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Apparently I Wrote A Novel

Okay, 4th draft on top of whatever I was calling assembling it before it was drafts, and 18 months to get it to this. But done in the sense it goes start to finish and got heaps of pages (which is what makes it a novel yah?) and when I finished this read-through which I’ve been on since late last week, it felt … something sparked in my guts, like this, yeah, I wrote a novel. Brought some big offering into the universe. Alhamdulillah.

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30+ Years Trans Femme

All that talk with Vass about Veneno reminded me I had a photo or two from way back then.

Young teen transsexual meet old auntie trans femme. Thirty-ish years between these two photos. Sometimes I need reminding.

That me back then … she survived.

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Knives

Long time ago when I washed dishes for cash, the lunch chef was getting fancy with this beautiful knife, steel handle with black dimples and very sexy curves. She told me it was a Global knife, from Japan, and was cheaper than the usual pro kitchen knives and just as good.

Some years later, in one of those rare I have cash student moments, I bought my first one, I think a G2 cook’s knife, with which I’ve been slicing and dicing for probably twenty years, and occasionally adding chunks of finger and fingernail to whatever I’m mincing. I had some unexpected cash to finish 2020 (thanks pandemic?), and have been going down my list of necessary shit I haven’t had coin for in the last decade, and arrived at, “Buy some new Global knives.” Which I did.

I always wanted a proper blocky vegetable knife for bouncing alongside my safely clawed knuckles over a head of garlic. And having a sleek as little peeling knife to match. And here we are, doubling my collection of those dimple-handled knives. Number four is a 15cm utility knife I bought maybe mid-’00s, which is currently primarily on bread and cheese duty, though I’m very tempted to buy a couple more just for that. Along with one of them magnetic knife racks and a couple of tree stumps worth of chopping boards.

Another Pile of Books I’m Reading in the Second Half of 2020

It’s been a while. I didn’t have any spare cash for a bit, then I had slightly too much (as far as the Finanzamt is concerned), and then I realised I’d decided not to blog for a few weeks (thanks pandemic and enragingly piss poor response by Berlin, Germany, Europe, and so very very many str8wyt men in all those places), and now see me trying to make an effort like showing up for the exam and everyone knows I didn’t do the work.

Yallah, a pile of books I’m reading (pretending to read) in the second half of 2020, to which I’ll add another pile because I dunno, not enough money to buy anything substantial but just enough to incur a hefty tax bill if I don’t spend it. Weird how poverty is emplaced through institutional, structural and legislative punishment.

All the poetry, and I do mean all the poetry is entirely because of Omar Sakr. Him and Sunny Singh (of the Jhalak Prize) on Twitter are responsible for a large chunk of my reading, whether directly or retweeting interesting people who turn out to be writers and poets.

So, Aria Aber’s Hard Damage, Ellen Van Neerven’s Throat, Sue Hyon Bae’s Truce Country, all poetry that moves me. It still feels odd to be reading poetry, though it’s been a year since Sakr’s The Lost Arabs and Suhaiymah Manzoor-Khan’s Postcolonial Banter — just a year! Feels heaps longer. Yeah, poetry is hitting me right.

Also poetry, semi-poetry, poetry-ish, with a history in a festival, Rachel De-Lahay’s My White Best Friend: (And Other Letters Left Unsaid), mainly because I read anything with Suhaiymah Manzoor-Khan in it.

Continuing the theme of books recommended by other authors, or cited in their bibliographies. Olivette Otele’s African Europeans: An Untold History, which I already blogged, but these six-monthly book dumps seem to deserve all the books. No idea where I heard about this, but either Twitter authors or one of the blogs I read. And from that, Geraldine Heng’s The Invention of Race in the European Middle Ages. Real-time internet archaeology as I write here, I likely read about both on In the Middle, the medieval studies blog, where, on Monday, Geraldine Heng responded to the hit-piece on her and this book.

