Posts with subject matter about or referring to Europe. All of it. Mostly places I live, work, visit, the history, politics, culture, art, science, forests and mountains.
I never know what to say when someone dies, even 10 years on. Gala and I joked my epitaph should be, “Fuck you looking at? I’ll knife ya.” Ten years ago, Iain Banks died. Shit joke. Unequivocally my fave author at the time. I’ve read a heap since then and in that specific genre only Tamsyn Muir and Ann Leckie have come close. Yeah, a lot of other writers are amazing and touched my heart, made me laugh, but this is the you can take a tote bag of books to a desert island kind of love and it’s those three with Iain forever first.
Like so many weird subculture scenes, Iain got the attention of way too many straight white dudes. And because he was a nominally straight white dude, with a love of fast cars, whiskey and drugs, he doesn’t get much attention outside that very mediocre bubble of dudes talking. Yeah, Excession is a banger of a space opera, but have you read Feersum Endjinn? Or Whit? That shit has radical, liberatory politics all the way through. He was writing Black, Brown, trans, queer liberation and love back in the ’90s. And he always seemed like one of those so rare, genuinely good, thoughtful, fun, caring men. The kind we need a whole lot more of.
Over the almost twenty years of this blog, I’ve written about or mentioned him in the low hundreds of posts. He even has his own tag, though for that number he should be a category. Here’s some of my faves, chronologically.
Which caused me to read some of my own writing from the last decade and I’m not as shamed or embarrassed as I feared. Which might be me lacking in self-awareness of what I’m missing, but whatever.
And what caused this — I was not paying attention and February 16th was his birthday and it’s 10 years since he died — was a thread by Assoc for Scottish Literature with a bunch of links to articles and interviews I’m going to remind myself of by putting here:
I’ve never celebrated str8 wyt valentine’s day but I always forget it was the day colonialist invader Captain Cook got himself murked for trying to kidnap Kalaniʻōpuʻu on Hawaiʻi. This ten-year-old reminder comes from somos lobos, no ovejas. Fucked around, found out, bro.
Valentine’s day is boring. Instead, let’s celebrate the anniversary of Native Hawaiians killing the fuck outta douchebag English explorer Captain James Cook, on February 14, 1779.
anti-colonialism and indigenous resistance 8ever.
Continuing on from my last post on the early-’90s comic She-Male Trouble, the back cover of Issue #1 is highly relevant to all the cis hysteria about us pissing where they piss. #bitchesgottapiss #utijustsayno #washyourhandscunt
She-Male Trouble Issue #1. 1992 Back Cover, Scott Phillips
Talking about me in yusra magazine the other day, and guess what turned up in my mailbox? The Special Edition came out in June last year and first attempt at sending a copy to me didn’t work out but second attempt did. Tight as fuck cover and it’s never not a thrill to see my writing in a language I cannot read. And to whoever chose the artwork for the facing page, thank you for honouring perfect boobs. When I said, “I mean, mostly I want boobs I feel their bounce of when I walk.” I meant exactly those. (And tentacles are also welcome but that’s for another life.)
And some I gave their own posts to ’cos they were utter bangers, and some I might even give their own posts, ’cos also bangers. So many books. I can only take one fiction and one non-fiction with me? Robyn Maynard and Leanne Betasamosake Simpson’s Rehearsals for Living, and Tamsyn Muir’s Nona the Ninth. And one book of poetry? Fatimah Asghar’s If They Come For Us.
