Tag Archives: words
mein lesbisches auge 10
Some weeks ago, I was called upon to get an image ready for print with a half-hour, mid-night deadline; the image coming from a screenshot off a DVD. With many caveats, such as, “It’s big enough for print but I have no idea of the quality … blahblah …”, I sent it off with a minute spare.
Also with this was a photo I took while in Brussels at La Monnaie, when we got onto the stage during the day, alone and made some suspensions and photos.
Mostly I only see my photos on screens, and this hides much, so seeing my photo of Gala and Dasniya, suspended while around the first act forest of Parsifal loomed, printed on high quality stock, gave me a smile.
You can enjoy it here scanned, or see it as it should, in print, in Mein lesbisches Auge 10 – Das lesbische Jahrbuch der Erotik from www.konkursbuch.com
mein lesbisches auge 10 – dasniya sommer 1
mein lesbisches auge 10 – dasniya sommer 2
parsipress? pressifal?
More? More! Continuing on from when Castellucci was a criminal … Words and Pictures!. I was planning on making an addendum to the previous post, but …
(For those who would like copies of the embedded video and audio (with no easy or obvious download links) on some of these sites, I’ve downloaded it all. And for those who want any of this once the links expire, I have all the pages saved as they originally appeared as .pdf.)
Press & Print Media
[OPERA] Parsifal un enchantement musical – Culture – Nouvelobs.com
Avui+ – Notícia El camí solitari
BELGIENINFO.net Urenkelin Nike interpretiert Wagners “Parsifal”
Drammaturgia.it – Parsifal
Opéra Romeo Castellucci met en scène un “Parsifal” hallucinatoire – LeMonde.fr
FT.com – Arts – Parsifal, La Monnaie, Brussels
Review – Wagner’s ‘Parsifal’ at the Theatre de la Monnaie in Brussels – NYTimes.com
Rue du théâtre – Le roi Richard ! – Parsifal
Sind wir nicht alle ein bisschen Parsifal? – Nachrichten Print – DIE WELT – Kultur – WELT ONLINE
Blogs
Ars Super Omnia Parsifal em Bruxelas
Hadrian est où? Richard Wagner’s Parsifal @ De Munt 15-02
Ionarts Parsifal with Ropes
Leidmotief Lezingen rond Parsifal in Brussel
Leidmotief Parsifal in De Munt een recensie (3)
Leidmotief Parsifal in De Munt een recensie (4)
Leidmotief Parsifal in De Munt perscommentaren
Opera Cake Castellucci’s Parsifal in Brussels
Opera Today Parsifal in Brussels
Parsifal (Richard-Larsson-Haenchen-Castellucci) La Monnaie – Histoire de l’Opéra et vie culturelle parisienne pour fervents lecteurs
Recensie en foto’s Parsifal De Munt Brussel
recortes y periodismo Parsifal en Bruselas bajo “brillante trabajo” del director Romeo Castellucci
Richard Wagners Parsifal à la Castellucci in De Munt | Dupslog
Video & Audio
“Parsifal”, de Wagner, à Bruxelles – videos.arte.tv
VIDEO Romeo Castellucci Parsifal – Richard Wagner – Bruxelles | FILMS7 MUSIC
the sound of the people gives me hope
There has not been enough of this in my lifetime.
It’s almost 4am, I should be going to sleep but all I want to do is …
Hosni Mubarak resigns as Egypt prez: Video of Tahrir square first reaction
The Egyptian people have toppled Mubarak, an extraordinary moment, but the regime has not been toppled, not yet.
‘This Is Who Egyptians Are’
Iran: Hope, Joy, Envy as Egypt Breaks Free
Egypt: The Vlog before the Revolution
Egypt: The World Rejoices as Mubarak Resigns
Mubarak steps down. Egypt Uprising wins the first round…
Triumph as Mubarak quits
What next for Egypt?
Where does Mubarak go now? [Updated]
Timeline: Egypt unrest
Egypt: The Moment of Triumph
Twitter: #egypt, #jan25
The last free people on the planet
I started reading Neuroanthropology a couple of years ago at least, and it has been one of the first blogs I suggest when I find myself in discussions around certain topics, particularly the cultured body and this specifically in dance, theatre and other physical situations.
Today I have read a number of articles and blog posts that are high exemplars of thoughtful analysis and to me underscore the brilliance of new media as it has grown in the past several years; individuals who are unabashedly passionate about their fields on interest and recognise the importance of their voices in providing not just a bulwark against the endless mediocrity and often willful disingenuousness of commercial media, but often altruistically providing considered, articulate, educated writing that could exist nowhere else.
Greg Downey at Neuroanthropology today wrote a piece that at its absolute minimum is all this: ‘The last free people on the planet’. It’s over 11000 words (and that’s before even clicking any of the extensive links or further reading), so find a spot in the sun if you’re in Brussels, along with something to drink, take an hour and read this.
castellucci is a criminal
After the fourth performance, an emotionally tough night for us, we stand outside the stage door. A woman in beret, black and white clothes (as I remember) tap-dancing with apoplexy. “It is shit!” she is saying, “Castellucci is a Criminal!” … “All shit!” Even the bondage (and it seems by extension us as people) are “Shit!”
