Back on the rehearsal bandwagon. I’ve made a geas, or maybe curse with myself, that until I get abjection finished, no more taking other jobs. Yes, solos are horribly awful for me and I could continue to the end of the universe and still be working on this but let’s be a little more efficient, practical, realistic with time frames here. Rehearsing again, gently because it’s potentially brutal and I like that my body is mostly in a state of coherency. And downstairs in Alte Kantine. At night, yes.
Three nights for a couple of hours each, most of which was going through the usual warmup, which seems fairly useful and applicable to the movement, so just getting comfortable with that again, not over-reaching myself, remembering what it is I do. Isabelle has turned out to be an influence – on my shoulder blades at least, and later this week shall come and have a watch (also part of my geas, having what I’m doing seen; seeing and so making it real). I started working on the text verbal spoken throat-lung vibrational noise words mouth tongue front of face dance stuff. Julia Kristeva, that is. Then I discovered her text from Powers of Horror is nice to read within one’s head, or even perhaps reading while moving lips silently, but is dead horrid as a piece of monologue text. Butchery, then. As easy as one of that employment swinging a sharp knife through the gristle and joints. Now it looks like there might not be enough text.
Then there’s how to say it. I have a feeling it goes into something in the general phase space of Black Metal vocalities, wondering if it will become incoherent, wondering if that matters, wondering if I can make enough sounds. That’s for tonight, anyway.