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Yayoi Kusama: Driving Image Show — Love Room

Yayoi Kusama’s A Bouquet of Love I Saw in the Universe retrospective at Gropius Bau. I think this is called Love Room and is a recreation of the installation from her 1966 Driving Image Show exhibition in Essen. Nice amount of eye-bleed and brain reset here. I like her crazy, feels like next town over from mine.

(ot technical note: I ditched Photoshop a while ago and have been using Affinity Photo, which is much nicer and not Adobe. But my workflow is still kinda hacky, especially with RAW processing and colour balancing. I think this is a better job than Infinity Net A, but equally might be over-saturated and over-processed amateur hour.)

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Yayoi Kusama: Infinity Net A

Infinity Net A in Yayoi Kusama’s retrospective at Gropius Bau.Infinity Net A in Yayoi Kusama’s retrospective at Gropius Bau. Very good on my eyes and 10/10 would steal for my private art collection. This was the one that did the brain reset, vibrating physical reaction experience. Only a shadow of that transfers in the photo, but still, I can feel a sharp physiological reaction.

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Somewhere Between Krumme Laake and Dämeritzsee

Got my arse out the door and into Germanic nature today. First time in a long time. Balcony / kitchen riding on my trainer has been the default I’ve fallen into for the last few months. But I needed to actually ride and wear all that fancy gear I bought earlier in the year and do those fun things like get lost, are we there yet? and surprise! here’s a bridge where you need it.

Pink socks I wore for the first time and managed to smear my chainring all over. Lucky I was using dry lube (not the name of my sex tape) and it washed out. Ceylin del Carmen Alvarado kit. Riding outdoors with a cadence sensor makes me really wish I had a power meter (or maybe Crank Brothers would make power meter pedals?). One banana for 3 hours was cutting it fine. Two bidons was actually about right but both should have been electrolyte.

The riding though. Funny how being bolted in place on an indoor trainer makes you forget how to do things like ride on sand and roots. I’ve got weirdly strong from all the indoor trainer riding and weirdly weak in holding a good riding position. Cars are still scary, even though German drivers are generally pretty considerate — if you also make like a car and be very literal in describing what you’re about to do. Forests are the shit. East of Berlin is fucking beautiful. Lakes are also the shit. The houses out there make me yearn for living in an actual house surrounded by trees and stuff. Getting whistled at by the boyz in their whips on Sonnenallee is … cheers lads, good to know I’m home.

Inadvertently Winning

I won the Zwift women’s NYC sprint jersey the other day.

Bunch of words there. Zwift is the online virtual environment I train on my bike and smart trainer in; NYC is the Zwift world which has multiple routes to ride in Central Park; and the sprint jersey is a rolling leaderboard of fastest sprint, retained until someone rides faster or for a maximum length of one hour, when it’s passed on to whoever is next down the list.

So, first ride post-vaccine and feeling kinda low-level chronic fatigue-y and not wanting to abuse myself on a proper training ride and nonetheless going a little too hard on a free ride ’cos I have no modulation, I hit a downhill slope and want to make some speed. Which leads into the sprint. And I’m in the wrong gear and all of the above and because I’m an aggressively competitive cunt when it’s time to compete I want to at least put down a not shameful time. Wrong gear and feeling grotty and on a cyclocross bike but I can still spin 130+ rpm which means lots of Watts and I cross the finish line looking at my time going, “Yeah, coulda been worse,” and then “Why the fuck is my jersey green?”

It’s green ’cos the woman in second place was 1/10th of a second slower.

I’ve written before about how I avoid competing with other (cis) women because of (trans) reasons. The last years this has become much more of a mainstream spectacle with a variety of intersecting fuckeries including: Republicans trying to legislate trans girls out of sports and bathrooms; cis women athletes like Caster Semenya, Christine Mboma, Beatrice Masilingi all banned from the Olympics because regulations around women and testosterone levels, which ‘coincidentally’ seem to hit Black women; cis women like JK Rowling and Chimamanda Ngozi Adichie using their massive social media following to target trans women; more legislation in the UK effectively barring access to puberty blockers for trans children. Those are the ones I can remember this morning, and because I’m talking about sport and competing here, I’m not including the almost daily murder of trans women who are disproportionately Black, Brown, Indigenous, migrants and reliably doing the only work open to us: sex work. And not the nice, sanitised, white cis women doing pole dancing classes or queer AFAB porn type of sex work either.

