Dasniya had a residency at Ballhaus Ost the last couple of months, thanks to pandemic and pandemic arts funding. I got to see a private showing last weekend, with Tara (yup, Tara!) and Yui. Yeah I’m a long-time fan of her work and Glutamat confirms it.
Late-December last year, I got paid in one hit for a bunch of work on a couple of projects, that contemporary dance thing in Europe of getting cash after the work was done. One of those was the solo which got canned a few days before première (thanks poor response in Germland and EU to global pandemic) which we’d been working on since January.
So, I had mad cash and, for possibly the first time in my life, no pressing obligations. Also not mad enough cash that I could do bougie middle-age things like get a mortgage. Cash enough I’ve been working my way down a list that’s a decade old in places of stuff I need to buy. Like new underwear and socks.
And then there’s the big items. Big for me and pretty much everyone I know. The kind of things which cost up to a couple of thousand and actually cause me cold sweats when I think of doing the spend. ’Cos what if, tomorrow, I’m fully povo again and a couple of hundred is the difference between eating, making rent and all? Except this year I already have work till August and money-wise — ’cos I’m good at living on fuck all — I’m kinda sorta maybe doing ok.
I’d been struggling with training over winter. My back blew out in November, I was feeling well too soft to be doing 90-minute rides in below zero weather, and my base training felt majorly on a plateau. I’d been thinking of buying an indoor trainer for years, very attached to the idea of getting rollers rather than one of those remove the back wheel direct trainers, but somehow over the last few years (thanks bogan mountain bikers on a YouTube channel I watch far too frequently), I went for the latter. Went for multiple times and nah nah nah I’ll come back in the morning, need to sleep on this massive decision, only to find them sold out for more weeks, repeating this until a month ago when there it was in the morning, still available.
It arrived within days and sat there, unboxed for three weeks. Because I needed a 10-speed cassette for it, and decided to get an isolation mat and cadence sensor and new heart rate monitor and … and … absolutely spraying money around. And I knew I’d need a calm few hours to do the setup, get it all working, get a feeling for it. On Monday, I did that.
And joined Zwift.
Total fucking bougie middle-aged cunt on a bike.
Yeah but I’m also a semi- / ex- / occasional- athlete-ish dancer-ish professional who knows very well how much I fall apart if I don’t train and it’s work and an actual work expense and a serious commitment and investment.
For the moment I set up in my kitchen. My balcony has some weird, complex slopes I need to make a trip to the Baumarkt to get some levelling blocks to sort out. I put myself through the intro 5-day training plan, 30 minutes each ride and fuuuuck me I have to face the shame I might have never pushed myself as hard — or maybe as structured and intense within that structure, even though I like suffering. It’s very different having actual numbers on a screen to correlate to feeling, and to have to stay at certain numbers for more seconds or minutes than I’d do when doing laps at Tempelhofer Feld and doing it on feel. Mostly it feels like what I get in 30 minutes on the trainer is about what I’d get from an hour at the airport. And if I did my casual longer warmup and cooldown, 15 minutes either side, it’d maybe be comparable. Still though, I haven’t ridden since November, and very not in endurance and high-intensity shape, and I might be in love with how good a fit an indoor smart trainer is for me. Especially because I can set it up at 9pm and do a session in the dark.
Yeah but the bougie, white, racist, cisgender, heteronormative, ableist, masc-centric, middle-class and all miasma is what cycling soaks in, road cycling especially, and online smart training environments even more so. There’s almost not a day that goes by where there isn’t another story about legislation to ban trans kids or athletes — almost always girls, femmes, and women — from sport, competition, changing rooms, swimming pools, and all. I barely ever see a rider who isn’t white — and yes, this is why riders like Ceylin del Carmen Alvarado and Teniel Campbell and Ayesha McGowan are important but aren’t in themselves or as ‘representation’ enough alone. I’m acutely aware of who I am when I’m in lycra on a bike in that environment. I’m acutely aware also, when I’m in queer and trans spaces, that my decades-long relationship with and love of physicality, training and the discipline that is part of professional dance which I carry into riding, climbing, and everything else, all this has a very uneasy, fraught and painful relationship of its own with and in those spaces. How my trans-ness, femme-ness, queer-ness bangs up against cis AFAB queer spaces has a history of exclusion that has an eerie familiarity with sport.
Shit’s mad over-complicated. I just wanna ride and thrash shit.
