This International Women’s Day, make like your mothas from Pose and rob all the fucking museums.
Seen up in Friedenau on Voralberger Damm, pristine ’90s JDM hoonage, Honda CRX del Sol in cobalt yellow on white rims. Yellow on white rims. Slammed on white rims. Fucking majestic. Wide-ass body kit and proper ’90s-sized rear spoiler, two-tone white-black interior, console dial cluster also in white, and yellow straps for the harness. Be still my heart. Any chick whipping this I would marry. “Guys better show respect”.
Seems that keeping 3000 posts and 10,000 images updated takes about half a blog lifetime.
I moved from Movable Type to WordPress in 2009, and ditched ecto, the old blogging app, about the same time. Over the years, I wrote SQL queries, grepped the hell out of the database, redesigned the whole website (while keeping the same black and white aesthetic), recoded stuff, wrote some hella shonky redirections, and slowly went through all the posts turning images into galleries and using WordPress’ Featured Image, and then gave up on it all a couple of years ago before getting weirdly ‘inspired’ this weekend and doing 1000+ posts over the course of 2 days.
My database queries tell me all the galleries are now correct, and all the single images also. A stupid amount of work I hope I never have to do again, because I know my singular, obsessive focus will do it. Legit, my wrist is going ”WTF, Frances, WTfuckingF.” and if I keep blogging like this, eventually maintenance will take longer than there is days in a year.
There was a map of West Berlin and the Berlin Wall I saw at the Stasimuseum Berlin, which showed exclaves of West Berlin, as well as some deviations from the path the Berliner Mauerweg takes. Being ‘winter’, and a while since my last proper ride, I thought it was time to go exploring along my regular big ride route again.
I’ve passed through Drelinden along Königsweg a couple of times already, past Checkpoint Bravo, which you drive through shortly after Grünewald if you’re heading south out of Berlin. The path of the wall is a little south also of Königsweg, which you can see on a satellite map as a light sandy scar in the dark forest, curving down to Teltowkanalbrücke and Kontrollpunkt Dreilinden, and over the canal curves again westwards towards Steinstücken, the exclave now split by the S-Bahn and very much not on the signposted Mauerweg. This turned out to be around 7km of sandy, slippery riding getting increasingly rougher on the south side with tree routes and trails broken by horse riding — proper cyclocross fun. Followed by getting lost around Steinstücken. And later realising I’d missed the whole weird Wall Border in Klein Glienicke.
A shitload of fun on a 107km ride on a glorious winter’s day that made me forget all about white cis sportswomen shitting on trans and intersex people.
It was going to be something like “enjoy suffering”, for what turned out to be a muddy, sandy, forest-y, riotous fun 107km ride. Decided for something a little more fitting with a 14° sunny mid-February day.
- drink & eat every 15–20 min
- stretch back & neck
- change saddle & hand position
- over & under-gearing
- stand up
- calm & joy
This is one of the better maps of the actual border of West Berlin, 1:50000 scale and traces a few parts I hadn’t seen so clearly before. Like West Berlin’s exclaves. The Berliner Mauerweg feels a lot smoother than the raggedness I saw on maps and experienced when biking, as though the act of memorialising shaved off the annoying bits, and in turn reified this version of a border. An area that shifted over time becomes a single line.
The messy bits are around Dreilinden, which leads into the exclave of Steinstücken; some of Potsdam — though the crossing of the Havel means there’s never a true way, unless I paddle myself over; Staaken and Seeburg east of Spandau; and the stretch from Wilhelmsruh up to Glienicke. Feels like time to ride the Mauerweg again.
Iron Maiden were also a bad influence on me.
Maybe it looked less “cheapness as Communist authenticity” in 1961.
It’s like Office of Interchange in Counterpart.
It’s like a medieval stained-glass window, except Mary and Jesus are a Red Army soldier liberating Germany from National Socialism, and Jesus on the cross is the Stasi emblem and gun.