On that note, in no particular order (nah, actually mostly alphabetically), and in several languages … Reviews!
(For those who would like copies of the embedded video and audio (with no easy or obvious download links) on some of these sites, I’ve downloaded it all. And for those who want any of this once the links expire, I have all the pages saved as they originally appeared as .pdf.)
Press & Print Media
“Parsifal” in Brüssel Gefesselt im Aquarium | Kultur | ZEIT ONLINE
”Parsifal” – DN.SE
Albino Snake, Bondage Enliven Lush Brussels ‘Parsifal’ Review – Bloomberg
Bizarre Parsifal uit Brussel – Lekker even uit! Alle evenementen op Film en Uitgaan van De Telegraaf. [Muziek]
BRF online – “Parsifal” in Brüssel Ein großartiger Opernabend
Controversiële Parsifal in De Munt – Cutting Edge
de opera van romeo castellucci
deredactie.be Castellucci bewerkt “Parsifal” in De Munt
Deutschlandfunk – Kultur heute – Opernferne junge Leute beleben “Parsifal”
ICA – International Classical Artists | Hartmut Haenchen conducts Parsifal
Il Parsifal di Romeo Castellucci
Lalibre.be – Camou flage, bondage, images
Lalibre.be – Parsifal et le secret des fem mes ligotées
Les Inrocks Opéra la beauté inouïe du “Parsifal” de Castellucci
Leute von heute (Kultur, Bühne und Konzert, NZZ Online)
Nordbayerischer-Kurier.de » Romeo Castellucci nähert sich in Brüssel Richard Wagners „Parsifal“ als reiner Tor
Oper Brüssel Ein Mensch im Wald | Musik - Frankfurter Rundschau
Parsifal secondo Romeo Castellucci – DelTeatro.it
Tiezzi e Castellucci un “Parsifal” per due- LASTAMPA.it
Un serpent chez Wagner – ROMEO CASTELLUCCI, Hartmut Haenchen – mouvement.net – l’indisciplinaire des arts vivants
Wagner réinventé – OPERA
Journal La Terrasse Classique – Opéra – Romeo Castellucci – numéro 184 – JANVIER – 2011
lesoir.be: Castellucci en quête du graal
lesoir.be: Les figurants au-devant de la scène
lesoir.be: Parsifal, humain, trop humain ?
Blogs
Opera Rocks: Castellucci Parsifal — From the 2011 La Monnaie production
Alles over Kunst Opera – De Munt Parsifal
Il Grand’ Inquisitor – Parsifal in de Munt
Intermezzo Parsifal – La Monnaie does it Romeo Castellucci’s way
international loner Long-awaited opera, Parsifal by Romeo Castellucci at the Royal Theatre La Monnaie in Brussels
La Monnaie Reviews | Parsifal | January 2011 | from The Opera Critic
Leidmotief: Parsifal in De Munt: een recensie (2)
Opera Cake La Monnaie Parsifal – and now for something completely different
Parsifal (Wagner-Haenchen-Castellucci)
Romeo Castellucci’s ‘Parsifal’ premieres tonight; first images « Utopia Parkway
Leidmotief: Parsifal in De Munt een recensie (1)
Leidmotief: Romeo Castellucci over Parsifal in De Munt
Leidmotief: De zwarte magie van Wagner
Video & Audio
Cobra.be — PARSIFAL À LA CASTELLUCCI IN DE MUNT
Castellucci herschept Parsifal voor De Munt | tvbrussel
De hand van Guido Parsifal in Brussel hoe een emmer cultuurfilosofie wordt leeggekieperd
Oper: Wagners “Parsifal” in Brüssels – videos.arte.tv
PARSIFAL IN BRUSSELS
Cobra.be: ROMEO CASTELLUCCI OVER ZIJN PARSIFAL
blacker…
China Miéville’s rejectamentalist manifesto has been one of my favourite daily-ish reads since I stumbled into it after wondering where he’d got to having not seen him on Lenin’s Tomb for quite some time. It was a few days ago now I read Well grubbed, and of course clicked the links. Something about Reza Negarestani and the line, ‘Everywhere a hole moves, a surface is invented’ ensnared me. And so…
There is a certain feeling I experience when I am being drawn into someone new. It reminds me of discovering Deleuze, as if both pulled bodily into and through a choking, dirt-rimed tunnel, and simultaneously unearthed onto the steppe; vastness wherever my gaze might fall. Reza has this for me now.
I read what I could find of Cyclonopedia: Complicity with Anonymous Materials, and of course messaged my favourite Berlin bookstore, Saint George’s (who seem to have a new website). Ah this spending on books (having bought two today from the estate of Manfred Durniok)…
I look more for Reza and discover ‘Hideous Gnosis – Black Metal Theory Symposium 1′. Why would I not be feeling an immediate sense of coming home? Philosophy? Black Metal? Graaaaaghhhh!!! (double kick drum!). And I see a link… blackmetaltheory.blogspot.com. And so I shall spend my evening reading ‘Hideous Gnosis’ and passing the time waiting for Reza to arrive.
