Unshibari, rope anarchy, messy tying, this is the work I’ve been doing since 2009 with Dasniya Sommer and others in Shibari – Japanese rope bondage. It’s not a performance as such, though performances and other things have occurred.
Going for a short afternoon walk and for the first time in a long time it isn’t laps of Tempelhofer Feld. along Via Pennino, Contrada Santa Croce, and Via Campoluongo. Olive trees ripe and ready for harvest, grape vines mostly already harvested (and currently the must is being siphoned next door), do not drink the water from the fountain, yes those cactus fruits are edible, and I could never get tired of this view.
Evening stroll around Bonnie’s Italian countryside villa “Not a villa” looks like at least villa-adjacent to my bogan eyes. I thought the sun and light was going to stay grotty and not put on any show, and then, surprise! Storm over Taburno massif, setting sun hitting the tuff of the old work shed, Ginger the dog posing, chooks also posing, a rainbow, cactus, and four of the five dogs allowing me a group portrait. My FujiFilm X-T4 is finally getting a workout.
Five dogs, seven cats, two ducks, a lot of chickens, heaps of olive trees, heaps of grapevines, fig, apricot, apple, persimmon, kaki trees, high hills and low mountains all round, old castles, churches, villas all over. Storms when I arrived and storms every day and night since. I’m sleeping so good.
A couple of months ago Bonnie said, “Come to Napoli!” Wednesday, my first time flying since 2019, first time out of Berlin since Miss Rona arrived (very masked and all for the whole trip), first time in Italy since 2014, I arrived in Napoli. And damn I forgot how much I love flying. The takeoff, the landing (it was a bumpy one), the hours above the clouds where the sky is a much darker blue.
Something Dasniya Sommer has been working on for an age and I really wanted to see her première (thanks poverty): The Männy at Staatstheater Hannover. Really, she’s gone to another realm of hectic with her rope work.
There was a big Hokusai show in Berlin at (I think) Martin Gropius Bau a couple of years ago, I went to see with Dasniya. No Shunga. No pervy octopus tentacle porn. Not even a mention. But in Marbella, in the small but very nice MGEC Museo del Grabado Español Contemporáneo, in the very unexpected exhibition, Estampa japonesa — Imágenes del mundo flotante, amidst three rooms of Japanese Edo and Meiji era prints, a whole wall of Shunga. And this one, from Katsukawa Shunchō’s: series, Imayō irokumi no ito. One of my absolute favourites, just hanging on the wall in a small museum in Marbella.
On the afternoon of my hectic 36-hour round-trip to Marbella / Puerto Banùs, I had a couple of free hours in the afternoon. I could have slept, but I figured I’d be all perky at 10pm and needed some distractions. Museums, then. Yes, Marbella has one: MGEC Museo del Grabado Español Contemporáneo, in the old town, down an alley on the north-east corner of the big church (very tourist; much eye-watering Catholic art), in a former late-Renaissance hospital.
I hadn’t looked at the museum’s website properly, mainly because I was rather thrilled to have found any suitable distraction for the afternoon, and had no idea what to expect. Straight into Picasso and Miró. Straight out and up the stairs into 3 rooms of Japanese Edo and Meiji era prints. I really wasn’t expecting that. And I really, really wasn’t expecting to see Shunga in an exhibition like this. Saving on of those for its own post. That good. So here, without much elaboration, pretty much every piece in Estampa japonesa — Imágenes del mundo flotante. As usual, besides straightening, cropping, and a bit of colour-balancing, this is pretty much what my now rather old Panasonic LX7 saw. The lighting was awkward (the usual direct light glare on glass type nonsense), I am very out of practice in visiting museums and photographing art, they’re all on the underexposed side and tinted a bit blue … excuses. Fuck it. I’m not much for omens, but stumbling into this after the whole reason I was in Marbella in the first place was Pretty Bloody Significant, if you know what I mean.
We went and saw Mission Impossible: Fallout and laughed for 2½ hours at the brilliant kinetic absurdity: Tom Cruise, part of the Jackie Chan and Buster Keaton lineage of getting audiences to pay stacks to watch them do mad stunts. We ate chocolate and ice cream and nachos – cinema nachos! – and drunk Sekt. In the Kino. This is Germany and everywhere is drinking erlaubt. Ten years today, ago Dasniya and I met in her Fabrik studio in Uferstraße.
Dasniya Sommer’s banger, Bondage Duell is on again at Sophiensæle, part of Performing Arts Festival Berlin 2018, one of my favourite performances from last year, which I wrote about and photographed. It’s already on, two more nights, get your arse there.
Three different classes with Dasniya Sommer this month in Berlin-Wedding, all on Tuesdays:
For more info, email Dasniya on workshops@dasniyasommer.de, message her on Facebook, and check out her Instabanga while you do (& sign up to her mailing list)
