Reading: Joan Slonczewski – The Children Star

Finishing my triumvirate of Elysium Cycle novels, Joan Slonczewski’s The Children Star is the last but two of her books I’ve yet to read, though of those two, one is Microbiology – An Evolving Science for university students and I suspect I would enjoy it in the way a Magpie enjoys shiny things, if I could even afford it.

After Daughter of Elysium, I was desperately hoping for something substantial and compelling in this novel, as the former unfortunately is one of the least memorable science-fiction works I’ve read. As usual, my intent to write this before I begin reading has been thwarted, so I shall reveal that firstly, it’s pretty good, and (without having read The Wall Around Eden to be sure) it marks the beginning of Joan’s delicious weirdness in imagining alien microbial sentience, and secondly, I think I’ve met these microbes before.

Reading: Joan Slonczewski – Daughter of Elysium

The second of the three I acquired of Joan Slonczewski last Friday, Daughter of Elysium follows on from A Door into Ocean, but some thousand years or more later. Why am I reading it? Because it’s Joan of course.

And yes, these aren’t reviews, but I’m around half-way through, and somewhat disappointed. There is a particular quality in her writing that even in her best works feels somewhat unclear, as though she knows the story she is telling perfectly, but it doesn’t quite make it to the page. In her works that succeed, this is merely a background hint, but in Daughter of Elysium, it’s unfortunately very clear.

Perhaps it’s a mix of characters being too archetypal, and so failing to act outside these roles; at other times it’s their behaviour, for which I feel strangely excluded from their motivation. Also too, despite drawing elegantly from microbiology and genetics, the gap of nearly twenty years shows. Perhaps this is an unfair criticism, as writing genuine science-fiction – that is, fiction which bases itself on plausible science – is the hardest genre to not become hopelessly, laughably old-fashioned or completely wrong in. Altogether this creates the uncanny air of reading something that doesn’t seem all that creative or inspired.

Not to worry, still only half-way, with another one yet unread, and it’s always worthwhile reading an author’s problem children. (And I still have a daunting pile of Cantonese and Chinese history to get through …)

“Reading: … ” Book of the Year (Non-Fiction): Jonathan Safran Foer – Eating Animals

reading: jonathan safran foer – eating animals

architecture for dictators

Periodically Domus deals with architecture in Asia that goes beyond the mind-numbing childishness of Shanghai=good!!! and manages to make the art of buildings relevant, which is why I’ve been on their mailing list.

Back in June, there was an article on Pyongyang, and also a call for ideas for the reconstruction of the Ryugyong Hotel. Architect Jan Kaplicky wrote a letter in response saying the article and call were North Korean Propaganda. All this culminated on September 30th in an open debate at the Serpentine Gallery.

Should a dictator’s perversely visionary masterplan be examined and discussed in the pages of an international architecture magazine? Can an understanding of architecture’s most nightmarish distorsions, as well as its most beautiful incarnations, be of any use to us today?

— Domus

ryogyong hotel, pyongyang ryogyong hotel, pyongyang

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