Yayoi Kusama’s retrospective at Gropius Bau. One of the paintings reset my brain. This installation I could live in, very peacefully.
That kiss. That shot. That story.
I remember when you spoke your truth, ten years ago, back in 2011, and I remember when I heard about this show you were making, feels like longer ago than 2017. I read your books too, feeling myself and my history in the story of another, so close and so distant. And I cannot put into words the joy and sadness and love I felt and feel watching Pose, seeing you and all the beautiful trans women and trans femmes on screen, Mj Rodriguez, Dominique Jackson, Indya Moore, Angelica Ross, Hailie Sahar, Our Lady J, Black and Brown and Puerto Rican and Dominican and Latina, immigrant and children of immigrants, whose lives are as real as the story you fought to tell.
That wedding banquet. All the trans women and femmes at that table. That wedding. That fantasy that was never ours, the church, the dress, the vows, Janet, the vows! Papi! Lil Papi. I loved him from the first ’cos he was so full of love and pure and so fearless when it came to defending his family. And that kiss. You went all the way. When I saw your name at the start of the episode, yours alone, Writer and Director: Janet Mock, I knew. I knew it would be this. I knew it would be us.
Bit of an aside from last night when I was doing my regular midnight physical salvage session, and watching the film High Stakes on GCN+ (yup, I actually threw down cash for a year's subscription to watch a bunch of white dudes talk about bikes). Martyn Ashton, who is a very funny, very talented rider who uses a wheelchair after wrecking his back (for the second time), when he talks about physical and mental injuries as an athlete is someone I have a lot of time for.
He said something I've been trying to put into words for a very long time, which applies to dance — also a professional sports career — as much as it does to cycling or climbing, all three I've devoted a lot of my life to at various times. And from the beginning I have struggled with that inevitable double bind of physically fit but not unscathed.
The full moon marks halfway for Ramadan. Two weeks down, two to go.
Eleven years ago, I got up early to watch Curiosity land on Mars. Yesterday, it was evening and just as terrifying. If I was up for utterly scaring myself, landing the way Perseverance and Curiosity did would be my choice.
It was that same surreal experience knowing Perseverance had already landed or not as the signal arrived eleven minutes behind. And then over so quick. Especially the last part from heat shield separation to free fall and powered descent and Sky Crane and touchdown. Suddenly it was there, in its lime green square with no cables running up to the descent module, just sitting there calm as can be.
And everyone going mental. Except Dr. Swati Mohan who was in the EDL Commentary chair with purple hair and silver stars, who’s been on the project since it began eight years ago, and was calm and focussed on the job all the way.
And then the images came in. And there’s a drone! And there’s microphones!
I ugly cried watching Veneno. Ug. Ly. Cried. Also laughed my guts out. Hissed — hisssssed!!! at Cristina’s mother and family and all the other cis cunts who fucked with her and straight up I would cut without a second thought.
When Pose came out, that was the first time since Paris is Burning I’d seen myself in some recognisable way, and known it was us in front and behind the camera. It was America though and similar worlds, yeah, but very different ones too.
Veneno though … this was real. Truth. Painful, angry, joyful, hilarious, terrifying, spiteful, sad, beautiful truth. I love seeing us on screen. Old us who did it hard, survived, loud and foul-mouthed and cackling. Young us who have so many more possibilities for lives without harshness and exile, yet still know those all the same. If we are trans, if we are trans femmes, trans women — transsexuals, transvestites, the old words you don’t use anymore and we grew up with — this is our life. This is our world.
Waking up at midday after an evening of biking to northern Berlin and back and going on a 3-hour walk. Not celebrating Christmas, just impromptu hangout and wandering the empty dark streets of Pankow, Heinersdorf and Weißensee. Waking up to flurries of fat snow and the air feeling that proper winter way it does when it’s got that cold. Snow melted and gone in minutes.
My favourite orange hexagonal airport is closing this week, almost a decade after the original date, making way for the highly blah, much delayed, extremely suss new airport south of the old Flughafen Schönefeld which opened in the middle of a pandemic.
Leaving Naarm / Melbourne after a month working with Onyx / S.J Norman on my first trip back to Australia after ten years. Flying back through Hong Kong at night and wishing I could take the bus to Hung Hom, spend a couple of hours in Tsim Sha Tsui then get the train up to Guangzhou for a week. Instead, finding a quiet place and stretching for the couple of hours stopover, then on to Helsinki and from there back down to Berlin, coming to land in lightless damp grey like it was closer to winter than spring.
I realised as I was blogging my favourite TXL flights that this was my last one arriving or departing at Flughafen Berlin-Tegel. Two and an half years ago. I haven’t flown much since then and it’s all been at Flughafen Schönefeld. Which is a crusty old airport no one has love for.
Remembering my favourite airport this week as it comes to a close.
24 hours with no racing from before midnight till eight in the morning. So much rain. 15.452 seconds between the 1st place Bimmer and the 2nd place Audi.
Charlie Martin coming in 57th and 4th in class, and racing first and last sessions.
And how diligent and unremarkable was all the mask wearing? Maybe it’s because drivers and crews are used to wearing things over their faces, but doing a transmission replacement in the wet at midnight and keeping those noses and mouths covered shows how basic and possible it is to Wear a Fucking Mask. And as soon as the winning driver was out of his car, there was someone there with a mask.
It’s so much easier and less bullshit if the rule is you have to wear a mask at all times, no exceptions. Everyone did it, very few noses exposed, everyone did it and not just for the cameras. Maybe it took the race organisers setting the rules and consequences which achieved this level of getting it right. Drivers and teams have a very strict set of non-negotiable race rules to adhere to, making this just one more rule to either follow or not race at all. Very comfortable with doing it like this.
I truly love this race, love the Nürburgring and love that in the middle of a pandemic they did the work to create this gorgeous bit of hoonage art.