The day after opening Parsifal, and I couldn’t even persuade myself to sleep in, so … To the Museums!
Unlike Berlin, where I live and know a reasonable amount about the city, Bologna is entirely new to me (ok, besides spaghetti bolognese). Indeed, this is my first time in Italy. I suppose this means I experience a museum in this city more as it is intended: an educational summary of a specific topic. Dasniya and I decided to go to the Museo Civico Archeologico di Bologna, but it seemed it would close not long after we got there. Across from Piazza del Francia we passed the Palazzo Pepoli, containing the Museo della Storia di Bologna, one of several museums that are part of Genus Bologniae. Open until 7pm and barely 2pm, we decided it would be a perfect choice for an hour or two. It was nearly closing by the time we left. I think the sheer number of photos I took and the number that ended up here illustrate what a fine time both Dasniya and I had.
This is the museum of the history of Bologna, and it goes back to the Etruscans, around 700BCE, when it was known as Felsina. It was also the city of Cassini, the Cassini, a satellite bearing his name orbiting now around Mars, who was a remarkable astronomer at a time of revolution in the field. This, and the art of building time-pieces (along with mercantile families and their ventures, and the famous university) is what the museum is built around. The Palazzo Pepoli of the family Pepoli dates back around 800 years, and while the museum doesn’t cover them as much as I’d have liked, it did devote the last exhibit in the formal dining hall to a series of 11 busts made in the 17th century of generations of women from the family, each of them spectacular in their own right.
I took an audio guide again, after my very good experience with one at the Musikinstrumenten-Museum a couple of weeks ago. It was a good decision, as all the exhibits are in Italian, though they also have information sheets in several languages in every room; the audio guide really adds a fantastic amount. It’s tempting to go through each room as a recollection here, but I think the photos capture something of that, and it’s sufficient to say I understand the city I’m working in far better than I did a few hours ago and have fallen into something of a love affair with the place, and Italy.
So, some flat notes amidst what is one of the most splendid museums set in one of the most beautiful city palaces I’ve ever been in. Despite the Pepoli women mentioned above, it’s unavoidable the museum gives a wide berth to the role of women in the history of the city. Even in the contemporary section, where 48 Bolognese are interviewed, only 5 of them are women; barely clearing 10%. Otherwise, it’s a sausage-fest, which is a pity, as the Pepoli women prove, the city has a history at least as long their family in which women play a central role.
The other, which coming from Berlin could never have been gotten away with in that city, was the exhibit (about a fifth of one of the 35 rooms) covering the Second World War. Or rather, “Liberata. Risorgere! Ai vittoriosi” “Liberation. Rise again! For the victorious”. No mention of Italian collaboration, fascism, Jews sent to concentration camps, just, “April 1945! Yay! … Oh, and the city was heavily bombed … Sad city is sad …” In Germany a museum would probably end up in prison for historical revisionism.
Besides that, this is a brilliant museum, varied and stimulating, beautifully laid out, so much attention to detail and the creative display of exhibits (a red Ducati next to a Roman chariot in the exhibit on the Roman Via Emilia trunk road!). I feel delightfully spoilt, and a little worried; if all museums here are so good going back to Berlin is going to be a torment.