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Angel 4 Papi 4EVA

That kiss. That shot. That story.

I remember when you spoke your truth, ten years ago, back in 2011, and I remember when I heard about this show you were making, feels like longer ago than 2017. I read your books too, feeling myself and my history in the story of another, so close and so distant. And I cannot put into words the joy and sadness and love I felt and feel watching Pose, seeing you and all the beautiful trans women and trans femmes on screen, Mj Rodriguez, Dominique Jackson, Indya Moore, Angelica Ross, Hailie Sahar, Our Lady J, Black and Brown and Puerto Rican and Dominican and Latina, immigrant and children of immigrants, whose lives are as real as the story you fought to tell.

That wedding banquet. All the trans women and femmes at that table. That wedding. That fantasy that was never ours, the church, the dress, the vows, Janet, the vows! Papi! Lil Papi. I loved him from the first ’cos he was so full of love and pure and so fearless when it came to defending his family. And that kiss. You went all the way. When I saw your name at the start of the episode, yours alone, Writer and Director: Janet Mock, I knew. I knew it would be this. I knew it would be us.

An Email From the Australian Institute of Sport

AIS slid into my inbox this morning. Australian Institute of Sport, not Androgen Insensitivity Syndrome. Gotta watch the acronyms when you’re in trans and intersex space, FFS. (For fuck sake, not facial feminisation surgery.)

Back in 2007 a bunch of us dancers were part of the AIS SCOPE programme. I have no idea what that acronym means anymore. It was a pilot development programme for professional and elite dancers. Yup, ‘elite’. From memory they had one for athletes and realised our situation was basically the same. Part of it was about dancers who were transitioning. No, not trans dancers ffs. I swear cis people need to be blocked from using the word transition for about the rest of my life. Dancers who were considering moving out of — what is in Australia a very young person’s game.

I wanted to write about the email I got this morning. It’s the AIS response and apology to the Australian Human Rights Commission’s independent review of gymnastics in Australia. I don’t think the email’s really meant for me, just I happened to be connected to the AIS a long time ago and apparently my email is still in their system. I don’t think any of the support they’re offering is for me either. Lots of reasons. I’m tired and I don’t really want to frame how I’m feeling in the broader structural, institutional, colonial, racist, transphobic, normative blah right now.

End–2007 I was skipping back and forth between Adelaide and Melbourne. I don’t know how it looked from the outside, making work back-to-back in Europe, China, and Australia, but I was doing it hard. Mad hard. The kind of hard where I walk home at night in either of those two cities and had a spot in each where I’d check in with myself and have a realistic convo that went, “You know if it gets too much, you can.” A multi-storey carpark in the former and a bridge over a motorway in the latter. Just checking in and seeing how I was going, how far I could go. No shame if I couldn’t.

Because of the decades, generations of abuse athletes, coaches, and staff — mostly young girls and women — were on the receiving end of, the AIS created a support service called AIS Be Heard. I’m not sure how comfortable I’d feel engaging with that if I’d been seriously, as an athlete, part of the Institute and all. I dunno, shit got mad stirred up this morning.

I got sexually abused by a middle-aged man when I was a kid, start of my teens, every weekday after school for several months. I was already very much not coping with home and school life being a young trans femme back in the ’80s. That abuse broke me.

A few years later, I destroyed him. I went to the police and pressed charges. How that came about in retrospect was something I was pushed into and not in my best interests, but me going in and giving a statement started an avalanche. Turns out he was already known, but you know, same old, no one wanted to say anything; everyone wanted to forget. They found a list with something like a hundred names on it. In the end, I think only four or five actually gave statements and agreed to being witnesses.

I destroyed him. He lost his business, his wife, his home, his standing in the community, had heart attacks, and ended up in prison where, because of the people I knew back then, everyone knew what he was in for.

Those people, who supported me through years of the criminal proceedings on top of the shit in their lives they were coping with. They put up with a lot from me, I was well fucked up.

The case broke me again. It dragged on for four years. The first two I was in conversion therapy, which is a whole other story but deeply bound with all this. It was the direct result of me trying unsuccessfully to get into the gender clinic in Auckland to get on the surgery list after being on hormones for years, and being kicked through a string of therapists because I was a fucked up trans femme, homeless, on drugs, self-harming, eating disorder and whatever else. The second two I’d moved to Melbourne and was in some, what we’d call now, non-binary phase and using dance to survive. Burying everything thought and feeling in pushing myself physically as hard and far as I could go. Apparently I haven’t changed much.

