That’d be me, Francesca d’Ath, and my toes, yesterday while biking to rehearsals.
Pandemic and very delayed sensible government response allowing, I’m performing at Sophiensaele next week. A double bill of two solos, the other with Claudia Tomasi, and both started with Isabelle Schad way back in January.
I don’t know if we’ll even get to perform next week, carrying on like we will, and it feels dead weird to be art-ing while shit goes exponential in Neukölln, Berlin, Germany, Europe … In case we don’t or if we do, here’s me looking well tasty.
And for everyone who saw that poster around Berlin-Mitte, yes, that is me, yes that person is trans femme and serving deep trans femme energy, and yes, even a glance at a poster of me will turn your children trans.
Friday got me to the “It looks like a bike, dunnit?” stage, which was me lying to myself. Saturday was the real work of cutting brake and gear cables, and the horrorshow of setting up cantilever brakes. Sunday was “It’s gotta be rideable by 3pm, ’cos you gotta haul arse up to Wedding and see Dasniya perform.”
Sunday. Many videos of Calvin Jones of Park Tool later, a rideable bike.
So many ways to measure and fit a chain. So many ways to set up and index front and rear derailleurs. So many ways to wrap bar tape. So, so, so many videos on YouTube. Only one Calvin Jones.
And of course, not finished. Riding to Wedding and back rattled everything into place. The gears, they went *ching* like Kelis’ Milkshake. The brakes can throw me over the bars with one finger. Still a little skippy and noisy and squeaky though.
And the new riding position is a bit of work. I bought a fizik – or rather, fi’zi:k – Vento Argo R5 saddle ’cos the cutaway down the middle on my old one was nice but not in the right place, and this one is wider (for my weirdly spacious sitbones) and shorter, and very much does not stab me anywhere from butthole to pubic bone. I also bought fizik seat post and bar stem, ’cos I’ve loved using their bar tape the last couple of years. My new position is about the same length on the bar tops but slightly lower on the hoods and drops. This bike has always been a size or two too big for me, and getting low without getting stretched out or loosing the cyclocross agility I need has been a messy process, compounded by the shit cable routing for the front brake.
And today, with a very big box of discarded packaging, another box of old and destroyed bike parts, I decided to sort my drawers of bike shit. So much shit. So many old parts. I now have two drawers of very fucking highly organised and actually usable parts, two sets of serviced and ready to thrash wheels (one for cobbles and one for cyclocross), one sexy refurbished bike and pretty close to getting back out on some training rides.
It’s seen better days. Like the day before I bought it, for example. Original parts are now frame, forks, and handlebars. The latter I considered replacing as well this time but I like their fit and buying highly specialised fit stuff online without measuring and trying is a high risk activity for me.
So. First set of Fulcrum wheels rebuilt by me and bearings replaced in the shop ’cos I have not yet cried my way to spending 300€+ on a bearing press. Second set of Fulcrum wheels also rebuilt and laughing my way through flushing one set of grotty bearings and regreasing them ’cos I can’t afford another trip to the shop right now. Very tasty Challenge Chicane cyclocross tires on the former, with tan sidewalls (Which is high fashion. Allegedly.) and the Strada Bianca ones on the latter. Dead fucking sharp.
Old parts stripped from bike and in a box. New parts I’ve been collecting for months in another. Bike frame cleaned, much WD40 huffed, vague ennui slash sadness at the crappiness of the BB30 bottom bracket, which I considered replacing with an adaptor and a threaded one, which would mean a whole new set of cranks, which realistically isn’t a bad idea but fucking hell we’re very in “You spent new bike money on your old bike. Again!” territory right now, so, no, creaky fucking BB fucking 30 it is.
I did buy a chain whip and cassette remover ’cos I wanted to be able to swap the cassette between aforementioned dope as fuck wheels (“You could just swap the tires, Chica?” “I could just not? Dickhead!”) and woo! tools! My baba was very in the room yesterday. Not sure if he’s proud or confused about me, but he was very professionally interested in wtf I was doing.
Yesterday, then. Bike stripped and me all, “Fukken really? This again? Oh god why?” And today so far, past the grotty cleaning stage and starting the funtimes rebuilding stage, pretending the subsequent running and setting cables stage is no big deal and will not take me an upsetting amount of time.
