Live on June 30th, a digital archive for Australian cyberfeminist collective, VNS Matrix / Merchants of Slime.
’90s-period CRT phosphor colours, monospace fonts, highly structured and interlinked data, emerging from over a year of conversations and work with the Merchants of Slime. Deep adoration for Web 1.0 aesthetics, sliding into contemporary possibilities for accessibility, interaction, responsiveness, and clarity.
By far the largest project I’ve undertaken, handling archival data management, utterly masses of PHP, JS, and CSS, and teasing out over months the design, aesthetic, and movement through hundreds of pages and thousands of media files – all while trying to keep it properly accessible, semantic, responsive, logical, even simple, while the phosphor burns the screen.
Heaps big thanks to Virginia Barratt and VNS Matrix for going, “Yeah, Frances is what we want.” And hectic reps to research assistant Clare Bartholomaeus for all the scanning and cataloguing.
Phosphor burn digital archaeology slime archive for the 21st century, cunt.
Legit been necking one of these every second evening. Much improved with salt and cardamom. Current one is chilling in fridge for the next 2 1/2 hours.
Seems that keeping 3000 posts and 10,000 images updated takes about half a blog lifetime.
I moved from Movable Type to WordPress in 2009, and ditched ecto, the old blogging app, about the same time. Over the years, I wrote SQL queries, grepped the hell out of the database, redesigned the whole website (while keeping the same black and white aesthetic), recoded stuff, wrote some hella shonky redirections, and slowly went through all the posts turning images into galleries and using WordPress’ Featured Image, and then gave up on it all a couple of years ago before getting weirdly ‘inspired’ this weekend and doing 1000+ posts over the course of 2 days.
My database queries tell me all the galleries are now correct, and all the single images also. A stupid amount of work I hope I never have to do again, because I know my singular, obsessive focus will do it. Legit, my wrist is going ”WTF, Frances, WTfuckingF.” and if I keep blogging like this, eventually maintenance will take longer than there is days in a year.
Apologies to everyone visiting who downloaded a 30MB page instead of 400KB. Image lazy-loading broke sometime recently and I didn’t notice. It’s still not ideal now, but at least not obnoxiously hammering your bandwidth.
Nothing quite like silent apprehension bursting into raucous celebration when a lander touches down on another planet. This is the first image, a couple of minutes after landing, dust-cap still on the camera, wide-angle distortion, horizon cutting a slice at the upper edge, a single rock centre-bottom, above the shadow of InSight.
After many years of supernaut images being tiny with ragged right background captions, I’ve been slowly ditching it for supernaut teenage Instabanga big images. And finally I cleared out all the old styles and code, made new medium and large image galleries, redid the styles and scripts repeatedly, said goodbye to funky bodges. Kept the blazing deep pink tho’. 😍🤘💥❌💯‼️
One day late celebration of supernaut’s 7th April birthday. Supernaut is fully a teenager now, emoji-ing and posting images like she thinks this is Instabang. Emile said supernaut is a life-project now.
Blair set up an IR Camera in the Stone Tape Theory blackness. Once a minute a strobe fires. IR camera flickers and pulses half a second later, frothing light burning the screen.