The proceedings ended when I got a phone call. Ended for me, I mean. He got a plea bargain. I was told he would plead guilty to every charge except mine. I was told if I proceeded with the charges, it would go to trial and I would lose. They would use me being trans against me and he would get off. Thirteen year old child obviously asked for it and obviously untrustworthy and crazy ’cos she’s a tranny was their line. I said fuck whatever and bailed. I already destroyed him. He got two years.

He broke me, but those four years, the conversion therapy … I think I would have survived what he did if I’d had really good, caring support. I didn’t. I had very shit, abusive, transphobic, coercive therapy where the threat of being institutionalised was always in the background, and being constantly told I would never be a woman and no woman would ever love me was up front.

I survived that too. A lot more broken. I went to Victorian College of the Arts shortly after, sucked up the shit there, dished out some of my own too. I saw abuse there on the regular. Emotional, psychological, physical, sexual abuse, body shaming, eating disorders, untreated mental health crises, skeevy older male teachers and staff doing all the same things the AHRC’s independent review talks about. Pretty sure a lot of us who went through professional dance training know all about that.

I had a couple of full-on breakdowns while I was there. The pressure between trying to find a way be true to my trans femme self in an environment entirely structured on white, cisgender heteronormativity burnt the fuck out of me. And the un-dealt with damage from my teens.

On their website, the AIS says, “We owe it to every athlete who has been part of the AIS, to feel supported and to get help if, and when, they need it.” Nice sentiment. Cool.

There’s this pervasive, verbalised belief that if you don’t get therapy, or rather what AIS call ‘wellbeing support’ when you need it, shit’s on you. Like all we need to do is make the decision and magically there will be a perfect therapist just for us. The vast majority of therapists are simply not equipped to provide care for the kind of complex trauma trans people have often experienced. Or people who have lived through child abuse.

Speaking from long, long experience here, at best the majority of therapists are useless, and very regularly they cause more harm. I had a therapist tell me he was scared for his own safety when I start talking my history. Bruh. Others have tried to frame me in a way that fits their world, like that lesbian conversion therapist. But mostly there’s just a vast, empty space where good therapists for people like us should be.

Yallah, all of this was also about a therapist I saw because of the AIS.

Back in late–2007 again, I asked the person at SCOPE if there was any counsellors available as part of the programme. I ended up seeing someone who worked with professional athletes as a sports psychologist and saw her maybe 5 or 6 times. The first time — and all this is hazy retelling of memory now — I laid out where I was at, which was a pretty fucking bad place ’cos all that untreated abuse was making me ask that serious question every night I walked home over that bridge or past that carpark. She said something like … I dunno, it’s more of a feeling now, something about it wasn’t what she specialised in, but she worked with a lot of athletes who were struggling to cope with the insanely high pressure of elite-level competition, and somehow she persuaded me to come back and got me talking. And she saved my life.

This isn’t about how the AIS supported me, or how therapy can save lives. It shouldn’t have been on a sports psychologist to deal with a very fucked up person because the entire culture of society failed her. I think about all those counsellors and support staff in sport and dance over the generations who had to become trauma specialists because kids and young adults would and still do show up at their door every day with no one else to turn to.

I had a bit of a cry on the way to the supermarket this morning thinking about all this, how that email hit. Lucky it was raining. I still haven’t found a therapist. Not for lack of trying, but fuck me there is a poverty of healthcare for trans people. And I was thinking how that email wasn’t really for me because I’m trans. We’re pretty much legislated out of professional sport and there’s fuck all space in professional dance for us either.

When I talk about being broken, it didn’t go away. I rarely get into intimate relationships with people (that’s also a euphemism for fucking, just to be clear) because of all that shit on top of the already hostile environment of living while trans. Therapy is supposed to help with the broken part, but we already covered that failure. I was thinking about Dr. Christine Blasey Ford, who testified against that skeeve during his Supreme Court nomination. She talked about memory, how “… the trauma-related experience is locked there, whereas other details kind of drift.”

He’s always there. Intermittent. He interrupts and is here more real than any thought or feeling I was having. More real than the room I’m in. I know it’s not me ‘having’ these thoughts, there’s a difference between me thinking about this stuff and experiencing him like this. Him for those months and him later for those years, all bound together with abusive therapists.