“Reading: … ” Book of the Year (Non-Fiction): Jonathan Safran Foer – Eating Animals
Reading: Iain M. Banks – Surface Detail
Joe
He was born in South Africa, in Johannesburg, in 1934; May 5th — but even about this I only have a memory. His father was Afrikaans; his mother Turkish — or at least came from or via Turkey. Again I know little, so the following errors show only the limits of this. His name was Joseph Swanepoel. He left South Africa in the ’60s, maybe earlier, and whether directly or other found his way to Toronto, Canada where he spent the rest of his life.
He was a mechanic. Truck driver. Ran a waste paper recycling factory in Scarborough. Smoked and had a mustache. Answered the ‘phone, “Y’ello?”. Once he cut the knuckle of his thumb and a ball of dark blood oozed out. He would read in bed with his knees up and I would hide or play under the tent beneath his legs.
He gave me a Turkish middle name. Though I only found out much later about the Turkish part. He would sit up late watching TV and I would sometimes sneak down to join him. Once, when I was sick, I threw up on his shoulder. Once, when driving his truck back from the factory we stopped for donuts. He bought two boxes, one for everyone when we got home, and one for us alone as we drove, our secret. He cut the rear axel off the truck with a gas axe in the alley behind Eaton Ave. He tried to teach me to drive a forklift when I was maybe four; I almost crashed it into the pit where the new automated conveyer system was to be installed.
He changed his name to Stanton. He wanted to forget South Africa, or at least this is what I remember. A name that I was told had no significance. I remember him more from the voice on the phone and letters with his scrawling handwriting than any image of him, his face or himself as a whole.
Before I was born he had an operation on his back; a bone spur. A fifty percent chance of surviving. He did, but with this came his belief they’d implanted a transistor in his back to monitor him. Or again, this is the story I remember, or remember being told. He said we had to leave because the Italians who worked for him were trying to take over his factory and were planning on… something… so he got us out of the country. This in a letter much later.
With the more incredible stories, so too did his handwriting deteriorate. More paranoia, or perhaps not, perhaps it was true. But no way of knowing and I didn’t want to get too close to this aspect of the family for my own sake; I could feel my own self slipping before this.
We left, for New Zealand. A place I felt nothing for. I wanted to stay with him. I asked him to shave off his mustache before we left. A stranger came into the kitchen. Joe without hair above his lip.
He gave up smoking. I had a photo of him, much later, a passport photo. thick greying hair with a high temple swept up and back. A big nose. He might look like an older middle-aged taxi driver in Berlin. I think I lost this photo. Another one; him on a Skidoo in winter. Snow. I lost this also.
I went to see him, in 2003. From Guangzhou. I wrote to him saying I was coming, to the address he’d had for years — he’d lost the house and business after us. He said he wished he’d travelled more, wished he’d seen Hong Kong. I flew from Beijing in winter, darkness but not quite snow, to a street not far from where I’d once lived, near of Pape and Danforth. I walked to that house, unsure if I could recognise it, unclearly remembering the address. But from there to school, down the street, through the parks up and around the corner, it was all without question. I felt nothing though. Someone else’s memories, or as if I was watching a film I should respond to but … feel nothing.
Winter came properly on Christmas day. Deep snow. I was there over a month, vacillating over going to see him before I took the train to Scarborough. The address was near the station, near a mall. It was cold; bright blue sky. I arrived at a post office. It was not his home. He had his mail sent and held here. I asked about him, said I’d come from Australia and he was my father. They relented to give him a call but on his post box information there was no address, no number, no way of finding him. I left a note.
I left too, shortly after, angry, crying in the taxi, dusk on the way to the airport.
Six months later in Vienna I found he’d been in hospital the whole time with a series of bad heart attacks. I found also he’d been in contact with the rest of my family, he’d always told me I was the only one he spoke with. I got drunk fast on cocktails in the Burgtheater at a reception for the mayor and others. I wanted to hurt someone.
I never wrote to him again until earlier this year. He was in hospital again in intensive care with shingles and another round of heart attacks. I called but didn’t speak with him, sent an email via the hospital. I heard he’d received it but was confused also. About me. He didn’t return to the boarding house or wherever he’d lived for those years since we’d left. They packed up what little he had, sold most, gave the rest to him, told him the nursing home was where he would live until he recovered more, then he could go home. I’d planned to ring him, even tried once.
He died last night. Another heart attack. I hadn’t spoken to him.
I was living in an old brothel in my late teens, above a sex shop in K’road, Auckland. He would ring me about once every six months and letters every couple of months, wherever I’d moved to next, sometimes with a cheque folded in the papers. I’d told him what was going on in my life then and that if he didn’t like it he could fuck off. He’d written that he didn’t know why I was so angry but he loved me and supported me if this is what would make me happy. I sat on the wooden stairs talking with him. I can remember his voice, saying, “y’ello”, saying my name.
owen lattimore – inner asian frontiers of china
mein lesbisches auge 10 – dasniya sommer 3
mein lesbisches auge 10 – credits
black metal theory
jonathan safran foer – eating animals
reading: iain m banks – surface detail