Reading: Olivette Otele — African Europeans: An Untold History

The only thing I’m not enjoying about this book is its high expectations on my reading list. Twenty pages in and I’ve ordered four books mentioned in the notes.

Where did I hear about Olivette Otele’s African Europeans: An Untold History? No idea. Maybe someone on Twitter, or, more likely what I’d been reading circulates around this subject and one of the authors mentioned it.

Obviously very much here for her writing on Saint Mauritius, and shoutout to Dom zu Magdeburg St. Mauritius und Katharina and that statue of him. And for the bibliography, ’cos there’s been a heap of new stuff specifically on Germany / German-ish regional history that is totes my jam. Probably going to be one of my Books of the Year. If I was still doing that. And it’s making me miss my rando trips to small German cities to gawp at mediæval art something huge.

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Flughafen Berlin-Tegel TXL: March 31st, 2018 Melbourne to Berlin

My favourite orange hexagonal airport is closing this week, almost a decade after the original date, making way for the highly blah, much delayed, extremely suss new airport south of the old Flughafen Schönefeld which opened in the middle of a pandemic.

Leaving Naarm / Melbourne after a month working with Onyx / S.J Norman on my first trip back to Australia after ten years. Flying back through Hong Kong at night and wishing I could take the bus to Hung Hom, spend a couple of hours in Tsim Sha Tsui then get the train up to Guangzhou for a week. Instead, finding a quiet place and stretching for the couple of hours stopover, then on to Helsinki and from there back down to Berlin, coming to land in lightless damp grey like it was closer to winter than spring.

I realised as I was blogging my favourite TXL flights that this was my last one arriving or departing at Flughafen Berlin-Tegel. Two and an half years ago. I haven’t flown much since then and it’s all been at Flughafen Schönefeld. Which is a crusty old airport no one has love for.

Remembering my favourite airport this week as it comes to a close.

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Flughafen Berlin-Tegel TXL: March 1st, 2018 Berlin to Melbourne

My favourite orange hexagonal airport is closing this week, almost a decade after the original date, making way for the highly blah, much delayed, extremely suss new airport south of the old Flughafen Schönefeld which opened in the middle of a pandemic.

This time flying back to Australia for the first time in ten years to work with Onyx (S.J Norman) at FOLA (all of March 2018 and some of April). Early flight from TXL up to Helsinki, seeing the ocean iced over as we came in to land, me running to make the connection, suitcase and panda not making it. Stopover in Hong Kong and the last half all the way south into late-summer night heat.

Pretty much no snow at all that year, the normal now for Berlin. It was so sunny and blue departing, seeing Berlin and Germany laid out flat below. This, and the return flight were my last departure and arrival at Flughafen Berlin-Tegel.

Remembering my favourite airport this week as it comes to a close.

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Flughafen Berlin-Tegel TXL: Jan 1st, 2014 Berlin to Bologna

My favourite orange hexagonal airport is closing this week, almost a decade after the original date, making way for the highly blah, much delayed, extremely suss new airport south of the old Flughafen Schönefeld which opened in the middle of a pandemic.

These are a few of my favourite flights into and from Flughafen Berlin-Tegel TXL. First flight was to Brussels for the Roméo Castellucci opera Parsifal, and this flight was to Bologna, four years later for the same. This was one of the first winters with not much snow. Four years previously Berlin had been under layers for weeks.

Remembering my favourite airport this week as it comes to a close.

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Flughafen Berlin-Tegel TXL: Dec 23rd, 2010 Berlin to Brussels

My favourite orange hexagonal airport is closing this week, almost a decade after the original date, making way for the highly blah, much delayed, extremely suss new airport south of the old Flughafen Schönefeld which opened in the middle of a pandemic.

Living in Wedding, we could get to the airport in a few minutes by bus — even quicker for the taxi drivers who knew the tree-lined shortcut along the canal. Yeah, it was old and creaky, but drop-off to boarding was the quickest and chillest of any airport I’ve been in. Coming in to land from the east across lakes and city I’d read the ground finding Wedding and Uferhallen as we descended. Even getting to the south of Berlin was lazy easy, bus to Hauptbahnhof and M41 to Kreuzberg and Neukölln.

