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Mercedes-Benz W123 500CE AMG Coupé

Seen outside Café Fairouz on the corner of Reuter Str. and Sonnenallee. Tight as slammed frontend looking gangster on period-incorrect 500SL AMG Rims, 1984-ish silver Mercedes-Benz W123 500CE AMG Coupé. It’s been six months since I last saw any true German hoonage and I did a double U-turn stopping in the middle of the road just to admire this. Also pause to admire the habibis with their fades enjoying a Thursday evening shisha. Pure Neukölln this. “See man driving a German Whip.”

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Tempelhofer Feld In-Between Hail Storms

I got in a long-ish, 2 1/2 hour walk in-between the squalls pouring hailstorms on Berlin. Birds were rowdy, really could have kept walking for another 2 1/2 hours.

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Spring About To Get Freaky

No fancy camera yesterday, but a fancy dress, ’cos I’m all about assaulting the bland colour palette of Berlin and Germland with shimmering bright colour. Doing my semi-daily walk, saying hi to the Crows and Ravens, Skylarks and Corn Buntings, and one large Eurasian Kestrel. I think the birds I thought were Kestrels are actually Corn Buntings. I dunno. Birds getting rowdy.

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Tempelhofer Feld, March 24 2022

Me photographing lycra’d-up cyclists ended up being me photographing trees. I went for my usual bike plus walk, trying to persuade myself to not feel sick or whatever the fuck the last seven months has been about, got myself over to the southern perimeter road, sat under one of the young trees and watched the cyclists do their anti-clockwise laps. And tried to photograph them. Rapidly closing and departing moving targets.

What did I learn? Locking the ISO to at least 400 helps with shooting at an angle towards the sun and helps prevent everything blowing out. Locking the exposure to at least 1/1000 also, because bike wheels are moving quick and I want a nice, sharp, contrasty image. And I can do that on my FujiFilm X-T4 because the sensor is kinda massive and the lens is bigger than my old camera. Heaps of light, fuckall noise. It’s like follow-spot in theatre, I have to move ahead of the action, not follow. If I shoot burst-mode, I can effectively film each cyclist passing, then go back and find the ‘perfect’ shot. I don’t shoot burst because … I dunno, I hate the aesthetic and the mentality. It’s not photography, just like I don’t like cropping. I like that I mostly don’t ‘get the shot’, and like photographing dance, I have to know the work, anticipate what’s coming up, know how a rider and bike is going to look at a certain distance, a certain angle, with the sun hitting them, all that. None of which I really nailed satisfactorily. Like my previous walk, where I got familiar with the manual focus, a pile of nothing special.

This tree I liked the look of though. Last days of bare limbs before spring jizzes everywhere.

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Tempelhofer Feld, March 16 2022

Another afternoon wandering Tempelhofer Feld with my camera. After yesterday’s messing around, I did some reading the fucking manual to remind myself how to use an expensive camera and lens. And I learned the 16-80mm F4 lens can also do passable macro at the zoomed end. Which obviously I like, especially if I ever go back to a museum and shoot art.

First stop, the skate park, for some boyz and lads doing ollies and kickflips. And took probably the photo of the day: someone doing a 360. Bit of a walk, bit of a sitdown to work out what buttons I’d pushed and why camera was being weird (accidentally nudged the dial to HDR), shot some cyclists in full aero TT mode. More walking and almost stomped on spring flowers being highly ostentatious, which is where I tested out exactly how macro can I go? Actually very, and the detail is mad.

More walking and got told to smile by some gormless wanker. Joke’s on you, dickhead, I already was.

More walking and these Skylarks were getting well rowdy. And fully not afraid of people, so I just stood there while one came right up scratching for a feed. Photo wasn’t so good though, but once again, yay zoom. And then took a photo of the almost full moon, which I looked at when I got home, and insane detail zooming in in the raw image, the mare are clearly visible, as are the bright craters and rays of Tycho, Copernicus, Kepler, and even Aristarchus. That’s hand-held auto-focus, in daylight with a heap of haze and high cloud, and the moon about 25° above the horizon.