My fingers and hands are serving high femme mechanic realness.
I pretty much had made peace with moving on from dance and all in the last couple of years, enjoying training for myself and finding myself at a distance to those worlds. Then, late-last year, Isabelle said, “You’re doing a solo!”
We’ve been rehearsing irregular weeks since late-January, slowly building a work that finally got a formal-ish public outing on the weekend in Isabelle’s studio at Wiesenburg (masks and physical distancing and pandemic attentiveness obviously). First time performing in more than two years, and, after a decade living in Berlin, first time I’ve performed here — in a formal, dance scene context at least, not counting small, more private art-ing.
It’s been huge, a lot of work physically, mentally, emotionally, spiritually, and a lot of responsibility in being seen. Being seen by both the audience, some of whom recognised parts of themselves in me, and understand what that means, and being seen by those who came before, aunties, mothers, old ones who visited, who I called on ’cos I needed their strength and support and approval, and I needed them to see me, us like this. And my babaanne, wandering around after just out of sight. I am grateful for them all, and for those who came up to me after, who were the ones I needed to fully see me, and who I needed to see also.
Another pause now, then — as always, pandemic allowing — at Sophiensaele in early-November.
I rewatched both seasons of Pose the other day. Fuck the Emmys and fuck cis people.
It’s not about the awards. It’s about the awards. Even being nominated opens up possibilities for better pay, working conditions, opportunities, longevity, recognition, not only for the person or show nominated but for everyone involved. Not just for them but for those in the audience who need to see themselves or people close enough to themselves to feel seen in return for once.
It’s about representation for us. For queer and straight cis people it’s seeing trans people – especially Black, Indigenous, Brown trans femmes – as something other than sex workers, drug addicts, corpses, and things to be laughed at, seeing us as people with full lives and communities and love. For the majority of cis people – queer and straight – they don’t have any trans people in their lives, let alone Black, Indigenous, or brown ones. What they do have, if they even think of us, is cis people talking about and representing us and portraying us, standing in our places like we’re not good enough, like we don’t exist.
Billy Porter being nominated twice while none of the trans women and femmes in front or behind the camera have ever got a look in, that’s a lesson right there in who’s valid, who’s seen as real and legitimate. Similarly, Zendaya being nominated while Hunter Schafer wasn’t. And straight up, I love watching both her and Billy and yes, they deserve it. But if they deserve it, if Euphoria deserves it, so does Pose, so do Indya Moore, Mj Rodrigiez, Dominique Jackson, Hailie Sahar, Angelica Ross, so do Janet Mock, Our Lady J, and saying their names so do Trace Lysette, Bianca Castro, Cecilia Gentili, Leiomy Maldonado, Brielle ‘Tati’ Rheames, and so do the hundreds of other trans women and femmes in front and behind the cameras.
Almost every day I see another Black trans woman or femme murdered in the US and another white cis man pushing to legislate us out of existence. That’s one country, and don’t think it’s not the same or worse in your other countries. Season 2, episode 4, “Never Knew Love Like This Before”, where Candy is murdered and the aftermath of that, fighting to claim her body, scraping money together for a dignified funeral, her parents misgendering her, the grief and loss and anger, all that is way too real. And let’s not forget, Pose is a fantasy, it’s a story where the reality of trans women and femme’s lives is not shown like a documentary, we don’t need to see that brutality when we know and live it. If it was doing realism, it would have scared you straights and cis queers right off, and there wouldn’t have been a Season 2 ’cos most of the cast would have died between 1987 and ’90.
You all want RuPaul’s Drag Race, you want Yaaas Queen Slay! and you want Shaaade! but you don’t want to learn anything. You want LGB but only when it’s palatable and the T ain’t that. You want the glamour but not the politics. You want the glamour but only on cis men’s bodies. You want women but not when they serve like Pose does. Seeing Black and Afro-Latinx trans women and femmes living for themselves, centring themselves, defining femininity on their terms, defining queer and LGB for themselves, you can’t accept this. You can’t reward this. You need to deal with your discomfort, and yeah, your racism and femmephobia and transphobia and transmisogyny and misogynoir. You don’t even know how amazing these women and femmes are off-camera. We celebrate them for all they they are because of all this.