Before this terminal was built in the ’60s, before it was a military airport and one used during the Berlin Airlift, it was home to the Royal Prussian Airship battalion. And before that, the artillery range when the Exercier Platz der Artillerie got pushed west into the Jungfernheide forest from near what’s now the corner of Seestr. and Iranische Str. (which had a different name back then).

Unlike the beautiful Tempelhofer Feld, which has so far avoided necrocapitalist property seizure and ‘development’ and remains an open field like it’s been for hundreds of years, Flughafen Tegel has had the money class salivating along with the government. And being Berlin and Germany, we know they’ll ruin it like they did Potsdamer Platz or the new Flughafen Berlin Brandenburg. It’s what money does.

I first flew from TXL in late-2008, I think, going to London and Whitstable. No photos of that except a grainy one of me returning at night, and I remember hating coming back to face a hard winter and poverty. A year later, Dasniya and I flew early morning to Brussels to work with Roméo Castellucci on the Wagner opera Parsifal. Deep geologic layers of frozen snow and air cold as sharp knives.

Remembering my favourite airport this week as it comes to a close.

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Seen at Rosenthaler Platz: Me on a Tram Pole

That’d be me, Francesca d’Ath, and my toes, yesterday while biking to rehearsals.

Pandemic and very delayed sensible government response allowing, I’m performing at Sophiensaele next week. A double bill of two solos, the other with Claudia Tomasi, and both started with Isabelle Schad way back in January.

I don’t know if we’ll even get to perform next week, carrying on like we will, and it feels dead weird to be art-ing while shit goes exponential in Neukölln, Berlin, Germany, Europe … In case we don’t or if we do, here’s me looking well tasty.

And for everyone who saw that poster around Berlin-Mitte, yes, that is me, yes that person is trans femme and serving deep trans femme energy, and yes, even a glance at a poster of me will turn your children trans.

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Gideon the Ninth Fukken Metal as Fuck Yeah

“These two cunts are fully harden the fuck up, cunt.”
“Which two cunts, Chica?”
“Gideon and her hate crush Harrow.”
“Sounds sikk. Tell me more.”
“Lezzie dyke undying necromancer gothic space opera horror?”
“10/10 would nonverbal consent.”
“’Member in Iain Banks’ The Algebraist?”
“Iain wiv an M. Banks?”
“The one. Again and always.”
“Wif the creepy but kinda sexy in a bad extra way one wot had diamonds for teeth?”
“Yup. Archimandrite Luseferous.”
“Yup, and?”
“And ’member Ancillary Justice?”
“Ann Leckie who was your safe space when our Iain got indisposed on account of being dead?”
“Am still grieving an’ yup.”
“An’ you were like, if someone wrote a whole novel from the perspective of that toothy psycho and his Starveling Cult, plus pronouns and tea, that’d be Imperial Radch?”
“Pretty much.”
“Orrite, and?”
“Well Gideon the Ninth is like all of that plus Norwegian Black Metal corpse paint.”
“Hectic as.”
“Fully.”
“Goes to eleven?”
“Goes to 666.”
“None More Black?”
“None More Black, Chica.”
“Oooo!”
“Wot then?”
“Forgot. Gideon the Ninth is like all of that plus Norwegian Black Metal corpse paint plus …”
“Plus what?”
Oglaf!
“Sithrak! Cumsprite!”
“Sluts!”
“An’ who is the sharp cunt wot wrote it?”
“That’d be Tamsyn Muir. An’ she comes from Aotearoa.”
“Proper good. An’ who did that cover, ’cos a) that’s metal as fuck and b) cunt can destroy my bones any day or night.”
“That’d be Tommy Arnold and fukken fuck yeah.”
“And you’re smashing it?”
“Very much so.”
“And what else? You gonna tell me there’s a sequel?”
“Fukken sequel!”
“Siiikk! What’s it called?”
Harrow the Ninth!”
“An’ have you ordered it yet?”
“I’m a tardy bint.”
“Get your shit together. Tell me a truth moment, Chica.”
“Hit me.”
“You finished it yet? Did it stick the landing?”
“Nah not yet. But if page 357 was the end, landing was totes stuck. Right horrorshow.”
“High praise from an intolerant cunt.”
“All that.”
“New fave author?”
“Read me to filth there.”
“Anything else?”
“Well obvz I want Gideon to be a righteous trans femme, ’cos I’m simple like that. Book of the Year in any case, not that I’m doing that anymore, but still, that’s where it’s at.”