Akwaeke Emezi — Dear Senthuran: A black spirit memoir
Akwaeke Emezi — Pet
Akwaeke Emezi — The Death of Vivek Oji
Alastair Reynolds — Eversion
Arkady Martine — A Desolation Called Peace
Arkady Martine — A Memory Called Empire
Asmi Bishara — Palestine: Matters of Truth and Justice
Ben Aaronovitch — Amongst Our Weapons
Caren Wilton — My Body, My Business: New Zealand Sex Workers in an Era of Change
Celeste Bell, Zoe Howe — Dayglo: The Poly Styrene Story: The Creative Life of Poly Styrene
Charlie Jane Anders — Dreams Bigger Than Heartbreak
Chris Tse, Emma Barnes (eds.) — Out Here: An Anthology of Takatapui and Lgbtqia+ Writers from Aotearoa
Jessica Hansell aka Coco Solid — How to Loiter In a Turf War
David Austin — Dread, Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution
Fatimah Asghar — If They Come For Us
Fatimah Asghar, Safia Elhillo (eds.) — The BreakBeat Poets Vol. 3: Halal If You Hear Me
Fatimah Asghar — When We Were Sisters
James S. A. Corey — Memory’s Legion: The Complete Expanse Story Collection
Janet L. Abu-Lughod — Before European Hegemony: The World System A.D. 1250-1350
Juno Dawson — Her Majesty’s Royal Coven
Juno Dawson — Stay Another Day
Karlie Noon, Krystal De Napoli — Astronomy: Sky Country
Kim Fu — Lesser Known Monsters of the 21st Century
Leanne Simpson — Islands of Decolonial Love
Mykaela Saunders — This All Come Back Now: An anthology of First Nations speculative fiction
Naseem Jamnia — The Bruising of Qilwa
Omar Sakr — Son of Sin
Robyn Maynard, Leanne Betasamosake Simpson — Rehearsals for Living
One of my all-time fave races. I love the sand chaos of Koksijde and I love the intense racing period over this time of year. And I also love deeply Ceylin del Carmen Alvarado slowly coming back to her best after a very long illness and injury. With all the young ones coming up, she does not get enough love. UCI World Champion, European U23 Champion, Netherlands Champion, 1st in DVV Trophy and Superprestige, and 2nd in UCI World Cup, all in the same year and all when she was twenty-one.
It was last year already, late-January, when Vass asked me to write something for yusra Magazine. I vommed a bunch of words about utopia, was well thrilled to get published in Greek, and immediately forgot to blorg the actual words. And cos I have not done anything on here this month, and for some reason (also immediately forgotten) I was re-reading it the other day, here we go. Me, slightly less than two years distant, would rewrite, reframe some of this. Doing needlework on tapestry is always specific.
For the last half of my life, no matter when it cuts out, I don’t want to be the most radical person in the room. I’m not even that radical. I want my unremarkable radicality to grow around the people I aspire to be more like. I want radicality I can feel in my junk. I want radicality that screams like a redlining 767. Car, not jet. Terrifying. Not idling in a garage blipping the engine thinking this is the journey.
I want the fuck like they rule mediocre dreary pain out of our lives. I want us to have space and time without their conditions and smallness and noise.
I want fucking joy.
I want the possibilities for a liveable flourishing life which split and separated so long ago and run in distant parallels along the flanks of hills I can see but can’t cross over to, I want these to run together again, and all those possibilities no longer requiring I give up something in return for a life. Part of a life.
I mean, mostly I want boobs I feel their bounce of when I walk.
Being very clear on what utopia requires now.
World War on Eternal Terror I and II.
I have lost count of all the wars. I recite their names like poison in Shahadah. I bear witness there is no War but War.
I go back through time, unravelling colonialism, back through those wars and wars a whole century of small empires on the tip of Asia’s north-west peninsulas churning their own lands and peoples like they plough the globe. Back past the Berlin Conference, the Race for Africa, the Great Game, the Companies and royalty and politicians drawing straight lines across us, compacting us into the land with their pencil lead and rulers. Back past Marx and give him the finger, back past Kant and his civilised philosophy of racism, fucking debating us, turn around to look forward from there as the Middle Passage streams by making a triangle of the Atlantic, see the Age of Enlightenment watering graves in all the lands I’ve lived on.
Back until it’s the Renaissance. Whose renaissance? Why? Was it perspective or Constantinople or Reconquista? Back until the patron saint of Holy Roman Emperors was a Black man in the armour of nobility named Saint Mauritius.
That’s a thousand years.
