Friday and Monday and the weekend at the library.
I’ve been struggling somewhat with this piece, possibly because I’ve been making or researching work since July last year and I’m feeling rather bereft of ideas and creativity and … a little burnt out also, would rather just get up, go to class, go to another class, go for a run, do yoga, do some reading, repeat. And also I’ve found the original ideas for this work, as a third part of extermination and hell and as a study in disease coming from Baudrillard is not quite what I’m thinking of right now.
I spent the weekend at the State Library experiencing disappointment because it’s not the one in Melbourne and have failed in finding almost all the books I was looking for, but reading Kristeva (avoiding the psychoanalytic stuff) and then going back to dancing plagues and manias which led me to Hans Holbein the Younger and his woodcut cycle of the Dance of Death.
Daniel and I spent Friday working on a scene that comes from Lars von Trier’s Epidemic which ends with Daniel in a trace in hysterics. Somehow this set the tone for the entire piece and after seeing Gabrielle’s development Witch/Red on Saturday I started to feel more determined and ready to be submerged in this for the next few weeks. Also it led me to listening to Wagner, which I have no idea where this will go.
Today Daniel and I started with something we played with in all the people i can remember sleeping with… we called ‘grab bite drop’, which is pretty much what we do. So working with Holbein’s woodcuts we spent the day grabbing, pulling, pushing, twisting hair and skin and limbs and biting sensitive places then shoving each other to the floor, maybe to bite a little more. Much saliva and drool was exchanged. Many limbs and joints were squashed, bruises are likely to appear tomorrow. The hardest thing though was getting up over and over, and wondering how some people can do it with such ease.
So the piece is moving more towards Kristeva’s idea of abjection, wherein disease and the manifestations of illness are seen as a part of the horror and revulsion of this. A bit of a discussion of bodily fluids and detritus, and then an evening at Cibo with Gala looking at videos of the Tarantella dance, the ballet and folk dance versions. I started to think it is beginning to make sense and then remember everything I need to do, but it doesn’t feel as empty as it did last week.