When I won that jersey — and let’s be clear, it’s a very minor win — I experienced the unique duality all us women — cis and trans — know, us who are made illegitimate by this legislation and the generations-long culture of cis feminism (the TERF kind, which is also white feminism and yes, you can be Black or anywhere else in the BIPoC acronym and be a white feminist) colluding with white christian conservative politics. The duality is the visceral joy of winning inseparable from the dead conviction it’s because we’re not really women. And knowing someone’s eventually going to make us winning or even turning up an issue.

I’ve been a dancer for pushing 25 years. The training and experience is inscribed all the way to my bones. It shapes how I think and feel and live, whether I’m dancing or not. I’ve been an athlete for all that time as well, both as a dancer and, at various times, rock climbing and cycling. I train around a dozen hours a week out of habit and love and to prevent myself from falling apart. Like Martyn Ashton said, “You might be physically fit but you won’t be unscathed.” I started cycling to find a way to maintain the physical intensity I need when my knees had been in constant pain for years. I’m not especially good at it, just like climbing or dance I could get to a reasonably high level of proficiency but I’d have never made it as a professional, or the upper levels which get called ‘elite’. I know my capabilities, physiological, mental, emotional, all that, and know so much of being a dancer or athlete is those last two.

But all that counts for shit when I’m a trans woman taking the green jersey off a cis woman.

When that happens, when I even show up like at the Rapha Women’s 100, the advantages I bring from those 25 years of fucking hard work are rendered null and replaced by the supposed genetic, chromosomal, hormonal, skeletal, muscular, physical, cultural, probably spiritual and astral advantages I have because I was assigned male at birth. It doesn’t matter there are cis women who are taller, bigger, stronger and way more hot than me (Hi! Liz Cambage!). It doesn’t matter how early I got on hormones — and it certainly doesn’t matter that having to prove my validity as a woman entails a violation of my privacy and self all the way into my pants and blood. And Caster Semenya knows all about that too.

As much as possible, I’m explicitly ‘out’ on Zwift. There’s no LGBT checkbox, but I do wear the Pride kit, and following the convention of putting additional info in your name, I have ‘[trans femme af]’. This isn’t about Pride or ‘feeling proud’ or about being ‘out’. To those same bones I have no interest in the colonialism upon which these words and concepts created themselves. It’s about making sure there’s visibility and representation (also words which leave me tired). Once the big name trans athletes are accounted for, there’s a massive absence of trans athletes — and dancers. I don’t want to give space to cis people to pretend we don’t exist, aren’t in the room. I do feel an obligation to make sure other trans people — especially BIPoC trans women and femmes — know they’re not the only one in the room. And there’s a long, long conversation about AFAB queer hostility to femininity and athleticism which I don’t have the skin or patience or time for here, but that’s part of it. And the exhausting whiteness of dance and climbing and cycling is another part.

I was talking with Gala yesterday and I joked my motivating force is vengeance.

So here’s how it is: I won that green jersey ’cos I’m a multiethnic trans femme aunty with decades of hard physical experience under my lingerie, who’s highly competitive and capable, who won on an off-day on the wrong bike in the wrong gear and I wasn’t even trying. I’m that fucking good.

And y’know what else? It doesn’t matter. It’s not that big, it doesn’t mean anything. In the moment of competing and winning it’s a rush and we’d do it whether there’s organised, capitalism-based sport or not. After the moment, days, weeks, years later, for the vast majority of us who never made a career out of it and for quite a few who did, it simply doesn’t feature in our lives. It wouldn’t even merit 1200 words if it wasn’t for the reality of being trans or cis women pushing our way in where, on their terms, we aren’t welcome and don’t belong.

