I pretty much had made peace with moving on from dance and all in the last couple of years, enjoying training for myself and finding myself at a distance to those worlds. Then, late-last year, Isabelle said, “You’re doing a solo!”
We’ve been rehearsing irregular weeks since late-January, slowly building a work that finally got a formal-ish public outing on the weekend in Isabelle’s studio at Wiesenburg (masks and physical distancing and pandemic attentiveness obviously). First time performing in more than two years, and, after a decade living in Berlin, first time I’ve performed here — in a formal, dance scene context at least, not counting small, more private art-ing.
It’s been huge, a lot of work physically, mentally, emotionally, spiritually, and a lot of responsibility in being seen. Being seen by both the audience, some of whom recognised parts of themselves in me, and understand what that means, and being seen by those who came before, aunties, mothers, old ones who visited, who I called on ’cos I needed their strength and support and approval, and I needed them to see me, us like this. And my babaanne, wandering around after just out of sight. I am grateful for them all, and for those who came up to me after, who were the ones I needed to fully see me, and who I needed to see also.
Another pause now, then — as always, pandemic allowing — at Sophiensaele in early-November.
Sent to me by Vass yesterday and the motivation I need.
And here’s my trash arse not knowing who Nyla Rose is, not knowing she’s a pro wrestler and actor and trans woman and femme and First Nations. And obviously I’m in love. When I talk about serving trans femme realness, this is who I see.
And, “Something Something … Positivity or Whatever” is the new “harden the fuck up”.
I rewatched both seasons of Pose the other day. Fuck the Emmys and fuck cis people.
It’s not about the awards. It’s about the awards. Even being nominated opens up possibilities for better pay, working conditions, opportunities, longevity, recognition, not only for the person or show nominated but for everyone involved. Not just for them but for those in the audience who need to see themselves or people close enough to themselves to feel seen in return for once.
It’s about representation for us. For queer and straight cis people it’s seeing trans people – especially Black, Indigenous, Brown trans femmes – as something other than sex workers, drug addicts, corpses, and things to be laughed at, seeing us as people with full lives and communities and love. For the majority of cis people – queer and straight – they don’t have any trans people in their lives, let alone Black, Indigenous, or brown ones. What they do have, if they even think of us, is cis people talking about and representing us and portraying us, standing in our places like we’re not good enough, like we don’t exist.
Billy Porter being nominated twice while none of the trans women and femmes in front or behind the camera have ever got a look in, that’s a lesson right there in who’s valid, who’s seen as real and legitimate. Similarly, Zendaya being nominated while Hunter Schafer wasn’t. And straight up, I love watching both her and Billy and yes, they deserve it. But if they deserve it, if Euphoria deserves it, so does Pose, so do Indya Moore, Mj Rodrigiez, Dominique Jackson, Hailie Sahar, Angelica Ross, so do Janet Mock, Our Lady J, and saying their names so do Trace Lysette, Bianca Castro, Cecilia Gentili, Leiomy Maldonado, Brielle ‘Tati’ Rheames, and so do the hundreds of other trans women and femmes in front and behind the cameras.
Almost every day I see another Black trans woman or femme murdered in the US and another white cis man pushing to legislate us out of existence. That’s one country, and don’t think it’s not the same or worse in your other countries. Season 2, episode 4, “Never Knew Love Like This Before”, where Candy is murdered and the aftermath of that, fighting to claim her body, scraping money together for a dignified funeral, her parents misgendering her, the grief and loss and anger, all that is way too real. And let’s not forget, Pose is a fantasy, it’s a story where the reality of trans women and femme’s lives is not shown like a documentary, we don’t need to see that brutality when we know and live it. If it was doing realism, it would have scared you straights and cis queers right off, and there wouldn’t have been a Season 2 ’cos most of the cast would have died between 1987 and ’90.
You all want RuPaul’s Drag Race, you want Yaaas Queen Slay! and you want Shaaade! but you don’t want to learn anything. You want LGB but only when it’s palatable and the T ain’t that. You want the glamour but not the politics. You want the glamour but only on cis men’s bodies. You want women but not when they serve like Pose does. Seeing Black and Afro-Latinx trans women and femmes living for themselves, centring themselves, defining femininity on their terms, defining queer and LGB for themselves, you can’t accept this. You can’t reward this. You need to deal with your discomfort, and yeah, your racism and femmephobia and transphobia and transmisogyny and misogynoir. You don’t even know how amazing these women and femmes are off-camera. We celebrate them for all they they are because of all this.
I’ve lived through this shit as a trans femme since working it out on my own, not even in my teens, in the ’80s. That fucking long ago. I’m tired of this. I’m tired of cis cunts coming for my people. I’m tired of the white supremacy and TERFs in feminism and queer spaces and so so many cis-heteronormative people, white and BIPOC, taking so fucking long to say something. If you even do. You’re killing us. You get that, right? You’re responsible for our deaths.
