Doing self-preservation riding again, and avoiding Tempelhofer Feld on the weekend. First, finally did the Weserstr. cobbles, which are dead tasty. Then, did the same ride as last week but in the opposite direction, and when I got to a bit after this photo, turned off to Großziethen, ’cos I thought I might find a way up that massive old rubbish hill from last week. Didn’t. Good ride anyway.
It’s been about 2 years since I last got my arse into a studio and did a ballet class. Good reasons for finding other physicalities to entertain myself since then, going deep in cyclocross and riding, enjoying cold and wet and windy work outside. But I missed ballet. I missed the good things of being in a studio doing the work, I missed being there with good teachers and brilliant pianists.
And this week, I’m back working with Isabelle Schad (remotely, of course), and needed something to get me going, something quick and snappy with a variety of intensities and velocities, something to put me in where I needed to be for the work. And I found Het National Ballet are live-streaming a ballet barre. And first day of doing it was wow have I come far from all that, like a memory of being a dancer but watching myself in the mirror (of course I did, it’s ballet training) I was laughing at how I have all these muscles that are very not from dance, and how much and how my body has changed in the last two years. On the third day though, I started to see it all again, physicality waking up and unburying, and yeah, enjoying it so much.
Ernst Meisner is such a cheerful teacher and Rex Lobo is a joy of a pianist. And doing it live, knowing they’re both in the studio as I’m here in my apartment, and there’s hundreds or thousands of other dancers whereever and we’re all doing it together, it’s truly beautiful and reminds me of how dance saved me over and over (and how dance is also a hard bitch, but, yeah, let’s just enjoy the good stuff for one day, eh), and how special dance is, how fundamental moving together is for life.
I was going to do some laps of Tempelhofer Feld today, but remembered last weekend when it was fucking packed. Berlin and all of Germany is facing an Ausgangssperre, a proper curfew and lockdown like Italy, and I didn’t and don’t want to add to the problem by being another person at the old airport, irrespective of how much ‘social distancing’ I’m doing, and I don’t want to be counted among those wankers who’ve never learned responsibility and obligation to community.
So I buggered off south down Hermannstraße, hung a left at the border with Brandenburg and practiced self-preservation along the Berliner Mauerweg. People were out, but mostly in ones and twos, or families, plenty of solo cyclists also. Let’s be clear, quarantine at home is going to kill people and ruin the lives of a whole heap more, people who never come into contact with the virus. “Quarantine without testing is a project of social control that transfers responsibility for sickness from states to individuals” which the governments (city, state, federal, EU) have done such a fucking remarkable job of in their deliberate abnegation of responsibility. This is what happens when crisis necro-capitalism meets a real fucking crisis, one that can’t be bailed out or austerity-ed away or debated or ‘both sides’ or any other bullshit jizzed in our faces by the utterly, utterly ineffectual governments and political parties of all the countries hooked on ‘economic growth’ at the expense of actual, real, long-term caring for community. And by ‘community’ I mean everything, trees, land, birds, the sad canal running through Wedding that I love, and not just people, like we’re magically isolated and atomised from what we are inextricably a part of.
The ride curved north and into a dead tasty headwind, pushing me into one of those trances where I get all aero, breathing endlessly and hard and staying in and with that suffering, burdening myself, remembering Annemiek van Vleuten doing her 100 kilometre solo to win the road world championships, Kasia Niewiadoma, Marianne Vos. It’s good to have women whose level of finding joy in suffering is so far beyond mine. It’s so different from cyclocross, those short gut-churning efforts, the exhausting concentration of technical riding at speed and physically maxed out. This is just sticking at it, over and over, getting comfortable in it until it’s over. Riding until I abrade away some of the anger and fear and sadness.
This photo would have been slightly different but my iPhone battery decided to die. Anyway, it’s just south of Freizeitpark Am Vogelwäldchen, which itself is just south of Gropiusstadt, and looking west at the old Mülldeponie Großziethen. That’s not a hill, that’s a rubbish dump!
Michael! What am I looking at!?!?! 😂😍
Thank you, dear.
Wait for the final edits. So many other photos we are going through.
Expressing the shit of this time.
reminds me a bit of this photographer from the 80s / 90s who did black and white stagings
trying to remember his name
My friend in the photos took his inspiration from him but I cannot recall his name.
Such powerful works he did.
Crazy dark stuff with people with disabilities, corpses, etc.
Decapitated corpse heads kissing. This guy.
i wish you could see how stunned with the beauty of these i am.
I met Michael Garza in Guangzhou eighteen years ago. He’s still there, still principal bassoon with the orchestra, also with a woodwind quintet, Pan Pacific Ensemble, we see each other every couple of years when he blows (ha ha) through Europe, and he’s my strongest connection to a city I have a deep love for, as well as being one of my dearest friends.
He sent me these photos a few days ago and like I said, I was stunned. Chinese puppet theatre, butoh, Día de Muertos, deep queerness, heavy memories of AIDS in the ’80s, SARS (which we were both in Guangzhou for, the smell of burning vinegar in the damp winter air, and that train ride with Yunna back from Wuhan in the night, getting messages telling us to stay away from the city because there was a plague). Photos by Gustavo Thomas so ya know.
