My favourite orange hexagonal airport is closing this week, almost a decade after the original date, making way for the highly blah, much delayed, extremely suss new airport south of the old Flughafen Schönefeld which opened in the middle of a pandemic.
Leaving Naarm / Melbourne after a month working with Onyx / S.J Norman on my first trip back to Australia after ten years. Flying back through Hong Kong at night and wishing I could take the bus to Hung Hom, spend a couple of hours in Tsim Sha Tsui then get the train up to Guangzhou for a week. Instead, finding a quiet place and stretching for the couple of hours stopover, then on to Helsinki and from there back down to Berlin, coming to land in lightless damp grey like it was closer to winter than spring.
I realised as I was blogging my favourite TXL flights that this was my last one arriving or departing at Flughafen Berlin-Tegel. Two and an half years ago. I haven’t flown much since then and it’s all been at Flughafen Schönefeld. Which is a crusty old airport no one has love for.
Remembering my favourite airport this week as it comes to a close.
24 hours with no racing from before midnight till eight in the morning. So much rain. 15.452 seconds between the 1st place Bimmer and the 2nd place Audi.
Charlie Martin coming in 57th and 4th in class, and racing first and last sessions.
And how diligent and unremarkable was all the mask wearing? Maybe it’s because drivers and crews are used to wearing things over their faces, but doing a transmission replacement in the wet at midnight and keeping those noses and mouths covered shows how basic and possible it is to Wear a Fucking Mask. And as soon as the winning driver was out of his car, there was someone there with a mask.
It’s so much easier and less bullshit if the rule is you have to wear a mask at all times, no exceptions. Everyone did it, very few noses exposed, everyone did it and not just for the cameras. Maybe it took the race organisers setting the rules and consequences which achieved this level of getting it right. Drivers and teams have a very strict set of non-negotiable race rules to adhere to, making this just one more rule to either follow or not race at all. Very comfortable with doing it like this.
I truly love this race, love the Nürburgring and love that in the middle of a pandemic they did the work to create this gorgeous bit of hoonage art.
Seven hours in. Night and rain and hydroplaning and attrition. Giti ladieswomen Girls Only team shredding a sikk as VW Golf VI GTI. Bad weather Red Flag, all the cars garaged and crews stripping and cleaning.
And the two old Brit geezer commentators shoutout to Charlie Martin. I have never heard motorsport commentators saying, “trans woman.” Ever. Barely ever are there cis women drivers, and from Bubba Wallace in NASCAR to Lewis Hamilton in F1 barely ever seen Black drivers. They got her pronouns right, they used her middle name, Christina, also, just in case Charlie was too unisex for us hoons, they got the terminology and context down too.
Any dickhead saying this isn’t relevant / leave politics out of sport / something something meritocracy / what’s that got to do with racing, on God I will call them a waahmbulance once I’ve sorted their ‘opinions’ with my mechanic baba’s Snap-On tools.
I’ve always been a hoon and loved motorsport. I’m already old cunt auntie and Charlie racing at Nürburgring 24h, being respectfully spoken about by the commentators, all that, is so fucking important.
I rewatched both seasons of Pose the other day. Fuck the Emmys and fuck cis people.
It’s not about the awards. It’s about the awards. Even being nominated opens up possibilities for better pay, working conditions, opportunities, longevity, recognition, not only for the person or show nominated but for everyone involved. Not just for them but for those in the audience who need to see themselves or people close enough to themselves to feel seen in return for once.
It’s about representation for us. For queer and straight cis people it’s seeing trans people – especially Black, Indigenous, Brown trans femmes – as something other than sex workers, drug addicts, corpses, and things to be laughed at, seeing us as people with full lives and communities and love. For the majority of cis people – queer and straight – they don’t have any trans people in their lives, let alone Black, Indigenous, or brown ones. What they do have, if they even think of us, is cis people talking about and representing us and portraying us, standing in our places like we’re not good enough, like we don’t exist.