Ms. Monica Roberts

I have to get the emotional part out first. I just want to swear a lot. Around 1am last night finishing my day and heading to bed I saw Raquel Willis’ on Twitter saying Monica Roberts had died.

I’m just fucking gutted and pissed and angry and sad and hurting. And I don’t have words the way other people do who speak so eloquently of a loved one’s death.

Monica Roberts was one of the original bloggers, starting TransGriot way back in 2006, Transistahs-Transbrothas organisation in 2004, and keeping a record of and speaking for trans women and people being murdered. Even then she’d been active as a Black trans woman since the early-’90s and was a strong voice in the blogging community contributing to Pams’ House Blend, The Bilerco Project and other early sites, got on Twitter in 2009, and never stopped doing the hard work of proper trans representation and advocacy in cis space — Black trans representation and advocacy in white cis space.

I’ve been reading her that long, fourteen years at least, and she has been one of the very few constants in my online life and my trans life.

And I wanna say her love of Houston and NFL was always there and as much a part of her and important to her, and I can’t find a place for that so I’m sticking it here.

She was important to me because she was Black, because she was a Black trans woman. There were fuck all trans bloggers or writers or journalists back then, and even fewer of those visible trans people were anything other than white. It was way before 2014’s ‘Trans Tipping Point’ with Laverne Cox on the cover of Time, trans people — especially trans women, and especially Black or Brown trans women — were far from welcome in ‘LGBT’ spaces and pretty much didn’t exist in the cis world.

She was always there.

She did the work.

And like so many Black and Brown and Indigenous and migrant trans women and femmes, she faced unemployment poverty and homelessness.

Every young Black trans woman or femme who has a voice or visibility or presence in 2020 has that because she never stopped. All us older ones are here and seen because she never stopped. There is no speaking our trans history which does not recognise the monumental, tireless, ceaseless work she did.

I loved when she’d come no fucks given for some fool. Her Shut Up Fool Awards deserve a monument. I loved too when she named other trans people who brought racism and homophobia and even, yeah, transphobia along with general piss poor behaviour into the room, especially white trans women riding on their privilege. She never punched down but watching her maul someone who deserved it was as terrifying as it was hilarious.

Every photo I see of her with other trans people I see love and joy for them in her eyes. And every photo with trans women, again especially Black trans women and children, they are looking to her with love. She stepped hard for trans kids for decades and we all saw that.

She was a mother and a Mutha to so many, and an Auntie and a sister and Sistah. And now she joins our Ancestors.

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Francesca d’Ath, Isabelle Schad: Knotting (at Wiesenburg)

Me back performing again.

I pretty much had made peace with moving on from dance and all in the last couple of years, enjoying training for myself and finding myself at a distance to those worlds. Then, late-last year, Isabelle said, “You’re doing a solo!”

We’ve been rehearsing irregular weeks since late-January, slowly building a work that finally got a formal-ish public outing on the weekend in Isabelle’s studio at Wiesenburg (masks and physical distancing and pandemic attentiveness obviously). First time performing in more than two years, and, after a decade living in Berlin, first time I’ve performed here — in a formal, dance scene context at least, not counting small, more private art-ing.

It’s been huge, a lot of work physically, mentally, emotionally, spiritually, and a lot of responsibility in being seen. Being seen by both the audience, some of whom recognised parts of themselves in me, and understand what that means, and being seen by those who came before, aunties, mothers, old ones who visited, who I called on ’cos I needed their strength and support and approval, and I needed them to see me, us like this. And my babaanne, wandering around after just out of sight. I am grateful for them all, and for those who came up to me after, who were the ones I needed to fully see me, and who I needed to see also.