This is about the minimum space I need to not feel compressed right now.
And I wanted to write about dismantling – rather than diversity in – white cisgender masculine heteronormative space but I’m tired. When I ride I’m usually the only woman in a sea of dudes. I’m definitely the only trans feminine, queer, non-white person. And on the very rare occasion I’m in a woman-centric space, like the Rapha Women’s 100 last year, I’ll still be one of the only non-white (yeah I’m specifically using that term), and definitely the only trans feminine person. And in dude space or white cis women space I never feel safe or comfortable or able to relax and I’m tired. I can’t trust you all and I’m tired.
Recreational and athletic space is highly, highly normalised as white, cis– and heterocentric and masculine, and that includes cis women doing the policing. I don’t want to have to engage with that as a precondition for physical recreation or as an athlete, and it feels like this is the bare minimum of space I – we need to have some room to breath. But I don’t want to talk about all that ’cos I’m tired of saying it in so many different ways for a lifetime and seeing my siblings say it and live it and lose their lives for it for way more than a lifetime.
So, for all you BIPOC trans femme riders, and those of you prepared to educate yourselves, Cyclista Zine has been making me feel good about myself lately.
And for the rest of you, educate yourselves and donate to Black and Indigenous trans funds and support organisations like:
I’ve ridden over that bridge many times, the last in the damp grey drizzle on Tag der Deutschen Einheit when I totally over-extended myself (seems to be a theme?). This is the first time I’ve seen it from this direction, coming along the very sandy, loose, dusty and full of exposed roots single track from Schleuse Kleinmachnow. One of my favourite parts of the Mauerweg and in general to ride and eventually I’ll stitch together a whole — multiple whole routes from those glorious cobbles up Rudower Straße all the way to those cobbles up Wannseestraße. Simple pleasures involve getting thrashed on cobbles and slithering around on single track.
Another Sunday another practicing of Physical Distancing.
After the last weeks’ fun, I wanted to find some lanes and tracks like the ones around Groß- and Kleinziethen and Friederikenhof. Failed spectacularly. Apparently Großbeeren is the drain I circulate around and end up in fun places like Neubeeren or on the drag through Ruhlsdorf to Teltow.
The first third was a joy, hitting cobbles at 30+km/h obviously, and there’s so many new cobbles to be found (Keplerstr and around thank you very much), and new lanes and single track and generally incredibly pretty and very empty of people, and for some reason the people around there are reliably friendly. The second third was mostly a mess riding on 70km/h roads through industrial parks and joyless towns like Teltow. But! I knew the canal was nearby and kept veering right into the forest when it finally appeared and I knew I was more or less back on track and found the most glorious, incredibly sandy single track running from Scheus Kleinmachnow all the way to the Ehemalige Autobahnbrücke Dreilinden, putting me back for a moment on the Berliner Mauerweg. As one old German woman out for a stroll with her husband said, “Ha ha it’s like a sea! A sea of sand!” as I skidded and slid in all directions on tires and tire pressure very much not for sand.
More cobbles and the truly brutal short climb up Wannseestraße, then more (non-cobble) suffering up and down Nikolskoer Weg and Pfauenininselchausee the roads getting busier all the time with very distinctly not ‘social distancing’ and finally onto the most boring part of the ride, which road cyclists love, which proves they are a boring and unimaginative bunch, the blandness of Königstraße followed by the monotonous straightness through Grünewald. There was an utter mob on Spanische Allee outside AVUS-Treff Spinner-Brücke, hundreds of all-white bros in black leather on their garbage wagon Harleys doing the same white trash shit as their brethren in the US, strutting their ‘right’ to gather and super-spread while the cops looked on doing nothing in the way they always do when it’s right wing white people they’re being ordered to police.
And the ride back into the city, hitting every red light because the lights are timed for cars moving at fifty and not bikes moving at any speed less. I over-extended myself a bit and defo was feeling it when I got home, even with all the liquid and rice cakes I took. And this might be my last long ride for a while because here comes Ramadan which, like always, I never know if I’ll do until it’s done.