I can tell my mood by how often I blog. Honestly, there’s not a heap to blog about these days, and hasn’t been for the last year.
I’m doing ok. I’m surviving.
I’m trying to ignore how appallingly bad the pandemic has been handled by Germany and Europe and much of the rest of the world. I’m trying to ignore the plans I had and the desires I have. I’ve done good work in the last year. I’ve lost my shit a couple of times and truly, no fucks given. I like the person I am when I need to be harsh.
I’m deeply sad at how the pandemic has been handled has disproportionately hit trans and queer people, and Indigenous, Black, Brown, and migrant people. And how selective access to the vaccine is exacerbating this. And how all we hear about is how tough it is for ‘families.’ Dog-whistling so loud I can smell it. It’s on-going grief and I survive because I survived before.
I got the novel — which I gave myself to during post-surgery recovery back in late-2019, finally having time for art again and it flooding out — to a 4th draft and people are reading it. And that’s a madness ’cos I never believed in myself on that.
I’ve really lost it on training though, especially since blowing my delightfully petty back to shit in early-November. I think it’s that ‘surviving’ for me is mental and emotional discipline and training has always been that as well and I don’t have much in the tank at the moment for pushing myself.
I’m really missing physical contact, seeing the same three people for a year, sometimes only once every couple of weeks. It’s austere as fuck. It’s what it takes. It reminds me my neurofuckery, which tends towards a lot of time on my own while still loving being around people, has not aided me in having a lot of close friends in Berlin. Or maybe that’s on Berlin.
I wanna say, “It’s all good,” ’cos I can do this for as long as it takes. It’s not though, but whatever, suck it up till it’s done kinda thing.
Anyway, this was supposed to be a couple of lines reminder to myself, and now it’s a long, unformatted few hundred words. Fucking weirdarse twelve months which mainly dialled up the contrast on how shitty our current era of late-, high-, necro-, 500 years of- capitalism is, how like an authoritarian dictatorship democracy looks these days, nah it was always that.
It was Strada Bianche yesterday, one of my fave bike races. Weird as watching the women thrash it out. Doing anything we love in a pandemic feels weird. It’s also rhubarb and asparagus season (green thanks, not the white stuff they love up north-west Europe). I dunno. Yeah, doing ok. Ok is good enough.
(I added in some paragraphs ’cos my neurofuckery hates walls of text and won’t even on that shit 🤷🏻♀️)
Okay, 4th draft on top of whatever I was calling assembling it before it was drafts, and 18 months to get it to this. But done in the sense it goes start to finish and got heaps of pages (which is what makes it a novel yah?) and when I finished this read-through which I’ve been on since late last week, it felt … something sparked in my guts, like this, yeah, I wrote a novel. Brought some big offering into the universe. Alhamdulillah.
All that talk with Vass about Veneno reminded me I had a photo or two from way back then.
Young teen transsexual meet old auntie trans femme. Thirty-ish years between these two photos. Sometimes I need reminding.
That me back then … she survived.
That’d be me, Francesca d’Ath, and my toes, yesterday while biking to rehearsals.
Pandemic and very delayed sensible government response allowing, I’m performing at Sophiensaele next week. A double bill of two solos, the other with Claudia Tomasi, and both started with Isabelle Schad way back in January.
I don’t know if we’ll even get to perform next week, carrying on like we will, and it feels dead weird to be art-ing while shit goes exponential in Neukölln, Berlin, Germany, Europe … In case we don’t or if we do, here’s me looking well tasty.
And for everyone who saw that poster around Berlin-Mitte, yes, that is me, yes that person is trans femme and serving deep trans femme energy, and yes, even a glance at a poster of me will turn your children trans.
Looking very shiny.
Friday got me to the “It looks like a bike, dunnit?” stage, which was me lying to myself. Saturday was the real work of cutting brake and gear cables, and the horrorshow of setting up cantilever brakes. Sunday was “It’s gotta be rideable by 3pm, ’cos you gotta haul arse up to Wedding and see Dasniya perform.”
Sunday. Many videos of Calvin Jones of Park Tool later, a rideable bike.
So many ways to measure and fit a chain. So many ways to set up and index front and rear derailleurs. So many ways to wrap bar tape. So, so, so many videos on YouTube. Only one Calvin Jones.