Michael’s orchestra closed a couple of months ago, long before the rest of the world got over their racist fuckery and thought about taking this shit seriously. (Very aside here, I think the disaster underway in Europe and America is substantially because of the nationalist and white supremacist ideology stretching back to the Renaissance – or late-19th century imperialism and colonialism if that’s too long a time for you to grasp.) Every single artist I know or know of woke up some time in the last weeks and found themselves unemployed, all their upcoming work cancelled, and no idea when they might return. The better-off ones have – for the moment – family and friends to rely on, but there’s a lot, a very large lot who were already doing it hard. Not all of them artists either. I already see this for myself, trans, immigrant, neurodiverse (fuck I hate that word), multiethnic, queer, not in a relationship, there’s a marked difference already. I fully expect, like every other time in European history when shit got bad, people like us are going to be the first to get fucked. Art like this, then, arriving across continents and hemispheres in a messaging app convo, feels good, feels necessary, feels like we’re forcing our way into being remembered, holding on to beauty and love when we’re being told, again, to give it up.
In the words of my One True Daddy, Vin Diesel, “I live for this shit.”
Thankfully Tempelhofer Feld wasn’t packed today like an open-air concert as it has been the last couple of days when I went for a ride (and bailed, ’cos fucking Germans not taking shit seriously and making exceptions for themselves the last month is the default, legit scary, and the reason we’re in this mess). I’ve been working the various single tracks on the fields, practicing self-preservation through solitary endurance. I’m a little worried the city is going to go on lockdown, and fuck knows what I’ll do to satisfy my need for high-quality suffering if I can’t ride, also bike is in dire need of new components. Highlights of today though, finding a series of run-ups and drop-offs that I actually went, “Nah, I’m gonna hold on that till I’m more stupid.”
Deserves a swear ’cos it’s that good.
I can’t believe I’ve ridden there for so long and completely missed what I actually knew was there 🤦🏻♀️🤷🏻♀️. I’ve done thousands of laps of Tempelhofer Feld, on the default boring outer loop, on the inner pavé, all over on the single track, and I knew there was this section around where the old DC-3 is, the north inner field directly down from the north gate, that had some good steep ride-ups / run-ups, and something in a bunch of trees I’d never ventured into, and all that time I’ve been missing the forest around Flughafen Tegel, which is proper, fast up and down slippery technical cyclocross, and who’s a stupid intransigent bitch whose neurofuckery makes her do the same thing over and over?
I needed an easier and entertaining ride today, ’cos my week has been two hard rides and strength work that left me sore, and I didn’t want to go round and round, especially when this storm is moving in and 25km/h winds with gusts around 60km/h wouldn’t make for ‘easier’. And I’ve been enjoying the northern pavé (around the circus tents area) where I can work on sharp turns and hard braking / acceleration. So I decided to make a kind of flip-flop back and forth reverse-c shaped loop (which ended up being around 12km per loop) with some exploring of that bit I have no explanation for why I’ve not ridden it until now.
And fucking fuck yes. Fucking pump track! Small one, tight, better on a BMX or Slopestyle type bike than a cyclocross, proved to me I absolutely do not know how to pump, which is dope as fuck ’cos that means I get to learn something new and I am legit excited as shit by that. And there’s all these other trails I did not ride (so many!) and the ones I did, very fast occasionally technical single track, with sharp ride-ups (run-ups when they’re muddy), plenty of technical turns, the type of clay-y sandy mud that gets greasy and slippery, plenty of changes in terrain, there’s excellent loops of 4–8km, and I will be making that one of my weekly rides. Also slightly ridiculous riding it on 33mm cobble / pavé tires with effectively no tread and hella gripless on anything remotely ‘off-road’ but I don’t have the euros for another set of tires and stupid fun is stupid fun.
Walking to the U-Bahn after rehearsing with Isabelle in Wiesenburg. Best part of Berlin is Wedding.
This time last year, I got spat on by that squall moving through. I finished 2019 with a ride yesterday and began 2020 with a ride today. All strangely subdued. No snow, not for the past few years, and not like those first years in Berlin when it’d be -10° or colder. I haven’t worn winter pants for three years or more. Riding in the sun, windy enough to bring the chill below zero, but not the kind of cold I’d have to shower to heat myself up from. I kept it calm today, just doing the laps, no pushing. I came home and watched Ceylin del Carmen Alvarado smash it at Baal cyclocross.
Finishing the year and starting the year doing the work.
2018, I wore a heart rate monitor for all my training, riding, climbing, yoga, whatever. It felt a bit much. 2019, I stuck to riding only. All of which I keep notes of in a training diary in my calendar, ’cos I’m like that. So, 121 rides last year, and 150+ ‘yoga’ (core, strength, stretching, body work type, as well as actual yoga). Less riding than 2018, fewer long rides, virtually no climbing, and other year without doing a ballet or any kind of dance class in a studio, in front of a mirror.
Interesting stuff: The month of May, with almost no going into the red, and plenty of green and blue zones, that was Ramadan. The hole with nothing in it, June and July, that was me having my face peeled off in Spain. The first big ride, in October, was the Women’s 100, and the second was riding the Berliner Mauerweg on Tag der Deutschen Einheit. In retrospect, I can already see in my gappy training that chronic fatigue from a year of over-intensity and stress (surgery was only a part of it) was getting to me, November and half of December is that burnout.
Bike is currently in need of complete rebuild and new components, most of my cycling gear is similarly needing to be retired, but whatever. I keep riding. Every ride has had something in it for me, and it’s been so, so good for my mental and emotional health, as well as keeping my physicality ticking over. And it’s winter, a broken, very much not cold and snowless winter, barely ever below zero, but even that, riding in the cold, wet, dark grot makes me smile.