A Pile of New Books I’m Reading so far in 2020 (and late-2019)

There was a big gap this year when I had a little money for and no way of getting books. All that talk on social media of supporting artists during pandemic quarantine by buying their books hit up against furloughed supply chains.

Completely off topic here, I discovered yesterday I’d been using the entirely wrong word, furlong instead of furlough (and lifetime usage of either is in the single digits). And then I discovered furlong is 1/8th of a mile, so now I have Vin Diesel, or rather Dominic Toretto in my head going, “I live my life two furlongs at a time.”

Back to buying books. And no, e-books are not an option. I like paper, I like the feel and smell and aesthetics of books, I like how line lengths, page size, fonts, typography, layout, margins, the density of ink on paper, all that, I like how it creates a specific way of reading. So, no new books for some months and a rapidly dwindling pile of that variety which take months or years to read (Spivak, I’m looking at you.)

And then my favourite bookshop let me know books were available again and damn did I go hard. First, the Jhalak Prize announced its 2020 long and short lists and the winner, and I’m doing that thing again where I’ll end up throwing cash at about half the long list.

What is the Jhalak Prize (’cos clicking links scares me or something)? It was started in 2017 by Sunny Singh, Nikesh Shukla, and the sadly defunct Media Diversified and is an annual award for British and British resident writers of colour in any genre. And it’s consistently a banger. If I had the cash, I would without question by everything on the long list as soon as it’s announced.

And second, a bunch of weird old books I’ve been hitting my bookshop up for availability and prices for absolutely years turned up. A couple I’ve been asking about for five years. No, I cannot say no.

Some of these books have been sitting on my reading shelf since last year; some of them I finished months ago. I’m not doing that way too intense essay per book and annual Book(s) of The Year thing anymore, pumped the brakes on that. I still want to remind myself and celebrate a pile of authors who, all of whom did that indescribable magic a book can do. Some of these (’cos that’s my tendency) are hard, painful reads. Even these have beauty and joy and hope in them, and I reach for that. All these authors are my teachers and I’m grateful beyond words to have enough space in my life that I can read and appreciate and celebrate them.

Quote

‘I know the Muslim religion by how [my grandpare…

‘I know the Muslim religion by how [my grandparents] reacted and how they did things, so all [my knowledge] is from seeing and hearing; I knew nothing about the Qu’ran or anything. All I know is that my grandparents were Muslims, and this is how they behaved and what their belief system was.’

[…]

Evidently, kin-based identification of this kind differs sharply from that associated with the formal embrace of the tenets of Islam. Based on cultural affiliation rather than a dramatic spiritual transformation, it represents a form of identification that sociological studies of conversion rarely recognise. In the context of the long, tangled history of Indigenous exposure to Islam this is particularly unfortunate as it has the effect of devaluing that historical association. In contrast with conversion – which at least in its classical formulation involves turning one’s back on the past – kinversion is an act of turning towards the family history and respecting the memory of the ancestors. It is, among other things, the phenomenon widespread among people of Indigenous-Muslim descent of invoking Islam as a marker of family continuity and identity. An identification with Islamic values that is not formal but familial is the result of long-term and widespread contact between Muslims (almost invariably men) and those (almost entirely women) of Aboriginal and Torres Strait Islander background. To invoke the term is to resist the dehistoricisation of the Indigenous-Islamic experience and to remind ourselves of its persistence across generations, genders and state boundaries.

Islam Dreaming — Indigenous Muslims in Australia, Peta Stephenson

I had Islam Dreaming on my list for a long time and suddenly it turned up. I didn't expect it to be so personally relevant, to read these pages and how simply and matter-of-fact this relationship was understood. It's something I've struggled to understand for myself for so long, and once again, it's Indigenous knowledge and life that helped. Different continents and I'm not Indigenous Australian, and trying to be careful here in not selectively appropriating a specific historical and geographic experience. I read these two pages over and over, recognising similarities to myself and my family's history in this.

JK Rowling is a TERF and white supremacist

You can tell by the way hate aged her.

I’ve lived through this shit as a trans femme since working it out on my own, not even in my teens, in the ’80s. That fucking long ago. I’m tired of this. I’m tired of cis cunts coming for my people. I’m tired of the white supremacy and TERFs in feminism and queer spaces and so so many cis-heteronormative people, white and BIPOC, taking so fucking long to say something. If you even do. You’re killing us. You get that, right? You’re responsible for our deaths.

Donate & protect Black & Indigenous trans femme futures ✊🏿✊🏿✊🏿

@BTFAcollective
@blkrnbow
genderminorities.com
@release_fund
@4THEGWORLS
gofundme.com/f/homeless-black-trans-women-fund
@TheOkraProject

And so many others.

Do the work. Find community-based organisations in your city and country who explicitly support Black and Indigenous and Brown and Migrant trans femmes. And not LGBT orgs who reliably use the T for publicity, spend all the money prioritising cisgender ‘issues’ and tell us to wait and they’ll come back for us. They never did and they never will.

This trans, queer, multiethnic, Muslim, immigrant, working class, child sexual abuse survivor, on-the-spectrum, sex worker, femme chick says:
Black and Indigenous Trans Lives Matter
Fuck the Police
TERFs and white supremacy can choke on my dick

Video

六四。三十一。

Image

More Space Less Tired

This is about the minimum space I need to not feel compressed right now.