Billy Porter being nominated twice while none of the trans women and femmes in front or behind the camera have ever got a look in, that’s a lesson right there in who’s valid, who’s seen as real and legitimate. Similarly, Zendaya being nominated while Hunter Schafer wasn’t. And straight up, I love watching both her and Billy and yes, they deserve it. But if they deserve it, if Euphoria deserves it, so does Pose, so do Indya Moore, Mj Rodrigiez, Dominique Jackson, Hailie Sahar, Angelica Ross, so do Janet Mock, Our Lady J, and saying their names so do Trace Lysette, Bianca Castro, Cecilia Gentili, Leiomy Maldonado, Brielle ‘Tati’ Rheames, and so do the hundreds of other trans women and femmes in front and behind the cameras.
Almost every day I see another Black trans woman or femme murdered in the US and another white cis man pushing to legislate us out of existence. That’s one country, and don’t think it’s not the same or worse in your other countries. Season 2, episode 4, “Never Knew Love Like This Before”, where Candy is murdered and the aftermath of that, fighting to claim her body, scraping money together for a dignified funeral, her parents misgendering her, the grief and loss and anger, all that is way too real. And let’s not forget, Pose is a fantasy, it’s a story where the reality of trans women and femme’s lives is not shown like a documentary, we don’t need to see that brutality when we know and live it. If it was doing realism, it would have scared you straights and cis queers right off, and there wouldn’t have been a Season 2 ’cos most of the cast would have died between 1987 and ’90.
You all want RuPaul’s Drag Race, you want Yaaas Queen Slay! and you want Shaaade! but you don’t want to learn anything. You want LGB but only when it’s palatable and the T ain’t that. You want the glamour but not the politics. You want the glamour but only on cis men’s bodies. You want women but not when they serve like Pose does. Seeing Black and Afro-Latinx trans women and femmes living for themselves, centring themselves, defining femininity on their terms, defining queer and LGB for themselves, you can’t accept this. You can’t reward this. You need to deal with your discomfort, and yeah, your racism and femmephobia and transphobia and transmisogyny and misogynoir. You don’t even know how amazing these women and femmes are off-camera. We celebrate them for all they they are because of all this.
Last year it was walking Sonnenallee the evening before that made me realise I’d have to, as always, at least show up for the first day. Last year it was Eid getting pounded in a rain storm, later hanging with Vass, and a couple of days after that flying to Marbella for a very expensive not-holiday. This year. The will I won’t I conversation still happened, though it seems less believable this time around. It’s not the middle of summer for a start, though the days are still long. It’s still, “Just do the first day, at least that. Just that for your babaanne, your granny, your karani, your tūpuna wahine. Just do this one thing as best you can.” Every year, trying to make sense of missing history and if nothing else, Ramadan is, in the words of my stanch bro Onyx, a big offering to all that. Here’s the birds in the courtyard park out back of my place going fully pre-dawn hectic at 5am. Ramadan Mubarak fam, and Ramadan Kareem especially to my trans and non-binary and queer and bi sisters and siblings.
Messiaen = Prog ov the GodZoR
Ligeti = lame after he found fame (eg by the 80s)
Penderecki = mark-down Lutoslawski = Radiohead for strings
Ligeti and Penderecki hold a special place in my heart, prolly ’cos I’m an uncouth sod who don’t know music good — proper music, I mean, and I feel dead ignorant and embarrassed if I’m ever in a room with people talking up the category: 20th Century Composers Who Rate. Buuut … Ligeti, yeah, some of his stuff pinged me right, and same with Penderecki. I don’t have the education to appreciate, say, Messiaen, I mean, a lot of composers (or any other ‘canon’, theatre, art, opera, etc) don’t really open themselves up until you know a heap about what they’re saying, their context, the decades or centuries-long conversations (arguments) different composers and genres have with each other, so my first response to music is very emotional. Penderecki hit that. The strings in Threnody to the Victims of Hiroshima or the whistling in St Luke Passion (I’m naming obvious ones here ’cos like I said, going deep in Western Classical music has never been easy for me), these, the sound, the emotion, I want to be buried in that. (Radiohead though, gotta say, fuck that basic noise.)