Another pause now, then — as always, pandemic allowing — at Sophiensaele in early-November.

CANYON ZCC eSports team Doing it Right(-er-ish)

I was semi-watching the GCN Show while doing my regular late-night lying on the floor stretching and mobilising work the other night. They were talking about the new Canyon ZCC eSports Development Squad. Not really my thing ’cos all the equipment for indoor training runs to thousands of euros, plus I need to be outside in the weather. But they cut to the application page and were scrolling down when I saw this:

  • Gender:
    • Male
    • Female
    • Other

And yes, I sat up and stopped the video and took a screenshot and had thoughts and feelings.

Canyon is a German bicycle brand that sponsors a number of teams and coincidentally, my fave rider, Ceylin del Carmen Alvarado. I’m not sure of their exact involvement in Canyon ZCC, whether they just sponsor, or whether they’re deeply involved in day-to-day organisation, but that little ‘Other’ with its additional field to write in what you want is a big deal.

The last years living in Berlin, I’ve done freelance money work in design / development for many agencies, organisations, companies, and so on. I have a pretty good familiarity with how things get done. This wouldn’t be some random person setting up the form who just stuck in that third option ’cos they felt like it. Something like this would be a discussion, one of those very German discussions, up and down the ‘flat hierarchy’ in meetings, everyone giving opinions, and someone(s) in the room very explicitly advocating for this and laying out the reasons why and planning for how things would proceed if one of the Dev Squad was non-binary or trans or intersex or ‘other’.

It’s a big deal and not something that happened accidentally. (Maybe it is, kinda doubt it and flexing my multiple experience here. [edited] Yah ’cos I’m particular, I checked how Google Forms works and it’s a deliberate two-step process to add an ‘Other’ checkbox.)

I’ve written about this in cycling before, specifically in the Rapha Women’s 100 last year, and more broadly writing and talking about trans, intersex, and non-binary people, BIPOC, and ‘non-standard bodies’: fat, adaptive / dis- / differently abled, neurodiverse, in cycling and sports and dance. More recently, connecting the cycling industry with policing (thanks especially to Cyclista Zine) and its involvement in regimes like Merida and Bahrain.

Having this option is a very political choice, especially in the last few years when trans women and trans feminine people — as well as cis woman who don’t fit white cishet normative criteria, and trans men and mascs — are being attacked on multiple fronts from access to bathrooms to whether we can compete in sport to fundamentally if we should exist at all.

Contra that, there’s some frankly fascist attitudes towards what constitutes acceptable bodies in cycling, both as a professional sport and as a consumer lifestyle. And there’s a weird sliding between using acceptable and compliant trans and non-binary bodies (and using this word rather than talking about people and selfhoods) as both a progressive signifier and as a beard in making politics and governments palatable.

In the ’80s, South Africa was blacklisted from sport, and tours like Springboks to Aotearoa to play the All Blacks were met with riots and razors in the playing fields. Now, Israel Start-Up Nation is a regular on the start line and it’s all ‘keep politics out of sport’ and no one mentions Palestine.

So, how’s a trans or non-binary or ‘other’ person going to negotiate that? And yes, I’m putting this on these athletes as well as the organisation itself, rather than the cis athletes, specifically because our visibility too often necessitates a compromise, a sectioning off of who we are in order to participate.

I don’t even have answers to this anymore. It’s legitimate to want to bomb down mountains on a bike or thrash through mud and snow in winter for all the reasons it’s fun. And competition is part of that. It’s not possible for that fun to pretend it’s not part of a global crisis going back hundreds of years. And then, sometimes we have to silently participate in these systems just to survive.

Every athlete that ticks the ‘Other’ box and writes in their truth is doing something radical and putting their own existence on the line. I want to see them thrive doing what they love, and be exemplary for young ones who need to see themselves and their own possibilities. I want to see them have space to effect actual deep change. I’m not sure the cycling industry is anywhere near ready for that.