Which reminded me of the double bind I periodically find myself in. The first time I personally experienced it was with JT LeRoy, who I read in the early-’00s and thought was a trans femme who I could relate to. Turned out JT only existed as a fiction of a white, cis woman, and she’s still making a profit and career off our lives. Funny how consequences slide off them like teflon. More recently it was Medieval PoC – who I used to contribute photographs of Black and Brown people in art when I was on my museum bender – and a deeply messy history going back years of her claiming Native, Roma, and other ancestry. And this year it’s been a regular feast of white cis women in academia and the arts getting sprung for building their careers on false claims of BIPoC ancestry. On the other side of the double bind, it’s white supremacy trying to flip medieval European history to its own agenda, and a ceaseless barrage of racism, misogyny, transphobia, and all the other shit against cis and trans BIPoC authors, academics, artists, very regularly from white, cis women in academia and the arts, like the 46-page (!!!) hit-piece Heng responds to.

I mean, I just wanna read books and have a good time and learn shit and be amazed and generally chill the fuck out with a bunch of words and instead it’s white people colouring up or white people doing hit jobs.

Last couple in the non-fiction pile, then. Peta Stephenson’s The Outsiders Within: Telling Australia’s Indigenous-Asian Story. The one she wrote before Islam Dreaming: Indigenous Muslims in Australia, which it turns out I may not have blogged either. That latter was a big one for me. And keeping on the Islam history thing, John M. Steele’s A Brief Introduction to Astronomy in the Middle East, recommended to me by Dr. Danielle Kira Adams of Lowell Observatory, and responsible for Two Deserts, One Sky — Arab Star Calendars (novel research things there).

Fiction, then. Science-fiction mostly. Becky Chambers, who I’ve been reading for the last few years and pretty content at the moment in reading another one from her, To Be Taught, If Fortunate. Another also from Charles Stross, Dead Lies Dreaming, though after fifteen years this might be the last I read from him, just not really doing it for me and the trans character is very written by a cis. Tamsyn Muir’s Gideon the Ninth, which I’ve already read, and the sequel Harrow the Ninth, which I’m currently reading / wading through it’s corpsey gore. Claire G. Coleman’s Terra Nullius, Indigetrans colonial invasion sci-fi but not really sci-fi. And speaking of trans, Juno Dawson’s Wonderland, which I kinda liked but wished the literary fixation on Alice in Wonderland stories didn’t exist (same like I wish dance fixation on ‘reimagining’ Swan Lake and the classics didn’t exist).

Lucky last. Fiction but more like Chingona autobiography ghost story, Myriam Gurba’s Mean. Recommended to me by Vass. Thanks babe, she’s fucking with me.

That’s a lot, eh. Piling up, getting partly read then left, words look smaller than they used to and I need glasses but that means organising shit like ophthalmologist appointments and shelling out cash and fuck it I can squint. Though I wonder if the reason why I’m not reading as much as I used to is ’cos words in book form’s blurry all the time.

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Gideon the Ninth Fukken Metal as Fuck Yeah

“These two cunts are fully harden the fuck up, cunt.”
“Which two cunts, Chica?”
“Gideon and her hate crush Harrow.”
“Sounds sikk. Tell me more.”
“Lezzie dyke undying necromancer gothic space opera horror?”
“10/10 would nonverbal consent.”
“’Member in Iain Banks’ The Algebraist?”
“Iain wiv an M. Banks?”
“The one. Again and always.”
“Wif the creepy but kinda sexy in a bad extra way one wot had diamonds for teeth?”
“Yup. Archimandrite Luseferous.”
“Yup, and?”
“And ’member Ancillary Justice?”
“Ann Leckie who was your safe space when our Iain got indisposed on account of being dead?”
“Am still grieving an’ yup.”
“An’ you were like, if someone wrote a whole novel from the perspective of that toothy psycho and his Starveling Cult, plus pronouns and tea, that’d be Imperial Radch?”
“Pretty much.”
“Orrite, and?”
“Well Gideon the Ninth is like all of that plus Norwegian Black Metal corpse paint.”
“Hectic as.”
“Fully.”
“Goes to eleven?”
“Goes to 666.”
“None More Black?”
“None More Black, Chica.”
“Oooo!”
“Wot then?”
“Forgot. Gideon the Ninth is like all of that plus Norwegian Black Metal corpse paint plus …”
“Plus what?”
Oglaf!
“Sithrak! Cumsprite!”
“Sluts!”
“An’ who is the sharp cunt wot wrote it?”
“That’d be Tamsyn Muir. An’ she comes from Aotearoa.”
“Proper good. An’ who did that cover, ’cos a) that’s metal as fuck and b) cunt can destroy my bones any day or night.”
“That’d be Tommy Arnold and fukken fuck yeah.”
“And you’re smashing it?”
“Very much so.”
“And what else? You gonna tell me there’s a sequel?”
“Fukken sequel!”
“Siiikk! What’s it called?”
Harrow the Ninth!”
“An’ have you ordered it yet?”
“I’m a tardy bint.”
“Get your shit together. Tell me a truth moment, Chica.”
“Hit me.”
“You finished it yet? Did it stick the landing?”
“Nah not yet. But if page 357 was the end, landing was totes stuck. Right horrorshow.”
“High praise from an intolerant cunt.”
“All that.”
“New fave author?”
“Read me to filth there.”
“Anything else?”
“Well obvz I want Gideon to be a righteous trans femme, ’cos I’m simple like that. Book of the Year in any case, not that I’m doing that anymore, but still, that’s where it’s at.”

