Thursday before last, I took the day off and biked over to the Gemäldegalerie for El Siglo de Oro: Die Ära Velázquez, their new special exhibition of ‘the golden age’ of Spanish art and sculpture in the 17th century. As with previous large temporary exhibitions, the Gemäldegalerie’s massive central atrium was converted into a meandering series of rooms and aisles, and for this one also spilling over into some of the chambers of the permanent collection.
And as usual, photos weren’t permitted, which is a wry experience seeing how many of the works come from the gallery’s own collection and I’ve photographed before. Nonetheless, I timed one of the attendants walking between rooms and snuck off a few of Gregorio Fernández’ Camino del Calvario, or Gang zum Kalvarienberg as it’s known here, a splendid Baroque piece that reminded me of a similar work I saw in the Muzeum Narowode we Wrocławiu (still one of my favourite museums in Europe).
I also bought the catalogue because I suspect I won’t try and persuade the Gemäldegalerie to let me photograph the exhibition as I usually do (high probability of a sour “No.”), so I’ll probably just blab on about the catalogue in my usual parochial manner shortly.
If you’re in Berlin, it’s totally worth seeing, really nicely put together (could do with a few more earlier works of the seriously fucking marvellous El Greco Immaculata Oballe type); consistently high quality lighting; audio guide up there with the best — and if you take the audio guide allow for at least three hours to get through; it’s definitely one of Staatliche Museen zu Berlin’s finest exhibitions, though predictably on the slim side when it comes to exactly what Imperial Spain was up to (and that was under the Austro-Germanic House of Habsburg) with all their colonising and empiring. Context. Art is not outside it.