And I wanted to write about dismantling – rather than diversity in – white cisgender masculine heteronormative space but I’m tired. When I ride I’m usually the only woman in a sea of dudes. I’m definitely the only trans feminine, queer, non-white person. And on the very rare occasion I’m in a woman-centric space, like the Rapha Women’s 100 last year, I’ll still be one of the only non-white (yeah I’m specifically using that term), and definitely the only trans feminine person. And in dude space or white cis women space I never feel safe or comfortable or able to relax and I’m tired. I can’t trust you all and I’m tired.

Recreational and athletic space is highly, highly normalised as white, cis– and heterocentric and masculine, and that includes cis women doing the policing. I don’t want to have to engage with that as a precondition for physical recreation or as an athlete, and it feels like this is the bare minimum of space I – we need to have some room to breath. But I don’t want to talk about all that ’cos I’m tired of saying it in so many different ways for a lifetime and seeing my siblings say it and live it and lose their lives for it for way more than a lifetime.

So, for all you BIPOC trans femme riders, and those of you prepared to educate yourselves, Cyclista Zine has been making me feel good about myself lately.

And for the rest of you, educate yourselves and donate to Black and Indigenous trans funds and support organisations like:

Fuck The Police and Fuck White Supremacy

Fuck I will not even try and keep it civil at all anymore.

  1. Fucking educate yourselves.
    This is for white people as well as POC who bring anti-Blackness into the room and for people in countries like Germany and Australia who look at the US and are all, “Damn they’re racist!” like every colonised and colonising country wasn’t built on Indigenous genocide and isn’t continuing that European project today.
  2. Fucking donate.
    And not just to US orgs who definitely need support ’cos there’s no healthcare system in that country and the for-profit carceral system works by setting impossible bail bonds. Donate to community orgs in your own countries, especially Indigenous ones, and ones doing the fucking thanklessly hard work at the margins and intersections.

And if you don’t get why the death of Tony McDade is inextricable from the death of George Floyd, go back to 1. and fucking repeat until you do.

Gallery

Art in the Time of Coronavirus

Michael! What am I looking at!?!?! 😂😍
very love!

Thank you, dear.
Wait for the final edits. So many other photos we are going through.
Expressing the shit of this time.

reminds me a bit of this photographer from the 80s / 90s who did black and white stagings
trying to remember his name

Yes!
My friend in the photos took his inspiration from him but I cannot recall his name.
Such powerful works he did.
Crazy dark stuff with people with disabilities, corpses, etc.
Decapitated corpse heads kissing. This guy.

Joel-Peter Witkin
i wish you could see how stunned with the beauty of these i am.

I met Michael Garza in Guangzhou eighteen years ago. He’s still there, still principal bassoon with the orchestra, also with a woodwind quintet, Pan Pacific Ensemble, we see each other every couple of years when he blows (ha ha) through Europe, and he’s my strongest connection to a city I have a deep love for, as well as being one of my dearest friends.

He sent me these photos a few days ago and like I said, I was stunned. Chinese puppet theatre, butoh, Día de Muertos, deep queerness, heavy memories of AIDS in the ’80s, SARS (which we were both in Guangzhou for, the smell of burning vinegar in the damp winter air, and that train ride with Yunna back from Wuhan in the night, getting messages telling us to stay away from the city because there was a plague). Photos by Gustavo Thomas so ya know.

Michael’s orchestra closed a couple of months ago, long before the rest of the world got over their racist fuckery and thought about taking this shit seriously. (Very aside here, I think the disaster underway in Europe and America is substantially because of the nationalist and white supremacist ideology stretching back to the Renaissance – or late-19th century imperialism and colonialism if that’s too long a time for you to grasp.) Every single artist I know or know of woke up some time in the last weeks and found themselves unemployed, all their upcoming work cancelled, and no idea when they might return. The better-off ones have – for the moment – family and friends to rely on, but there’s a lot, a very large lot who were already doing it hard. Not all of them artists either. I already see this for myself, trans, immigrant, neurodiverse (fuck I hate that word), multiethnic, queer, not in a relationship, there’s a marked difference already. I fully expect, like every other time in European history when shit got bad, people like us are going to be the first to get fucked. Art like this, then, arriving across continents and hemispheres in a messaging app convo, feels good, feels necessary, feels like we’re forcing our way into being remembered, holding on to beauty and love when we’re being told, again, to give it up.

Moments Of Waking Up In Dread The Last Decade

  • Brexit
  • Trump
  • Scott Scummo Morrison winning an election Labour ‘couldn’t lose’
  • Boris Johnson
  • Waking up on January 1 as Australia burns

I wrote that this morning after I got up, haven woken twice in the night with that pit in the stomach inescapable dread I’ve had too often in the last ten years. Nothing on that list was a surprise. That doesn’t mean each of them aren’t individually and collectively an avoidable tragedy. It’s far from an exhaustive list as well. Indigenous deaths in custody, trans women being murdered and ‘bathroom bills’, ICE and detention camps everywhere, Muslims being targeted globally, who remembers Christchurch was only last March, on and on and on, all the things that gave me sleepless nights and left me grieving.

And waking up through this night, more of the same is coming: straight white people taking and taking, not giving a shit, destroying the world, and destroying anyone not like them. All that suffering we could have avoided. That’s our past and that’s our future.