Donate & protect Black & Indigenous trans femme futures ✊🏿✊🏿✊🏿
Do the work. Find community-based organisations in your city and country who explicitly support Black and Indigenous and Brown and Migrant trans femmes. And not LGBT orgs who reliably use the T for publicity, spend all the money prioritising cisgender ‘issues’ and tell us to wait and they’ll come back for us. They never did and they never will.
This trans, queer, multiethnic, Muslim, immigrant, working class, child sexual abuse survivor, on-the-spectrum, sex worker, femme chick says:
Black and Indigenous Trans Lives Matter
Fuck the Police
TERFs and white supremacy can choke on my dick
This is about the minimum space I need to not feel compressed right now.
And I wanted to write about dismantling – rather than diversity in – white cisgender masculine heteronormative space but I’m tired. When I ride I’m usually the only woman in a sea of dudes. I’m definitely the only trans feminine, queer, non-white person. And on the very rare occasion I’m in a woman-centric space, like the Rapha Women’s 100 last year, I’ll still be one of the only non-white (yeah I’m specifically using that term), and definitely the only trans feminine person. And in dude space or white cis women space I never feel safe or comfortable or able to relax and I’m tired. I can’t trust you all and I’m tired.
Recreational and athletic space is highly, highly normalised as white, cis– and heterocentric and masculine, and that includes cis women doing the policing. I don’t want to have to engage with that as a precondition for physical recreation or as an athlete, and it feels like this is the bare minimum of space I – we need to have some room to breath. But I don’t want to talk about all that ’cos I’m tired of saying it in so many different ways for a lifetime and seeing my siblings say it and live it and lose their lives for it for way more than a lifetime.
So, for all you BIPOC trans femme riders, and those of you prepared to educate yourselves, Cyclista Zine has been making me feel good about myself lately.
And for the rest of you, educate yourselves and donate to Black and Indigenous trans funds and support organisations like:
Seen off Sonnenallee, desert sand immaculate and shiny with tires looking like they haven’t rolled further than showroom to transporter, a 2018 or later (I think) Toyota Land Cruiser J76 Hardtop absolutely stunting. The thing that got me is the Tunisian temporary registration / foreign residents license plate. Yes, Wikipedia has a truly work-of-art beautiful per-country documentation of license plates, and yes, I went through every Arabic or adjacent or possibly country looking at the plates as soon as I worked out ن ت was not a country abbreviation, and yes, I was dead pleased and relieved when I finally saw those two letters. “20 Pound of Diesel mate”
I’ve ridden over that bridge many times, the last in the damp grey drizzle on Tag der Deutschen Einheit when I totally over-extended myself (seems to be a theme?). This is the first time I’ve seen it from this direction, coming along the very sandy, loose, dusty and full of exposed roots single track from Schleuse Kleinmachnow. One of my favourite parts of the Mauerweg and in general to ride and eventually I’ll stitch together a whole — multiple whole routes from those glorious cobbles up Rudower Straße all the way to those cobbles up Wannseestraße. Simple pleasures involve getting thrashed on cobbles and slithering around on single track.
Another Sunday another practicing of Physical Distancing.
After the last weeks’ fun, I wanted to find some lanes and tracks like the ones around Groß- and Kleinziethen and Friederikenhof. Failed spectacularly. Apparently Großbeeren is the drain I circulate around and end up in fun places like Neubeeren or on the drag through Ruhlsdorf to Teltow.
The first third was a joy, hitting cobbles at 30+km/h obviously, and there’s so many new cobbles to be found (Keplerstr and around thank you very much), and new lanes and single track and generally incredibly pretty and very empty of people, and for some reason the people around there are reliably friendly. The second third was mostly a mess riding on 70km/h roads through industrial parks and joyless towns like Teltow. But! I knew the canal was nearby and kept veering right into the forest when it finally appeared and I knew I was more or less back on track and found the most glorious, incredibly sandy single track running from Scheus Kleinmachnow all the way to the Ehemalige Autobahnbrücke Dreilinden, putting me back for a moment on the Berliner Mauerweg. As one old German woman out for a stroll with her husband said, “Ha ha it’s like a sea! A sea of sand!” as I skidded and slid in all directions on tires and tire pressure very much not for sand.
More cobbles and the truly brutal short climb up Wannseestraße, then more (non-cobble) suffering up and down Nikolskoer Weg and Pfauenininselchausee the roads getting busier all the time with very distinctly not ‘social distancing’ and finally onto the most boring part of the ride, which road cyclists love, which proves they are a boring and unimaginative bunch, the blandness of Königstraße followed by the monotonous straightness through Grünewald. There was an utter mob on Spanische Allee outside AVUS-Treff Spinner-Brücke, hundreds of all-white bros in black leather on their garbage wagon Harleys doing the same white trash shit as their brethren in the US, strutting their ‘right’ to gather and super-spread while the cops looked on doing nothing in the way they always do when it’s right wing white people they’re being ordered to police.
And the ride back into the city, hitting every red light because the lights are timed for cars moving at fifty and not bikes moving at any speed less. I over-extended myself a bit and defo was feeling it when I got home, even with all the liquid and rice cakes I took. And this might be my last long ride for a while because here comes Ramadan which, like always, I never know if I’ll do until it’s done.