And of course, not finished. Riding to Wedding and back rattled everything into place. The gears, they went *ching* like Kelis’ Milkshake. The brakes can throw me over the bars with one finger. Still a little skippy and noisy and squeaky though.
And the new riding position is a bit of work. I bought a fizik – or rather, fi’zi:k – Vento Argo R5 saddle ’cos the cutaway down the middle on my old one was nice but not in the right place, and this one is wider (for my weirdly spacious sitbones) and shorter, and very much does not stab me anywhere from butthole to pubic bone. I also bought fizik seat post and bar stem, ’cos I’ve loved using their bar tape the last couple of years. My new position is about the same length on the bar tops but slightly lower on the hoods and drops. This bike has always been a size or two too big for me, and getting low without getting stretched out or loosing the cyclocross agility I need has been a messy process, compounded by the shit cable routing for the front brake.
And today, with a very big box of discarded packaging, another box of old and destroyed bike parts, I decided to sort my drawers of bike shit. So much shit. So many old parts. I now have two drawers of very fucking highly organised and actually usable parts, two sets of serviced and ready to thrash wheels (one for cobbles and one for cyclocross), one sexy refurbished bike and pretty close to getting back out on some training rides.
Remember when I was all, “You Know What You’re Doing, Eh, Frances?”? Back in late-April 2018? Apparently I enjoy the outer reaches of “know what I’m doing” where it turns into “what am I doing?”
My poor bike.
It’s seen better days. Like the day before I bought it, for example. Original parts are now frame, forks, and handlebars. The latter I considered replacing as well this time but I like their fit and buying highly specialised fit stuff online without measuring and trying is a high risk activity for me.
So. First set of Fulcrum wheels rebuilt by me and bearings replaced in the shop ’cos I have not yet cried my way to spending 300€+ on a bearing press. Second set of Fulcrum wheels also rebuilt and laughing my way through flushing one set of grotty bearings and regreasing them ’cos I can’t afford another trip to the shop right now. Very tasty Challenge Chicane cyclocross tires on the former, with tan sidewalls (Which is high fashion. Allegedly.) and the Strada Bianca ones on the latter. Dead fucking sharp.
Old parts stripped from bike and in a box. New parts I’ve been collecting for months in another. Bike frame cleaned, much WD40 huffed, vague ennui slash sadness at the crappiness of the BB30 bottom bracket, which I considered replacing with an adaptor and a threaded one, which would mean a whole new set of cranks, which realistically isn’t a bad idea but fucking hell we’re very in “You spent new bike money on your old bike. Again!” territory right now, so, no, creaky fucking BB fucking 30 it is.
I did buy a chain whip and cassette remover ’cos I wanted to be able to swap the cassette between aforementioned dope as fuck wheels (“You could just swap the tires, Chica?” “I could just not? Dickhead!”) and woo! tools! My baba was very in the room yesterday. Not sure if he’s proud or confused about me, but he was very professionally interested in wtf I was doing.
Yesterday, then. Bike stripped and me all, “Fukken really? This again? Oh god why?” And today so far, past the grotty cleaning stage and starting the funtimes rebuilding stage, pretending the subsequent running and setting cables stage is no big deal and will not take me an upsetting amount of time.
My fingers and hands are serving high femme mechanic realness.
Me back performing again.
I pretty much had made peace with moving on from dance and all in the last couple of years, enjoying training for myself and finding myself at a distance to those worlds. Then, late-last year, Isabelle said, “You’re doing a solo!”
We’ve been rehearsing irregular weeks since late-January, slowly building a work that finally got a formal-ish public outing on the weekend in Isabelle’s studio at Wiesenburg (masks and physical distancing and pandemic attentiveness obviously). First time performing in more than two years, and, after a decade living in Berlin, first time I’ve performed here — in a formal, dance scene context at least, not counting small, more private art-ing.
It’s been huge, a lot of work physically, mentally, emotionally, spiritually, and a lot of responsibility in being seen. Being seen by both the audience, some of whom recognised parts of themselves in me, and understand what that means, and being seen by those who came before, aunties, mothers, old ones who visited, who I called on ’cos I needed their strength and support and approval, and I needed them to see me, us like this. And my babaanne, wandering around after just out of sight. I am grateful for them all, and for those who came up to me after, who were the ones I needed to fully see me, and who I needed to see also.
Another pause now, then — as always, pandemic allowing — at Sophiensaele in early-November.