Sent to me by Vass yesterday and the motivation I need.
And here’s my trash arse not knowing who Nyla Rose is, not knowing she’s a pro wrestler and actor and trans woman and femme and First Nations. And obviously I’m in love. When I talk about serving trans femme realness, this is who I see.
And, “Something Something … Positivity or Whatever” is the new “harden the fuck up”.
I rewatched both seasons of Pose the other day. Fuck the Emmys and fuck cis people.
It’s not about the awards. It’s about the awards. Even being nominated opens up possibilities for better pay, working conditions, opportunities, longevity, recognition, not only for the person or show nominated but for everyone involved. Not just for them but for those in the audience who need to see themselves or people close enough to themselves to feel seen in return for once.
It’s about representation for us. For queer and straight cis people it’s seeing trans people – especially Black, Indigenous, Brown trans femmes – as something other than sex workers, drug addicts, corpses, and things to be laughed at, seeing us as people with full lives and communities and love. For the majority of cis people – queer and straight – they don’t have any trans people in their lives, let alone Black, Indigenous, or brown ones. What they do have, if they even think of us, is cis people talking about and representing us and portraying us, standing in our places like we’re not good enough, like we don’t exist.
Billy Porter being nominated twice while none of the trans women and femmes in front or behind the camera have ever got a look in, that’s a lesson right there in who’s valid, who’s seen as real and legitimate. Similarly, Zendaya being nominated while Hunter Schafer wasn’t. And straight up, I love watching both her and Billy and yes, they deserve it. But if they deserve it, if Euphoria deserves it, so does Pose, so do Indya Moore, Mj Rodrigiez, Dominique Jackson, Hailie Sahar, Angelica Ross, so do Janet Mock, Our Lady J, and saying their names so do Trace Lysette, Bianca Castro, Cecilia Gentili, Leiomy Maldonado, Brielle ‘Tati’ Rheames, and so do the hundreds of other trans women and femmes in front and behind the cameras.
Almost every day I see another Black trans woman or femme murdered in the US and another white cis man pushing to legislate us out of existence. That’s one country, and don’t think it’s not the same or worse in your other countries. Season 2, episode 4, “Never Knew Love Like This Before”, where Candy is murdered and the aftermath of that, fighting to claim her body, scraping money together for a dignified funeral, her parents misgendering her, the grief and loss and anger, all that is way too real. And let’s not forget, Pose is a fantasy, it’s a story where the reality of trans women and femme’s lives is not shown like a documentary, we don’t need to see that brutality when we know and live it. If it was doing realism, it would have scared you straights and cis queers right off, and there wouldn’t have been a Season 2 ’cos most of the cast would have died between 1987 and ’90.
You all want RuPaul’s Drag Race, you want Yaaas Queen Slay! and you want Shaaade! but you don’t want to learn anything. You want LGB but only when it’s palatable and the T ain’t that. You want the glamour but not the politics. You want the glamour but only on cis men’s bodies. You want women but not when they serve like Pose does. Seeing Black and Afro-Latinx trans women and femmes living for themselves, centring themselves, defining femininity on their terms, defining queer and LGB for themselves, you can’t accept this. You can’t reward this. You need to deal with your discomfort, and yeah, your racism and femmephobia and transphobia and transmisogyny and misogynoir. You don’t even know how amazing these women and femmes are off-camera. We celebrate them for all they they are because of all this.
There was a big gap this year when I had a little money for and no way of getting books. All that talk on social media of supporting artists during pandemic quarantine by buying their books hit up against furloughed supply chains.
Completely off topic here, I discovered yesterday I’d been using the entirely wrong word, furlong instead of furlough (and lifetime usage of either is in the single digits). And then I discovered furlong is 1/8th of a mile, so now I have Vin Diesel, or rather Dominic Toretto in my head going, “I live my life two furlongs at a time.”
Back to buying books. And no, e-books are not an option. I like paper, I like the feel and smell and aesthetics of books, I like how line lengths, page size, fonts, typography, layout, margins, the density of ink on paper, all that, I like how it creates a specific way of reading. So, no new books for some months and a rapidly dwindling pile of that variety which take months or years to read (Spivak, I’m looking at you.)
And then my favourite bookshop let me know books were available again and damn did I go hard. First, the Jhalak Prize announced its 2020 long and short lists and the winner, and I’m doing that thing again where I’ll end up throwing cash at about half the long list.
What is the Jhalak Prize (’cos clicking links scares me or something)? It was started in 2017 by Sunny Singh, Nikesh Shukla, and the sadly defunct Media Diversified and is an annual award for British and British resident writers of colour in any genre. And it’s consistently a banger. If I had the cash, I would without question by everything on the long list as soon as it’s announced.
And second, a bunch of weird old books I’ve been hitting my bookshop up for availability and prices for absolutely years turned up. A couple I’ve been asking about for five years. No, I cannot say no.
Some of these books have been sitting on my reading shelf since last year; some of them I finished months ago. I’m not doing that way too intense essay per book and annual Book(s) of The Year thing anymore, pumped the brakes on that. I still want to remind myself and celebrate a pile of authors who, all of whom did that indescribable magic a book can do. Some of these (’cos that’s my tendency) are hard, painful reads. Even these have beauty and joy and hope in them, and I reach for that. All these authors are my teachers and I’m grateful beyond words to have enough space in my life that I can read and appreciate and celebrate them.
I’ve lived through this shit as a trans femme since working it out on my own, not even in my teens, in the ’80s. That fucking long ago. I’m tired of this. I’m tired of cis cunts coming for my people. I’m tired of the white supremacy and TERFs in feminism and queer spaces and so so many cis-heteronormative people, white and BIPOC, taking so fucking long to say something. If you even do. You’re killing us. You get that, right? You’re responsible for our deaths.