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German Whip: Audi RS3 Sportback 8V Goodwood Green

Seen on Framstraße, Neukölln. Entirely for the green. Truth I am not much into German autos post the boxy tight era, buuuut … that green. In the pushing-30° of a warm and grotty Berlin summer … ok if it was mine, I’d swap out those rims, but that green? I’d have the brake rotors painted the same colour. “Guys better show respect if they see man pullin up in a TT”

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German Whip: Volkswagen Golf Mk7 R

Seen off Sonnenallee, repping late–’90s / early–‘00s JDM import culture with those decals on the C-pillar and that very German tuner hoonage paint job. Especially love the Autobahn + Sound System sticker on the window and the acid green disc brakes behind the TEC GT6 Evo rims. “See man driving a German Whip.”

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3 Years and Done

I got an email from my Steuerberater yesterday. He wanted to let me know that after much back-and-forth for the second time, the Finanzamt had accepted my 2019 surgery as an expense against my income. So, no horrific tax bill for me, and after three years, I’m done with all that. (Unless of course the transphobic gods of German bureaucracy decide to non-consensually buttfuck me in the future for some extremely obtuse exception of German bureaucracy.)

Three years. The whole ‘earn mad cash get surgery’ process took less than a year — less than a year on my fourth attempt since my teens at stacking that paper — but the consequences of that took the extra two. Dealing with specific Finanzamt consequences, I mean. Which should serve as an object lesson for cis people in demonstrating how for trans people everything moves on a much slower time and everything involves shoving against immovable legal, medical, social, political, financial institutions and processes.

I celebrated the best way I know, having Type 2 fun. Type 2’s the fun where you suffer at the time and ask yourself, “Why am I doing this?” and only later it magically becomes ‘Fun!’ (Celebrating like this mainly because I don’t have a favourite sex worker on speed dial, otherwise I’d be sorted for a different, Type 1 fun.)

Massive, unending thanks and love to my cherished ones, Dasniya, Gala, Katrin, and Vass who turned up for me during all this 🖤. The trans femme goddesses and deities saw you and don’t forget.

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Morgen ist die Frage

I feel like one of the very few queers in Berlin who’s never been for a night, let alone a weekend at Berghain. Charlene said, “I got a ticket to the exhibition at Berghain, wanna go?” Obviously yah, ’cos when else am I ever going to see inside that luscious body.

The group exhibition was that mix of terrible, uninteresting, kinda interesting, not bad actually, that’s rather good, and, like most group shows, a single one I would want for my hypothetical, ‘I’m mad rich, me’ collection. That kind of good. Monira Al Qadiri’s Holy Quarter, irregular vitreous globes of slippery iridescent black on the floor of the Lab.Oratory dark room.

And Berghain. The concrete and metal waxy soft with generations of physical contact and heavy drug fucking energy. No mirrors, no cameras, and that sound system. I’m not at all one for clubbing these days, but a night there — if I got past the door — I wouldn’t leave that space surrounded by that sound.

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Yayoi Kusama: The Eternally Infinite Light of the Universe Illuminating the Quest for Truth

Yayoi Kusama’s retrospective at Gropius Bau. One of the paintings reset my brain. This installation I could live in, very peacefully.

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Angel 4 Papi 4EVA

That kiss. That shot. That story.

I remember when you spoke your truth, ten years ago, back in 2011, and I remember when I heard about this show you were making, feels like longer ago than 2017. I read your books too, feeling myself and my history in the story of another, so close and so distant. And I cannot put into words the joy and sadness and love I felt and feel watching Pose, seeing you and all the beautiful trans women and trans femmes on screen, Mj Rodriguez, Dominique Jackson, Indya Moore, Angelica Ross, Hailie Sahar, Our Lady J, Black and Brown and Puerto Rican and Dominican and Latina, immigrant and children of immigrants, whose lives are as real as the story you fought to tell.

That wedding banquet. All the trans women and femmes at that table. That wedding. That fantasy that was never ours, the church, the dress, the vows, Janet, the vows! Papi! Lil Papi. I loved him from the first ’cos he was so full of love and pure and so fearless when it came to defending his family. And that kiss. You went all the way. When I saw your name at the start of the episode, yours alone, Writer and Director: Janet Mock, I knew. I knew it would be this. I knew it would be us.