This book turned up in my China feeds mid-June, though somehow I picked it up before I was in Vienna – or I’m confused in what I began reading but did not take with me there. There was an interview with Rebecca Karl on Shanghaiist, where the title was “China’s Qing Dynasty anarcho-feminists”, so obviously I was immediately interested, as well as mentions on China Rhyming and Frog in a Well – the former being a dependably good source of new reading for me and usually alone enough to make me put a book on my list. As well, Gail Hershatter, author of The Gender of Memory: Rural Women and China’s Collective Past – one of the best books I’ve read in any field – has some high praise.
The Birth of Chinese Feminism: Essential Texts in Transnational History, edited by Lydia H. Liu, Rebecca E. Karl, and Dorothy Ko so far has made interesting reading having just finished Afsaneh Najmabadi’s Women with Mustaches and Men Without Beards: Gender and Sexual Anxieties of Iranian Modernity, the latter part of which covers approximately the same time period of early-20th century and thus a specific global period of colonialism and modernism, particularly in the parallels of feminism in both China and Iran wing formulated in no small way by male authors who locate women and their bodies within the discourse of nationalism. Without getting too involved here, being Sunday, it seems that feminism alone, without a theory or politics of intersectionality lends itself quite easily to fairly conservative ends, after all the concept of gender isn’t so far removed from that of nationalism, especially if it’s grounded in essentialism. Which perhaps is why – and what I’m rather eager to read about in this work – feminism needs some form of anarchist theory in order to expose the inherent biases that comes from working within a social and political situation built on colonialism and nationalism. Pretty much what bell hooks says, though I don’t remember her saying much about anarchism.