JK Rowling is a TERF and white supremacist

You can tell by the way hate aged her.

I’ve lived through this shit as a trans femme since working it out on my own, not even in my teens, in the ’80s. That fucking long ago. I’m tired of this. I’m tired of cis cunts coming for my people. I’m tired of the white supremacy and TERFs in feminism and queer spaces and so so many cis-heteronormative people, white and BIPOC, taking so fucking long to say something. If you even do. You’re killing us. You get that, right? You’re responsible for our deaths.

Donate & protect Black & Indigenous trans femme futures ✊🏿✊🏿✊🏿

@BTFAcollective
@blkrnbow
genderminorities.com
@release_fund
@4THEGWORLS
gofundme.com/f/homeless-black-trans-women-fund
@TheOkraProject

And so many others.

Do the work. Find community-based organisations in your city and country who explicitly support Black and Indigenous and Brown and Migrant trans femmes. And not LGBT orgs who reliably use the T for publicity, spend all the money prioritising cisgender ‘issues’ and tell us to wait and they’ll come back for us. They never did and they never will.

This trans, queer, multiethnic, Muslim, immigrant, working class, child sexual abuse survivor, on-the-spectrum, sex worker, femme chick says:
Black and Indigenous Trans Lives Matter
Fuck the Police
TERFs and white supremacy can choke on my dick

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More Space Less Tired

This is about the minimum space I need to not feel compressed right now.

And I wanted to write about dismantling – rather than diversity in – white cisgender masculine heteronormative space but I’m tired. When I ride I’m usually the only woman in a sea of dudes. I’m definitely the only trans feminine, queer, non-white person. And on the very rare occasion I’m in a woman-centric space, like the Rapha Women’s 100 last year, I’ll still be one of the only non-white (yeah I’m specifically using that term), and definitely the only trans feminine person. And in dude space or white cis women space I never feel safe or comfortable or able to relax and I’m tired. I can’t trust you all and I’m tired.

Recreational and athletic space is highly, highly normalised as white, cis– and heterocentric and masculine, and that includes cis women doing the policing. I don’t want to have to engage with that as a precondition for physical recreation or as an athlete, and it feels like this is the bare minimum of space I – we need to have some room to breath. But I don’t want to talk about all that ’cos I’m tired of saying it in so many different ways for a lifetime and seeing my siblings say it and live it and lose their lives for it for way more than a lifetime.

So, for all you BIPOC trans femme riders, and those of you prepared to educate yourselves, Cyclista Zine has been making me feel good about myself lately.

And for the rest of you, educate yourselves and donate to Black and Indigenous trans funds and support organisations like:

Transgender Day of Remembrance 2019

It’s been twenty years.

I usually let this day pass, and have done consistently since 2008. I don’t go to any vigils, mourning happens every time I read of another death. Another murder. Over the years, the reasons have changed, but primarily TDOR is a day for my aunties, sisters, siblings and cousins and I don’t want to be around cis people or masc people performing mourning for what is overwhelmingly a list of people murdered for being feminine. Feminine and Black and brown and Indigenous and sex worker.

22 in the States. That we know of. 331 worldwide. Again, that we know of.