Every single one of those athletes somehow has to deal with this, in some way or another. They, along with their friends, lovers, families, communities all have been diminished. The athletes who came forward, who spoke out alone, have done it so hard. We do those things, so indifferently, blandly held in ‘move on’, or ‘put it behind’, until it isn’t. Until we’re reminded and remember it all again.

Last thing. I wanna be really clear on this: everyone knew. Everyone knew way back. Just like everyone knew about my abuser. And wasn’t like no one was speaking about it.

All strength and love to those gymnasts and athletes and dancers who are having an especially tough day of it today.

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Ballhaus Ost

Dasniya had a residency at Ballhaus Ost the last couple of months, thanks to pandemic and pandemic arts funding. I got to see a private showing last weekend, with Tara (yup, Tara!) and Yui. Yeah I’m a long-time fan of her work and Glutamat confirms it.

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Peak Middle-Age Bougie / Old Cunt On A Bike

Late-December last year, I got paid in one hit for a bunch of work on a couple of projects, that contemporary dance thing in Europe of getting cash after the work was done. One of those was the solo which got canned a few days before première (thanks poor response in Germland and EU to global pandemic) which we’d been working on since January.

So, I had mad cash and, for possibly the first time in my life, no pressing obligations. Also not mad enough cash that I could do bougie middle-age things like get a mortgage. Cash enough I’ve been working my way down a list that’s a decade old in places of stuff I need to buy. Like new underwear and socks.

And then there’s the big items. Big for me and pretty much everyone I know. The kind of things which cost up to a couple of thousand and actually cause me cold sweats when I think of doing the spend. ’Cos what if, tomorrow, I’m fully povo again and a couple of hundred is the difference between eating, making rent and all? Except this year I already have work till August and money-wise — ’cos I’m good at living on fuck all — I’m kinda sorta maybe doing ok.

I’d been struggling with training over winter. My back blew out in November, I was feeling well too soft to be doing 90-minute rides in below zero weather, and my base training felt majorly on a plateau. I’d been thinking of buying an indoor trainer for years, very attached to the idea of getting rollers rather than one of those remove the back wheel direct trainers, but somehow over the last few years (thanks bogan mountain bikers on a YouTube channel I watch far too frequently), I went for the latter. Went for multiple times and nah nah nah I’ll come back in the morning, need to sleep on this massive decision, only to find them sold out for more weeks, repeating this until a month ago when there it was in the morning, still available.

It arrived within days and sat there, unboxed for three weeks. Because I needed a 10-speed cassette for it, and decided to get an isolation mat and cadence sensor and new heart rate monitor and … and … absolutely spraying money around. And I knew I’d need a calm few hours to do the setup, get it all working, get a feeling for it. On Monday, I did that.

And joined Zwift.

Total fucking bougie middle-aged cunt on a bike.

Yeah but I’m also a semi- / ex- / occasional- athlete-ish dancer-ish professional who knows very well how much I fall apart if I don’t train and it’s work and an actual work expense and a serious commitment and investment.

For the moment I set up in my kitchen. My balcony has some weird, complex slopes I need to make a trip to the Baumarkt to get some levelling blocks to sort out. I put myself through the intro 5-day training plan, 30 minutes each ride and fuuuuck me I have to face the shame I might have never pushed myself as hard — or maybe as structured and intense within that structure, even though I like suffering. It’s very different having actual numbers on a screen to correlate to feeling, and to have to stay at certain numbers for more seconds or minutes than I’d do when doing laps at Tempelhofer Feld and doing it on feel. Mostly it feels like what I get in 30 minutes on the trainer is about what I’d get from an hour at the airport. And if I did my casual longer warmup and cooldown, 15 minutes either side, it’d maybe be comparable. Still though, I haven’t ridden since November, and very not in endurance and high-intensity shape, and I might be in love with how good a fit an indoor smart trainer is for me. Especially because I can set it up at 9pm and do a session in the dark.

And it occurred to me over breakfast that I needed a trainer if I ever wanted to make those solo endurance works, Preparation, and Hell of the North. And now I have one.