Donate & protect Black & Indigenous trans femme futures ✊🏿✊🏿✊🏿
Do the work. Find community-based organisations in your city and country who explicitly support Black and Indigenous and Brown and Migrant trans femmes. And not LGBT orgs who reliably use the T for publicity, spend all the money prioritising cisgender ‘issues’ and tell us to wait and they’ll come back for us. They never did and they never will.
This trans, queer, multiethnic, Muslim, immigrant, working class, child sexual abuse survivor, on-the-spectrum, sex worker, femme chick says:
Black and Indigenous Trans Lives Matter
Fuck the Police
TERFs and white supremacy can choke on my dick
This is about the minimum space I need to not feel compressed right now.
And I wanted to write about dismantling – rather than diversity in – white cisgender masculine heteronormative space but I’m tired. When I ride I’m usually the only woman in a sea of dudes. I’m definitely the only trans feminine, queer, non-white person. And on the very rare occasion I’m in a woman-centric space, like the Rapha Women’s 100 last year, I’ll still be one of the only non-white (yeah I’m specifically using that term), and definitely the only trans feminine person. And in dude space or white cis women space I never feel safe or comfortable or able to relax and I’m tired. I can’t trust you all and I’m tired.
Recreational and athletic space is highly, highly normalised as white, cis– and heterocentric and masculine, and that includes cis women doing the policing. I don’t want to have to engage with that as a precondition for physical recreation or as an athlete, and it feels like this is the bare minimum of space I – we need to have some room to breath. But I don’t want to talk about all that ’cos I’m tired of saying it in so many different ways for a lifetime and seeing my siblings say it and live it and lose their lives for it for way more than a lifetime.
So, for all you BIPOC trans femme riders, and those of you prepared to educate yourselves, Cyclista Zine has been making me feel good about myself lately.
And for the rest of you, educate yourselves and donate to Black and Indigenous trans funds and support organisations like:
Fuck I will not even try and keep it civil at all anymore.
Fucking educate yourselves.
This is for white people as well as POC who bring anti-Blackness into the room and for people in countries like Germany and Australia who look at the US and are all, “Damn they’re racist!” like every colonised and colonising country wasn’t built on Indigenous genocide and isn’t continuing that European project today.
And not just to US orgs who definitely need support ’cos there’s no healthcare system in that country and the for-profit carceral system works by setting impossible bail bonds. Donate to community orgs in your own countries, especially Indigenous ones, and ones doing the fucking thanklessly hard work at the margins and intersections.
And if you don’t get why the death of Tony McDade is inextricable from the death of George Floyd, go back to 1. and fucking repeat until you do.
I’m poor as fuck and definitely feeling how Coronavirus is already fucking marginalised peoples, especially trans people who rely on the health system for our meds and all the other shit we’re obliged to, and watching Berlin and Germland be an all-out fuckery of white cishet entitlement is making this multiethnic immigrant feel heaps sad. But helping my Black trans sisters and femme siblings, and getting a dope as fuck hoodie (’cos my hoodies are also all falling apart)? Sikk as. 🖤
(Yeah, and legit I was crying 5 minutes before that selfie, ’cos Dasniya had slipped a block of chocolate into all the mail she forwarded to me. Also I never do selfies 🤷🏻♀️.)
Thank you, dear.
Wait for the final edits. So many other photos we are going through.
Expressing the shit of this time.
reminds me a bit of this photographer from the 80s / 90s who did black and white stagings
trying to remember his name
My friend in the photos took his inspiration from him but I cannot recall his name.
Such powerful works he did.
Crazy dark stuff with people with disabilities, corpses, etc.
Decapitated corpse heads kissing. This guy.
i wish you could see how stunned with the beauty of these i am.
I met Michael Garza in Guangzhou eighteen years ago. He’s still there, still principal bassoon with the orchestra, also with a woodwind quintet, Pan Pacific Ensemble, we see each other every couple of years when he blows (ha ha) through Europe, and he’s my strongest connection to a city I have a deep love for, as well as being one of my dearest friends.
He sent me these photos a few days ago and like I said, I was stunned. Chinese puppet theatre, butoh, Día de Muertos, deep queerness, heavy memories of AIDS in the ’80s, SARS (which we were both in Guangzhou for, the smell of burning vinegar in the damp winter air, and that train ride with Yunna back from Wuhan in the night, getting messages telling us to stay away from the city because there was a plague). Photos by Gustavo Thomas so ya know.
Michael’s orchestra closed a couple of months ago, long before the rest of the world got over their racist fuckery and thought about taking this shit seriously. (Very aside here, I think the disaster underway in Europe and America is substantially because of the nationalist and white supremacist ideology stretching back to the Renaissance – or late-19th century imperialism and colonialism if that’s too long a time for you to grasp.) Every single artist I know or know of woke up some time in the last weeks and found themselves unemployed, all their upcoming work cancelled, and no idea when they might return. The better-off ones have – for the moment – family and friends to rely on, but there’s a lot, a very large lot who were already doing it hard. Not all of them artists either. I already see this for myself, trans, immigrant, neurodiverse (fuck I hate that word), multiethnic, queer, not in a relationship, there’s a marked difference already. I fully expect, like every other time in European history when shit got bad, people like us are going to be the first to get fucked. Art like this, then, arriving across continents and hemispheres in a messaging app convo, feels good, feels necessary, feels like we’re forcing our way into being remembered, holding on to beauty and love when we’re being told, again, to give it up.