We know those numbers do not reflect reality, just like official numbers of how many of us there are. I was reading the report Being Transgender in Belgium yesterday, published in 2009 (and its followup published in 2018), which came up with figures of such rarity, the entire trans population in Belgium would almost be wiped out by those 331 murders. Which proposes two questions: If the incidence of trans people is so staggeringly low, 1 in 10 or 20 or 30,000, why is there so much attention on us from medical reports and legislation and experts having opinions over decades, and the vast corpus of published research, for a few hundred people out of eleven million? And why are cis people — mostly male, but let’s not forget feminist cis women and their history in this — so determined to not just murder us, but erase us from existence and memory?

I say, ‘us’, knowing there is legitimate disapproval and frustration especially from Black and Latina trans feminine people (21 of the 22 murdered in the US were Black) with white-presenting trans people claiming ‘us’, and I know how pale I am. I’ve been writing back into my history recently, spending a lot of time with those aunties and sisters in Aotearoa, back when we were called transsexuals, trannies, shemales, and the only job open to us was sex work. I remember them on K’ Road and Vivian Street, Māori, Pasifika, and a couple of Pakeha women. Women, not trans women or trans feminine or anything else, ’cos that’s what we were and that’s what we aspired to be, no matter how hard the path. I remember fists and guns and knives and iron bars, and the constant fear, or just being hit by the disgust or hate or ridicule. I was lucky. I got out. I have dance to thank for that. But there were a few occasions if things had gone slightly different, a cop car hadn’t cruised past at that moment (on more than one occasion, also ironic, no?), or friends in a car hadn’t, or something to interrupt what was about to happen, I wouldn’t have made it. So, ‘us’.

A difference in recent years is we’re no longer just being remembered and talked about on one day of the year for having gotten ourselves murdered. Every day I see my beautiful sisters and feminine siblings utterly shredding it, and truly, that it’s possible at this moment for them to live their lives so fully and openly and to be loved for all of their selves brings me much joy. And I want to remember my aunties and sisters from whom I learned to live my truth (as we say today), and who burn brighter for me the older I get. Some of them probably made it out, quite a few wouldn’t. The other violences were AIDS and drug addiction, and these ravaged us. Doing the remembering, then. Each one of these deaths hurt. All the deaths that shouldn’t have happened and lives unable to be lived hurt.

Still Reading: Gayatri Chakravorty Spivak — An Aesthetic Education in the Era of Globalization (2nd Attempt)

I swear this book will end me. Six months in and some days I read the first sentences of a paragraph and realise it’s the same paragraph I’ve been on the whole week. And it’s a Sunday. I’m having trouble reading books at the moment anyway. Fiction is out, because I’m in fiction-writing mode and the novels I’ve started are either dissatisfying for where I’m at, or feel like they’d influence my own writing. Non-fiction, well, yes, Gayatri Chakravorty Spivak, we are still shouting, “Fucking yes!” when we do manage to read a new paragraph (usually on the toilet because that seems to be where a balance is currently found), but I have no cash for the pile of non-fiction waiting for me to pick up. Lemme tell you how long-term poverty as a function of even a moderately ok life as a trans woman / trans feminine person / transsexual is a very real life. (I weirdly want to start using that ‘transsexual’ word again to fuck with cis queers and their ‘gender is cultural’ bullshit. Petty is as petty does.)

So, Gayatri Chakravorty Spivak, or First Class Spivak, because someone said she only flies first class, and even if that’s not true, I admire that image of her, and she is so so very first class. I keep reading and wanting to underline and quote, and as I haven’t blogged this month, here we go, one quote at least. from The Double Bind Starts to Kick In, p.108:

This much is at least clear: to imagine or figure the other as another self, you need to engage the moving edge of culture as it leaves its traces in the idiom. To reduce it to language—to semiotic systems that are organised as language—was a structuralist dream. But at least, whatever the subject-position of the structuralist-investigator there was a rigour in the enterprise. Its tempo was different from the impatience of a universalist feminism re-coding global capital. From existing evidence, it is clear that individual-rights or universalist feminists infiltrate the gendering of the global South to recast it hastily into the individual rights model. They simply take for granted that colonised cultures are inevitably patriarchal. I will not enter into historical speculation. I will take shelter in a figure—the figure or topos, that in postcoloniality the past as the unburied dead calls us. This past has not been appropriately mourned, nor been given the rites of the dead, as the other system brought in by colonialism imposed itself. There was no continuous shedding of a past into unmarked modernity.