Yeah but the bougie, white, racist, cisgender, heteronormative, ableist, masc-centric, middle-class and all miasma is what cycling soaks in, road cycling especially, and online smart training environments even more so. There’s almost not a day that goes by where there isn’t another story about legislation to ban trans kids or athletes — almost always girls, femmes, and women — from sport, competition, changing rooms, swimming pools, and all. I barely ever see a rider who isn’t white — and yes, this is why riders like Ceylin del Carmen Alvarado and Teniel Campbell and Ayesha McGowan are important but aren’t in themselves or as ‘representation’ enough alone. I’m acutely aware of who I am when I’m in lycra on a bike in that environment. I’m acutely aware also, when I’m in queer and trans spaces, that my decades-long relationship with and love of physicality, training and the discipline that is part of professional dance which I carry into riding, climbing, and everything else, all this has a very uneasy, fraught and painful relationship of its own with and in those spaces. How my trans-ness, femme-ness, queer-ness bangs up against cis AFAB queer spaces has a history of exclusion that has an eerie familiarity with sport.

Shit’s mad over-complicated. I just wanna ride and thrash shit.

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Seen at Rosenthaler Platz: Me on a Tram Pole

That’d be me, Francesca d’Ath, and my toes, yesterday while biking to rehearsals.

Pandemic and very delayed sensible government response allowing, I’m performing at Sophiensaele next week. A double bill of two solos, the other with Claudia Tomasi, and both started with Isabelle Schad way back in January.

I don’t know if we’ll even get to perform next week, carrying on like we will, and it feels dead weird to be art-ing while shit goes exponential in Neukölln, Berlin, Germany, Europe … In case we don’t or if we do, here’s me looking well tasty.

And for everyone who saw that poster around Berlin-Mitte, yes, that is me, yes that person is trans femme and serving deep trans femme energy, and yes, even a glance at a poster of me will turn your children trans.

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Francesca d’Ath, Isabelle Schad: Knotting (at Wiesenburg)

Me back performing again.

I pretty much had made peace with moving on from dance and all in the last couple of years, enjoying training for myself and finding myself at a distance to those worlds. Then, late-last year, Isabelle said, “You’re doing a solo!”

We’ve been rehearsing irregular weeks since late-January, slowly building a work that finally got a formal-ish public outing on the weekend in Isabelle’s studio at Wiesenburg (masks and physical distancing and pandemic attentiveness obviously). First time performing in more than two years, and, after a decade living in Berlin, first time I’ve performed here — in a formal, dance scene context at least, not counting small, more private art-ing.

It’s been huge, a lot of work physically, mentally, emotionally, spiritually, and a lot of responsibility in being seen. Being seen by both the audience, some of whom recognised parts of themselves in me, and understand what that means, and being seen by those who came before, aunties, mothers, old ones who visited, who I called on ’cos I needed their strength and support and approval, and I needed them to see me, us like this. And my babaanne, wandering around after just out of sight. I am grateful for them all, and for those who came up to me after, who were the ones I needed to fully see me, and who I needed to see also.

Another pause now, then — as always, pandemic allowing — at Sophiensaele in early-November.

Pose Was Straight Up Robbed Right Here

I rewatched both seasons of Pose the other day. Fuck the Emmys and fuck cis people.

It’s not about the awards. It’s about the awards. Even being nominated opens up possibilities for better pay, working conditions, opportunities, longevity, recognition, not only for the person or show nominated but for everyone involved. Not just for them but for those in the audience who need to see themselves or people close enough to themselves to feel seen in return for once.

It’s about representation for us. For queer and straight cis people it’s seeing trans people – especially Black, Indigenous, Brown trans femmes – as something other than sex workers, drug addicts, corpses, and things to be laughed at, seeing us as people with full lives and communities and love. For the majority of cis people – queer and straight – they don’t have any trans people in their lives, let alone Black, Indigenous, or brown ones. What they do have, if they even think of us, is cis people talking about and representing us and portraying us, standing in our places like we’re not good enough, like we don’t exist.

Billy Porter being nominated twice while none of the trans women and femmes in front or behind the camera have ever got a look in, that’s a lesson right there in who’s valid, who’s seen as real and legitimate. Similarly, Zendaya being nominated while Hunter Schafer wasn’t. And straight up, I love watching both her and Billy and yes, they deserve it. But if they deserve it, if Euphoria deserves it, so does Pose, so do Indya Moore, Mj Rodrigiez, Dominique Jackson, Hailie Sahar, Angelica Ross, so do Janet Mock, Our Lady J, and saying their names so do Trace Lysette, Bianca Castro, Cecilia Gentili, Leiomy Maldonado, Brielle ‘Tati’ Rheames, and so do the hundreds of other trans women and femmes in front and behind the cameras.