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Tempelhofer Feld, March 15 2022

Getting my arse back to Tempelhofer Feld for an arvo stroll. Haven’t been there since mid-December apparently. This time with my still-new FujiFilm X-T4 camera, despite the absence of sun and blue sky. Training my fingers and brain for where everything is amidst all the dials and buttons, and learning what kind of photos it takes.

Besides changing the auto-focus, I’m still shooting very default at the moment. Having a proper zoom lens is by far the one thing I’ve been missing, as well as the combo of substantial slabs of glass and sensor allowing me to shoot zoomed in with low light and still get sharp images at an acceptable exposure time. Actually playing around with ISO, aperture, exposure, and all, as in actually using an expensive camera properly, is somewhere in the future.

As for the photos, all but the last are the jpg versions of the raw photos the camera creates. I find them a little over-exposed (not so much the dim ones here) and flat compared to the raw originals, but I can’t be arsed spending time making them pretty. Except the last one, which I needed to rotate a little and the jpg really looked average. I also need to learn Affinity Photo, which I started using when I ditched Photoshop. The photo is far from great, but it is movement and one of the reasons I bought this camera was to shoot movement – dance, cycling, sport, motorsport, people moving.

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First Light FujiFilm X-T4

Something telescopes do, the first image.

I know! It’s been a month since I haemorrhaged 💶💶💶 for a fancy new FujiFilm X-T4 camera, and now, thanks finally to Berlin backing off on the shitful dim grey and showing some sun (after snowing, which means funtimes on the shitful Berlin sidewalks which are fully glassy with ice), I point-and-clicked.

To be fair, I have spent a few afternoons and evenings without the lens attached going through settings and dials and reading the manual and connecting camera to phone, so it’s not like I stuck it in a drawer and forgot about it. Though I did forgot everything I learned and was feeling like a child playing with a very expensive racing car.

Previous cameras also had their first light’s blogged, my Panasonic LX3 in 2009, and Panasonic LX7 in 2014.

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FujiFilm X-T4

I mean 😱❌💯 right? And 😍😭🤩 eh. It’s so beautiful.

Yeah, I blew a shitton of 💶 on a FujiFilm X-T4 camera with the XF 16–80mm F4 OIS WR lens. It’s a very expensive gift to myself I’ve wanted for years: a proper, interchangeable lens camera with all the manual fun stuff and a big enough sensor to do ‘serious’ stuff. As for why FujiFilm instead of my fave Panasonic for the last decade, or second-fave Canon? Aesthetics. Purely aesthetics. And it’s a seriously good camera. Also aesthetics.

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German Whip: Oettinger Volkswagen Golf Mk4 GTI

Seen on Böttgerstraße up Gesundbrunnen Wedding way. Might be an R32, might be a 1.8T, might be a 2001. Definitely maximum Deutsch hoonage. It was dusk, so the flat light blue isn’t as improbably bright as it was when I stood on the cobbles and stopped cars to take the photo. White! White 5-spoke rims with just the right amount of tuck, and the whole Oettinger performance kit, misbahah hanging off the rearview mirror the finishing touch. Tight as fuck. The last of boxy small German hatchbacks before they went blobby. “See man driving a German Whip.”

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Tempelhofer Feld Pushing Towards Winter

This is so very Berlin, dim overcast light, grey and washed-out colour that has an austere intensity, not raining but damp and the air is soft with drizzle. It feels like being in the mountains or heath, far from people, walking and walking. My home is my International Orange hardshell, the brightest and most vibrant colour on the airport field, warm and dry and shielded from the wind. This, with tramping boots and a backpack, is something I miss and something that works deeply in calming my hectic inner life. I like the vastness of the land reducing me to this small, solitary thing, walking, walking.