Having dealt with the mendacity of ozco for years — and to be clear, I have absolutely no respect for this organisation — it doesn’t come as a surprise they would do something so utterly stupid, shortsighted, ill-informed, and useless.
If there was ever an arts organisation in Australia that is decades overdue to lose its funding, it would be ozco. They have for years single-handedly butchered the arts, promoted mediocrity, mouthed asinine middle-management slogans such as ‘innovation’, ‘excellence’, ‘international’ (apparently now the word is ‘sustainable’), taken the side of church, government, and right-wing pogroms against the very artists whom the purportedly represent, and spent much of the remaining time polishing their media image while making sure the entrance is solidly bolted against anyone unwilling or unable to play their smarmy game. Art?
It breaks my heart Adelaide could lose Leigh Warren. Though in truth, he doesn’t need to be there; he doesn’t need to struggle for years with disgraceful conditions and permanent insecurity. Neither do many of the choreographers in that city. They could all pack up, move to europe and with the same amount of effort they put in there for scant return, have proper support and be part of a huge community that respects art.
But they choose to be there. For whatever reason, they remain and devote their lives to making art in that small city. And having seen an awful lot of dance around the world, I can say — irrespective of my personal aesthetic interest — there is little as good as what comes from Adelaide.
Leigh Warren and ADT should be — should be — as acclaimed as Ultima Vez, Troubelyn, Akram Khan, Rosas, Les Ballets C de la B, names, more names … these companies that touch the firmament of dance, theatre, art. They should be there also, and should have the commensurate support, as should other companies in Australia. They should certainly not be begging for decades at the bottom of the ladder. The work they should be making remains forever half-done because of the parochial support in both dollars and culture Australia affords its artists.
There is no justification ozco can make for this funding cut. It’s a bizarre decision I can only understand if I image the panel completely intoxicated on those aforementioned buzzwords and self-importance. No one in their right mind would make such a decision, and it can certainly not be explained away by their usual dismissals of lack of funds to support everyone, patronising the artists that they should feel sorry for them to have to make such hard decisions.
I can’t even imagine how this could be political. Leigh has done so much for Adelaide dance, for Australian dance. He should be a national treasure. Yes, Leigh Warren is to Australia what someone like Anne Teresa De Keersmaeker is to Belgium. And had he been given the support he deserved for the past twenty years, this would be self-evident.
Given the record of ozco and Australian culture over the last ten years or more, I am sceptical of a happy outcome to this. My opinion is that once a company and choreographer has established itself, it should be exempt from the humiliation of annual and triennial funding applications; there should be an expectation as an artist working in performing arts that at some point you can concentrate without distraction on making work, secure in knowing that provided one doesn’t make a complete mess of things, the bare minimum necessary to keep the company going can be depended on to be there. That it isn’t is yet another failing of the responsibilities of ozco to Australian artists.
I hope some of you will take the time to sign the petition to save Leigh Warren and Dancers.