Almost every day I see another Black trans woman or femme murdered in the US and another white cis man pushing to legislate us out of existence. That’s one country, and don’t think it’s not the same or worse in your other countries. Season 2, episode 4, “Never Knew Love Like This Before”, where Candy is murdered and the aftermath of that, fighting to claim her body, scraping money together for a dignified funeral, her parents misgendering her, the grief and loss and anger, all that is way too real. And let’s not forget, Pose is a fantasy, it’s a story where the reality of trans women and femme’s lives is not shown like a documentary, we don’t need to see that brutality when we know and live it. If it was doing realism, it would have scared you straights and cis queers right off, and there wouldn’t have been a Season 2 ’cos most of the cast would have died between 1987 and ’90.

You all want RuPaul’s Drag Race, you want Yaaas Queen Slay! and you want Shaaade! but you don’t want to learn anything. You want LGB but only when it’s palatable and the T ain’t that. You want the glamour but not the politics. You want the glamour but only on cis men’s bodies. You want women but not when they serve like Pose does. Seeing Black and Afro-Latinx trans women and femmes living for themselves, centring themselves, defining femininity on their terms, defining queer and LGB for themselves, you can’t accept this. You can’t reward this. You need to deal with your discomfort, and yeah, your racism and femmephobia and transphobia and transmisogyny and misogynoir. You don’t even know how amazing these women and femmes are off-camera. We celebrate them for all they they are because of all this.

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Doing Ballet Again

It’s been about 2 years since I last got my arse into a studio and did a ballet class. Good reasons for finding other physicalities to entertain myself since then, going deep in cyclocross and riding, enjoying cold and wet and windy work outside. But I missed ballet. I missed the good things of being in a studio doing the work, I missed being there with good teachers and brilliant pianists.

And this week, I’m back working with Isabelle Schad (remotely, of course), and needed something to get me going, something quick and snappy with a variety of intensities and velocities, something to put me in where I needed to be for the work. And I found Het National Ballet are live-streaming a ballet barre. And first day of doing it was wow have I come far from all that, like a memory of being a dancer but watching myself in the mirror (of course I did, it’s ballet training) I was laughing at how I have all these muscles that are very not from dance, and how much and how my body has changed in the last two years. On the third day though, I started to see it all again, physicality waking up and unburying, and yeah, enjoying it so much.

Ernst Meisner is such a cheerful teacher and Rex Lobo is a joy of a pianist. And doing it live, knowing they’re both in the studio as I’m here in my apartment, and there’s hundreds or thousands of other dancers whereever and we’re all doing it together, it’s truly beautiful and reminds me of how dance saved me over and over (and how dance is also a hard bitch, but, yeah, let’s just enjoy the good stuff for one day, eh), and how special dance is, how fundamental moving together is for life.

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Berlin is not Bayreuth. Vol. 1: Tannhäuser

Das Helmi on tour, all the way out east to Lichtenberg, in the shallow parabola of northern Rummelsberg right by S-Nöldnerplatz, where the rails form a curved triangle around the old railway workshops backing onto the roundhouse and railway turntable to the east, now typically Berlin ateliers and halfway to forest of the B.L.O. Ateliers.

Festival time. Wagner festival time. Berlin is not Bayreuth. Vol. 1. Six hours of Tannhäuser spread across at least four stages, meandering through the dishevelled brick and concrete buildings and fastigiate black poplars charging thirty metres into the dark, cloudless evening sky. Peter Frost wrecking it singing dodgy Schlagermusik, Cora Frost doing the same as a Pope to ruin The Young Pope. glanz&krawell (I think) working their way through the long shouty bits with proper opera singing. Das Helmi with their always always glorious, monstrous, chaotic stagings, scaring off people who though it was going to be, y’know, opera, culture and shit, instead of what the fuck is happening here, how did I find myself on stage slapping a stranger’s arse with twelve other people doing the same I should’a left when the Pope started kissing people’s feet kinda thing.

Mad thanks to Dasniya Sommer for getting me in, reminding me of a Berlin I utterly love, deeply pagan and animist, rough as guts and no intention of ever changing.

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Blood does not family make

“Blood does not family make. Those are relatives. Family are those with whom you share your good, bad, and ugly, and still love one another in the end. Those are the ones you select.”