Thursday, the day of the première of Melanie Lane’s Wonderwomen at LOFFT in Leipzig, I go museuming with Robert. To Grassimuseum for Angewandte Künste and Völkerkunde (that’s applied arts and design, and ethnology). Weimar Era Art Deco / Neue Sachlichkeit, stained glass, zinc and brass roofing, and warm, pink Rochlitz porphyritic tuff cut with lighter intrusions and grey phenocrysts (took me bloody ages to find out what the masonry is, and where it’s from: Rochlitzer Berg). It’s far from the blank solids and volumes of Museum der bildenden Künste Leipzig, full of detail and movement through unfolding verticals and diagonals, long, low and light, human-scaled, tactile and sensory. It’s meant for touch, brushing past, close up, not for overwhelming and insurmountability.