I should know this all better. I have this unfathomable itch which says, if I could just make sense of this, I’d know why. Why all of this leads us to now to our graves and how we can unstitch this tapestry woven with so many bodies they are pulled like silk into threads covering walls in those castles, vast like fields and plains.
There will be no utopia as long as stolen land and water remains occupied.
There will be no utopia as long as there are borders. As long as there is money. As long as reparations remain unmade.
This is what it looks like from the other side: a thousand years forward. What was done to one planet has been done to this solar system.
There will be no utopia.
Utopia will be used against us. Utopia will find a way to remove us because we diminish its perfection. Remove. Erase. More than kill. Prevent our existence in the first place. Genocide is a historical process moving backwards and forwards in time as it resurfaces the geography upon which it takes place.
See this happening now.
See the round hole of the mouths of people saying, “Oh. I didn’t know.”
I’m trying hard to imagine utopia. I’m trying to imagine good shit. I know all about bad shit. I wake and sleep and eat with it, see it in my eyes, know it back and forward through history and add to it each day. Choose my colours for the threads I knot into that tapestry which I read right to left and left to right, all coming together and focussing on that absent, unseeable, unspeakable centre. Follow the story, follow the warp and weft in any direction and it ends with us in a ditch in a grave.
Which us? Who us? All of us. When it is done with us being trans, it comes for us being Muslim. Done with that, for crossing borders, speaking language wrong, walking wrong, learning wrong, eyes wrong colour, skin wrong colour, bones wrong shape, history and ancestors wrong. Comes for us for our desire. Comes for us when we get angry get pissed get stroppy fucking front for being told we’re wrong.
We are never right. There is no utopia on this tapestry in which we are not stitched out of existence.
I’ll try again. I’m trying to imagine utopia.
In a utopia, a real utopia, one where we all make it, I’d still want to hoon the fuck out of cars. I’m simple like that.
Okay but that’s kinda small, eh? Like, what else? Big moment here, be fucking epic or summing.
I need Lucifer to look me in my eyes and say, “So tell me, what is it you desire?” And besides being wrecked by you, Satan … shit bro, you’re asking a lot there.
Can I even imagine a utopia when I’m busy surviving? Do I even want an idea imagined by the patron saint of statesmen and politicians? I’m more patron saint of unmarried girls, spinsters, and knife sharpeners kinda chick.
I don’t want human rights. I am drowning choking on human rights. I want consequences for meanness and cruelty and hate. Not in the next life or on Yawm ad-Din. Now. Immediate. Terrible consequences. Consequences which topple cities and empires in earthquakes and floods. Ah, but those consequences rain down on us first.
I want my sisters and aunties and old ones and especially especially the young ones to have lives undiminished by that meanness and cruelty and hate. I want to see them whole. To know they will thrive long into the future. To not worry they live one eye always over their shoulder, just in case.
Back in time again. Long time back. We walked with Goddesses. We fucked for them. We warred for them. Made justice and beauty for them. Remember that.
Forget that. There is no going back. There is no utopia arriving to save us. There are no new ideas in Europe.
Indigenous Native Blak Māori Pasifika First Peoples have been fighting to survive since before Thomas More took ouτόπiā and eὐτοπία and wrote Utopia.
Lucky last from the Berlinische Galerie, which I’ve only been to once before shortly after I arrived in Berlin and remembering not liking but felt like I ought to cos it was getting hyped, but here I am a lifetime on and nah still don’t like it. Abstract Expressionism though, I do have a soft spot for my eyes and brain getting fucked on these visuals.
Berlinische Galerie: Kunst in Berlin. Fred Thieler, Erzählung für W. Turner, 1962
Still at the Berlinische Galerie. Obviously I liked this one. Totalled Deutsch hoonage? Easier fix than changing the timing chain. Sometimes I wonder if I’m emotionally swayed by art which is actually superficial at best and kind of white neoliberal corporate in its heart. I dunno. Would I watch 10 minutes of this Benz doing a Nürburgring lap? Duh! Simple pleasures.
Berlinische Galerie: Paint it all! Tatjana Doll, CAR_Crankcase, 2008/2018