bondage/yoga workshops in November too (and Wellness to Torture is still the best name for a workshop ever).

Dasniya says:

Dear Rope and Theatre Friends,

the must-be event of the month is the Porn Film Festival 2016, starting next week. Check out my first photo exhibition Moviemento cinema! For November there will be five morning classes, and a bondage gig for Arte.

Also back in November: Yoga Shibari, and Self-Suspension #2.

Oil–burn your ropes and stay warm,

Dasniya

Here’s everything. You can also keep up with her news on her blog, Zur Zeit; on Twitter, @dasniyasommer; or her mailing list.

  1. Shows & Exhibitions
  2. Berlin Workshops
  3. Blog

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Wiesenburg. Night. Rain.

A couple of weeks ago, Isabelle Schad offered me a second impromptu residency in her beautiful Wiesenburg studio in Wedding. I was there last week until this Monday. Some nights it rained, hard. The garden looked sepulchral. I also jumped around with my bike (not on the garden!), but that’s another story and another artwork.

Wiesenburg. Night. Rain.
Wiesenburg. Night. Rain.

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Black Metal Autokino

And what was best! Gab was in town! (So we had pizza and beer beside Urbanhafen.) A single photo (of three photos from Dasniya) of last week’s public outing of the first section of Black Metal 1 at Autokino. Seems to be getting somewhere. And now back to working on my own.

Black Metal Autokino
Black Metal Autokino

A short performance on Thursday at Eat More Bondage // Film Evening

I’ll be performing an excerpt from Black Metal 1 this Thursday at Autoteile in Kreuzberg at Eat More Bondage // Film Evening. All the details? Yes!

Film Evening // Eat More Bondage
– a short film evening on ropes and bondage

21h, Thursday, 28th July
Autoteile
Yorckestraße 70
10965 Berlin-Kreuzberg

Doors open at 20h, performance at 21h, and films + beer directly after.

AUTOKINO ist ein privater Vorführort für Filme Videos VJ-Performances und Crossover Media.

We all know that a varied diet is good for one’s health, and being in a monodiet is not only adverse to wellbeing, but in the long run increases the risk of health hazards. It is the same with art, films and bondage. A diverse portfolio of possibilities will be good for your appetite, for your health, your view of the world and for your eyeballs.

Having this in mind we put together a short-film evening having bondage/shibari as main topic, but with special focus on non-mainstream views and experiments, which break or bend gender/performative/traditional/humour/aesthetic/other stereotypes.

We are still putting the program together, so feel free to send your suggestions… DIY productions are specially welcome.

Films confirmed so far (list under construction):

  • Black Metal 1 by Frances d’Ath
  • Let Go by Mischa Badasyan
  • I/XXI by Aida Jara
  • Slowdance (trailer) by Harvey Rabbit
  • Remember Gay Love Story by The Strange Life of the Savages
  • Fight and flight by Proa Proeza
  • Cuerpas&Cuerdas (Bodies&Ropes) by Missogina, Proa Proeza and Maria Mutebox

More details: The Strange Lives of Savages, & Autokino.

Eat More Bondage // Film Evening
Eat More Bondage // Film Evening

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Occasional Excuse

Shaping up to be my least-blogged month in 12 years. Excuses include lack of motivation, busy with a new website project, umm… general lack of rhythm. I have been semi-infrequently continuing Black Metal rehearsals. No idea for what, but … art.

Black Metal Bedroom
Black Metal Bedroom